1 draft, when writing about the process of Nanguan River entering Taitung River, I consulted some graphic materials to show caution: local chronicles, county chronicles, city chronicles, various maps, etc. Due to the crisscross of local rivers, it is difficult to count, name and label, and even the names of some tributaries, such as Tangba to Taosi. I found this place marked "Daishe River" on the map of China, which is an open source spatial information. But there is no such place name as Daishe in this area, because this river crosses the Taidong River and is connected with Daijiaze? Its history precedes Taitung River? Open source geography is a website of information science, technology, data and knowledge, with rich professional names and detailed rivers. Although I agree with this statement in my heart, due to the lack of other data, the draft of 1 was not adopted and was described by name in the place name dictionary. I also saw the record of Tangba River in the Traffic History of Dongtai edited by Mr. Lu Jianping in September 1956 and the List of Important Navigable Rivers in Dongtai County: the starting point and ending time of Wanghekou, the length of 20km, the width of dry season of 3 1m, five river-crossing wooden bridges, navigable ships and shoals. According to the concrete degree of the starting and ending points listed in the table, it is clear that Tangba River is a big river connecting Tangba from weir mouth to southeast, which is consistent with memory. The length of this river is 20 kilometers. Maybe the proofreader missed 20 miles. At that time, Taosi was merged into Kaixiang from Beitao Township under its jurisdiction, and was on an equal footing with Shidian Township. Let's take a step back, assuming that the table refers to the big river facing Taosi, as the old man Lu Deshan said in his conversation: "Before the liberation of the whole Tangba, there was no acre of cultivated land except some foreigners from the east of Tangba", so it is hard to imagine that there will be five wooden bridges between Wanghekou, south of Tangba, and the sparsely populated grassland around Taosi River. Besides, its river width is wider than the weir. 10 years later, there are still no structures crossing the river in the east section of Nanguan River, that is, from Tangbakou to Anfeng Dajian (see Traffic History 1965 Table of Technical Conditions for County-level Waterways in Dongtai County, and there is no record of Tangbahe River in the same period). It can be seen that it is even more difficult to build a bridge on a river with a wide water surface, especially before 1956. From Wanghekou to Taosi River, there are 10 groups of rivers except Tangba. On the other hand, from Wanghekou to Shiyan Town, it is reasonable and feasible to build a wooden temporary bridge, whether it flows through Jiagou Xiaozhou, tourism, four rural markets and other villages.
Wandering around in the dark words, those dead things that have disappeared and are separated by several mountains and layers of darkness still shine brightly in the thunderstorm clouds. Looking for the predecessor of the "big river" that reached Tangba, I opened my schoolbag and reread the story of that village. I couldn't hide my inner feelings, saying that "the Hengzi River is connected with the canal in the southeast of the town as the source of the town". It seems that the rural sages more than 100 years ago are also looking down at this fleeting world curiously through the burning clouds. Looking back from one river to another, the happiness lost in it may be just the eternal stars and moons floating on this turbulent river, the villagers singing loudly, the waves coming from the south around the dam of the ancient Toarey Yang Canal, and the increasingly long-lasting figure on the stone mill in the streets of childhood. In the meantime, I prefer the quiet and narrow bazaar on the dam to the small town with broken knives and axes. It seems that I can find my childhood mood and Mr. Zhao Lantian's little footprints better.
When I once again stood in front of the scar-like rock in South Street, dreaming of its hard journey, I inadvertently glanced eastward. A street with a width of two meters and a width of thirty or forty meters, with scattered stone slabs in the middle and Xiaoqing bricks neatly arranged on both sides. Three or four black and green bungalows face south, in which there is a tofu shop, the door is open, and steaming beans are scattered in the darkness. The slate you want to see is not the same color as the street stones you see on weekdays. The color is blue-gray. It is smooth in the sun, but it is badly broken, like a dirty duck egg shell, so that I said goodbye to Ms. Wang and unconsciously took pictures everywhere. In this world, there are thousands of people who write articles about stone roads, from famous artists to Shu Ren, and they are seldom interested in colors. Sometimes I often say "bluestone road in my hometown", no matter whether the stone is yellow or green, I will start with it. If you casually take white wine and green beer on a hot evening, women will be busy in the smoky fire. This root seems to be the mistake of the poet Zheng Chouyu:
I walked through Jiangnan.
The appearance in the season is like the opening and falling of lotus flowers.
If the east wind does not come, catkins will not fly in March.
Your heart is like a little lonely city.
Just like bluestone street facing dusk.
……
Dada's horseshoe is a beautiful mistake.
I am not a returnee, I am a passer-by.
What a blue stone! In the summer vacation, I spent 50 cents to buy a thin book of love poems from Xinhua Bookstore, which was newly built in the east of the city, and circulated it privately. From then on, I fell into a sad scene design, and the context of the characters on the bluestone board changed. Such a kind of happiness and sadness is naturally liked by ignorant men and women, and then the sigh of lilacs in textbooks catalyzes this "mistake". The church immediately handed over the loneliness and confusion in life to some unknown shadows, which is also the first part of life to get Platonic love because of things. There are nursery rhymes in Xixiang: Qing Shi Qing, Ma Hai Huang, vendors coming on the slate road, rattles, er, bang. Change the copper coins into bud sugar quickly. The difference between stones is obvious. Bluestone is limestone and granite is granite. The density of the latter is much higher than the former. At that time, Zhu Ling, who was awarded the prize by Taizhou Lianghuai Department, said in Shiyan's "Repairing the Street": I don't know the labor, but the stone I bought is real. The so-called "strong and heavy China formula" is the unified specification of granite strips commonly used in local paving. Compared with granite, bluestone is more accessible, more common in the south of the Yangtze River, and its decorative application is outstanding. When I was a child, I saw some strange and clean paved stones, round or angular, blue and white, with a few thick and round ginkgo tree stumps beside them. This scene has always been regarded as the farthest memory of bluestone, but now it is not sure, and it is suspected to be marble metamorphic rock or something. The primary school used to be Jingshi Temple, an ancient temple in the town with a county building, which was built in the thirty-third year of Ganlong County. Judging from Guandi, Wenchang, Vulcan, Four Kings of Jinlong, Eight Waxes, General Liu Meng and other gods. It should be a Taoist temple, but it does not rule out that Fo 'antang, as a private public property, will be requisitioned by clans and township offices led by gentry. For example, in the tenth year of Daoguang, the Jishan Society was established in buddhist nun. In the 14th year of Daoguang, the Jain God and General Liu Meng Temple were built. In Daoguang 16, Fengxian Bank established Fengbei Warehouse. The gentry and director Feng Daoli passed a document, hoping to raise money to buy a house in the temple, store food and rent it out for disaster relief. Buddhist nun was later cultivated by monks, and now the Xiugeng Temple has been destroyed during the Cultural Revolution. In fact, as early as the late Qing dynasty, it was partially rented, confiscated and repaired as a primary school. /kloc-an advanced class was added as a complete primary school in 0/7. After liberation, the main hall was turned into a teacher's office dormitory. The stone on the ground is just an ornament in the courtyard of the hut. The yogi stands on it and meditates, drinking tea and chatting. In the 1970s, when it was getting dark after school, a ghost cried, "The old man with white beard is coming." During the game, the children were shocked to hear this and fled, leaving the prankster hiding in the corner toilet with his pants, grinning.
Standing on the clean slate street on the dam, I looked around at the bluestone under my feet. The sun shines straight on my head, and there is a world of mortals eager to wake up passers-by. I can't help wanting a folk song in my ear: "Knowing the slag, the two ends of the slate are inclined, and the lazy girl is sleepy." The etymology is Zhou Zuoren's Slate Road, and the ending is the second diary in the thirty-four years of the Republic of China, when the donkey was singing. According to him, while writing this article, he saw Fu Sinian, acting president of Peking University, publish in the newspaper: "Pseudo-Peking University faculty members are not allowed to hold teaching posts on the affiliated list", and he just smelled a donkey barking in the alley, so he expressed disdain. However, how to stay in school, how to be shot, and how to keep books can't change his responsibility as a cultural traitor. It is also a pity to stay in this world where leisure and indifferent words are immortal. Different from Zhou Zuoren, I accidentally saw Mr. Zhao's true taste and national temperament in Lantian's Sketch of Fruits and Vegetables. When Shanghai was completely occupied in 4 1 year, Zhonghua Book Company closed and people were scattered everywhere. Mr. Wang returned to his hometown Tangba in northern Jiangsu after a long separation. There are no eggs left under the cover of the basin. Although the land on Bashang is remote, it is still swept, raped and plundered by Japanese puppet troops from time to time. 1938, Japanese invaders took a motorboat to Tangba and found guns left by three security brigades in villagers' homes, which was used as an excuse to kill and set fire to more than 0/00 houses. 194 1 in may, Zhang xingbing led three brigades to recover Shiyan, which was influenced by reactionaries. As a result, his ideology became more and more stubborn and negative, and the friction with the "joint war of resistance" of the New Fourth Army became increasingly serious. At the same time that the main force of the United Resistance Army went northward for training and consolidation, he took the opportunity to attack his left-behind troops in the fifth district of the county east of Tangba by dispatching troops. After reading and listening, Mr. Wang was so angry that he drew a big green watermelon and a small yellow cantaloupe. The title was "I'd rather be thirsty than show him to others". The picture is fragrant, rich and colorful, quiet and simple; The inscription is a powerful stroke that penetrates the back of the paper. He expressed Mr. Zhang's deep condemnation of the Kuomintang die-hards for betraying national unity and splitting the country, and at the same time showed his sincere attitude, hoping that "brothers hit the wall and foreign countries resisted." This painting was painted in Tianxiangge by Mr. Zhang Xingcha in order to escape the chaos in his hometown when the Nanpu Brigade of the Japanese army invaded Taicheng in June of the fourth year of Xin Dynasty. In July, the two met in the lent, between the piano and calligraphy, saying that the ancient theory is today, and the country is broken. He sighed when he saw the picture, and wrote an inscription: "Big watermelon and small melon, everyone saw it, and their mouths watered." China has its own kind of Huangtai, which tastes very good. After picking it again and again, the rattan comes back empty. If you don't teach to eat separately, the competition will be uneven. I am a melon knife. "Mr Star check is a well-read scholar. He met Chen Yi at the 40-year symposium held in Hong Lan Villa in Taicheng, and was deeply influenced by him. In the inscription and postscript, the allusions in "Guaci of Huangtai" written by Li Xian to his mother Wu Zetian refer to killing relatives and harming others. This is similar to a famous saying by Cao Zhi after the Southern Anhui Incident in Zhou Enlai at the beginning of the same year: "We were born from the same root, so why are we in such a hurry? "? The font is small, quite regular and angular. This may be Tai Cheng's ink in his later years. It is really a rare expression of feelings, and Zhao Lantian's calligraphy and painting are natural. There is also a pleasing rhyme in integrity.
Living in the countryside, Mr. Zhao Lantian can't paint for his favorite children's cause, but in the face of broken mountains and rivers and turbulent times, he sings poetry and paints to get rid of his troubles, and his patriotic feelings roar. For example, reading the poem "Painting in Poetry" and copying the poem "Blue Sky" is a sharp mockery of Wang Pseudo's "Saving the Country by Curves": I once heard that I would win the world soon, but I didn't believe that Pipa would go out of the Han Palace. Huo Wei should be short of breath, while Huang Sha Wan Li looks at female wind. The country is blessed, and Qilin Pavilion is famous for its paintings. You will be a coward if you fight for the goods. "Calligraphy is a running script, every word has the rhyme of Lanting, and the strokes are smooth and ancient. During the period of War of Resistance against Japanese Aggression, Shiyan, Tangba, Meng Duo and Yang Duo, as the occupied areas of the fifth and sixth districts of the puppet army county, were informed and killed by traitors if they were not careful. In the bloody battle, as a scholar, he dared to speak his mind, denounced the cowardice of Wang's puppet regime, flattered his own interests and betrayed the motherland. This kind of national sentiment can be seen everywhere in the works during the period of avoiding chaos. Zhao Lantian, in his 1944 collection "Essays", issued a "Why is it so unusual to use the present painting? "backchat is a bold attack on the barbaric behavior of pulling young men to clean up the countryside. At that time, the Japanese invaders were busy with the battle of Henan, Hunan and Guangxi, and the Soviet troops were empty. The Japanese puppet troops expanding Qing Xiang forcibly built fences and blocked walls in an attempt to cut off and stifle the joint resistance of all districts. However, with the comprehensive counter-measures of the New Fourth Army, the growth of Qing Xiang was frustrated. In the summer of this year, the guerrillas in Shiyan District, with the cooperation of a company of Zishi County Independent Regiment, destroyed the office of the fifth district of Meng Duo Pseudo-county near Tangba and captured more than 90 puppet troops. Japanese puppet troops hiding in Shiyan and Tangba strongholds are in constant fear. Therefore, there is such an ink painting in the book Shen Jia's Essays: two black crabs are cocky, pawing and full of air. This style of painting is concise and realistic. The inscription is straightforward and funny, saying that "the crime of destroying rice can't escape, but it is still proud of it." After all, it's just for people to chew, and chrysanthemum wine is left and right. It's not that desire is hard to satisfy, why do you always drool when you quarrel? You should regret when wandering at the bottom of the pot, and your body is blushing. Shen Jia Moon Festival (September of the lunar calendar) ". After careful consideration, every word is filled with the joy of Du Gongbu's "However, I packed my books and poems crazily", dispelling the dark clouds, singing and indulging in wine. At the right time, from September 20th to June 5438+1October 65438+June, the Suzhong Military Region of the New Fourth Army launched the battle of Chen Taiyun, which completely smashed the attack and blockade of the anti-Japanese area by Chen Taiyun, the headquarters of the enemy stubborn tax police, in collaboration with the puppet 34th and 26th divisions at the beginning of the month. At the same time, the soldiers and civilians of fourth area in the middle of the Soviet Union launched an autumn offensive, recovered the enemy-occupied base areas in Qing Xiang, controlled the vast areas between Taizhou, Dongtai, Taixian and Xinghua, and besieged the Japanese puppet troops in a few isolated fortifications, surviving, completely in a passive situation. Therefore, Mr. Wang's love and hate for the great righteousness, his desire for victory and dawn, and his simple feelings for the party and the army are increasingly * * *, expressing his will as a token, which is naturally revealed in calligraphy and painting. This kind of "drinking left and hugging right" after dark troubled times is not the same as the gossip in teahouses and restaurants that "half a day's leisure is worth ten years' dust dream". It seems that the color of this late dawn has also infected the lover who lives alone. Where are my wife and my son? There is no trace of sadness on their faces. " A woman who looked up at her temples, dyed her face white and lit up suddenly fell in love, and a picture of "Blue Weng beating his wife" came into being. The postscript is that Zhang Tang borrowed "Female Fu", "You know that I have a husband and gave me a pair of pearls. I thank you for your love and pin the pearl on my red shirt. My home is connected with the imperial garden, and my husband is on duty in the palace with a halberd. Although I know you are sincere to Lang Lang, I have vowed to share my life and death with my husband. Tears are almost in my eyes, so why not meet each other when I am unmarried? "Mr. Character in the painting intends to become an affectionate man, bowing his head, as if he had been given an old fist, his eyes were Qing Wu, and he wrapped the woman in the painting with a string of copper coins. The woman looked at the smirked and persevering man, showing pity and hesitation on the paper, and her heart was pounding. It is true that men are not bad, women don't love them, and it is also a magic weapon to win love by putting down their bodies, praising them constantly, and working hard, supplemented by the temptation of haggling over every penny. It seems that it has been tried and tested. I remember that in reality, Mr. Shen Congwen also used this language skill to win beauty, just like the sentence "I know you will come, so I will wait". A similar sentence is the same as Mr. Blue Sky's brushes. But the most valuable thing about this painting is not only to dilute the meaning of the original poem, but also to enhance the teasing color between the opposite sex in another way, showing the excitement and ups and downs caused by the dawn of national liberation. If we ponder, we can return to the metaphorical meaning of poetry through the inscription "Zhang borrowed Li Gugu to hire Fu Tun, which is beyond words": the poet Zhang euphemistically rejected Li Gugu, the hot envoy of the buffer region at that time, and showed his loyalty to the court by "pledging to live and die together". It is not difficult to find that Mr. Tangba, his hometown at that time, has always been the main nest of the Japanese puppet troops. He really deliberately refused the invitation of the traitor government many times, and did not seek skin from the tiger. This painting is just a circuitous collection of painting ideas.
This kind of self-restraint, mighty and unyielding literati integrity was reflected in Xin Si's painting "Boating on the River" last July. A lone boat is drifting in the boundless waves of Fuchun River, and the traveler on board looks thoughtfully at the rolling mountains that slowly recede from the bend in the distance. Shao Peiyuan's poem "I love the mountain opposite Tonglu most, and I smile every time I meet you." Yanling Mountain is so naive and stupid, which is simply a waste of Erwei Bay in Lancang River. "From the quoted Shao poems, there seems to be a majestic spirit of' green hills can't cover up, after all, flowing eastward', which shows Mr. Wang's hope and belief in the ravaged nation to resist foreign enemies and recover mountains and rivers. However, the poem also implicitly contains the story of retiring Emperor Guangwu as an official, conveying the past that Mr. Wang refused to be employed by officials with the same surname at that time and abandoned his wealth and splendor. In the process of communicating with the tour guides named Lu Lao and Zhao, both of them could not help but say that Tangba has always been a market town, producing talents. In Beijing, Shanghai, Nanjing, Taiwan Province and other places, there are many official studies, which flourished during the Republic of China. When asked about specific people, except Zhao Lantian, Zhao Zhenqian, Zhao Lianggong and Chen, they were all vague. When writing this story with a lantern, the west wind suddenly started outside the window, and it began to rain under Konoha. It reminds people inexplicably of the movie they saw decades ago, and the fragment of "Dad Comes Home" in "A Spring River Flows East" with almost exhausted memories: In a small house, my son Kang Sheng wears a wide-brimmed hat and exaggerates the way his father Zhang Zhongliang came back from the plane, which makes Su Fen and grandma laugh. This smile seems to be connected with sadness, just like ripples blown by the wind, spreading in the picture of "the man in blue beats his wife". Perhaps, what hits the soul directly is only the helpless sigh at the bottom of the dark world. When you come out from some tall perspectives and look down on the insignificance of life in troubled times again, what I want to ripple out in these laughter is more the desolation and sadness of life.
Although Mr. Zhao Lantian is still alive, he can't write a book and let future generations look directly at his conscience and soul, but the paintings, poems and a large number of children's paintings preserved so far can still bring us infinite enlightenment. Searching for his footprints may be a shortcut to explore his personality charm, or happiness or sadness, or ease or passion, which are connected in series bit by bit into a politically distinct life track. In his collection of children's works, I found that Mr. Wang painted the cover of the 500th issue of Children in May, 1932. Holding bamboo poles and wood blade high, two children charged against the wind and drove (the enemy) away. Obviously at the end of the Battle of Songhu. As a resident of Shanghai, he is a common enemy, and his anti-Japanese thoughts are clearly presented in his paintings. This may be Mr. Wang's earliest anti-Japanese works, and it is also the earliest political theme involved in The Cover of Children, which is particularly precious. Interestingly, I saw on a piece of paper in my hometown in the 1980s that the content about Mr. Wang was only "48 private houses of four landlords, such as Zhao Shanruo and Zhao Lantian, were confiscated on 1950 and set as grain warehouses under Shiyan Grain Purchase Station". Pens are as stingy as city records. The status of the "big landlord" exploiting class doesn't matter to the rich people who destroyed War of Resistance against Japanese Aggression and the land reform, and it serves them right. For intellectuals who are classified as self-reliant with social conscience, the life risks brought by populist movements are unpredictable doom. For example, Mr. Wu, the editor-in-chief of my husband's colleague, returned to his hometown in Hunan after the publication was stopped, and spent many years saving to buy land and build a house and live in seclusion in the countryside. When he was classified as a landlord during the land reform, he entered another book, and his wife and children turned against him, and he could not escape the fate of being wrestled. This modest nanny, known as the faithful nanny of children, died in 1973 because of lack of clothes and food. When asked about Zhao Lantian's trip to Shanghai after the Anti-Japanese War, the old man Lu Deshan said: "After 47 years, the whole family left and never came back." Children 1945 was reprinted in Chongqing and published in Shanghai in 1946. Due to the lack of materials after the war, the original crew was lost, and the reissued "Children" was not as good as before the war in terms of style, American editing and printing quality. So, the bookstore sent someone to make an appointment with Zhao Lantian, who lived in seclusion. At that time, the democratic government of Yan District carried out the May 4th land reform, and Mr. Wang actively responded to the call and distributed the land to farmers. After receiving the letter of appointment from the bookstore, I thought and thought. In 47 years, I bid farewell to my hometown of seclusion for six years and returned to Shanghai. I never came back. Although Mr. Wang avoided the chaos of building houses in rural areas, he also visited relatives and friends in Qintong and Taizhou towns around him. Most of the friends I make are squires and old people who are patriotic in running schools and benefiting their hometown, as well as people with lofty ideals who are progressive in thinking and devoted to the revolution. Such as Zhang Taicheng Xingcha, fellow countryman Zhao Yushu, Zhao Zhenqian and Qintong Mina Lee. In the second year, Zhao Jueshu founded Tangba Mingxin Primary School in Xuan Tong, which is one of the earliest schools in Dongtai, teaching knowledge to the children of gentry, farmers and businessmen. Mina Lee is a stamp collector and a junior. 1947 founded the first philatelic magazine Subei Post in China. From the end of 1948 to the beginning of 1949, Central China Post was edited and published, focusing on stamps and postal news in the liberated areas. Teacher Wang has given him knowledge guidance and exchange of ideas on stamp collecting for many times. Judging from Mr. Seclusion's words and deeds, he did not lose his patriotism and integrity as an intellectual in the Republic of China. However, at the beginning of liberation, the ancestral home was suddenly confiscated and its identity was branded as "big landlord". For anyone, it is a kind of spiritual loneliness and shackles. The slang of the old man in Mount Lude makes me feel a little throbbing. "Zhao Lantian's family is now in the grain depot, and it is tight, er, Yangjiaxiang in the northeast corner. Left in 47 years, liberated in 48 years. I went to his house for 50 years, walked through the living room, left and right rooms, and there was a study in the back, which was full of calligraphy and painting. " "Three rooms and seven beams, filled with a guy, ink painting, figure painting, landscape painting, so beautiful! All of them are hand-painted and the characters are sketched. " "When I was a child, I played with it, took it home, and pasted the fragments of my home. Mom looked at it and said, how do you take it home? Can't move, just send it back quickly. " There are eighteen households, including his family, all surnamed Zhao. "。 During the Great Leap Forward, they were demolished and converted into warehouses. During the Cultural Revolution, they were renovated into granaries, and more bricks were used to build walls. "The study in the old man's words is the" Tianxiang Pavilion "inscribed by Mr. Judging from the numerous picture books and orderly arrangement, Zhao Lantian went to work in Shanghai at that time and didn't mean not to come back. Even before he left, he ordered his family to take care of it for him, so parents asked their children to put the painting back. From another aspect, it also expresses Mr. Wang's affection for people on weekdays and the villagers' respect for him. As for Mr. Wang's approachable temperament, we can confirm it from the memory of the writer's children's publishing house: "He is tall, thin, kind-hearted, gentle in speech and an elder." When I meet comrades, I always advise them with kindness. " From having a home to being homeless, in the final analysis, it still stems from some kind of wrong handling of the composition, regardless of the land and property handed over during the May 4th land reform, and then in some cases, the composition is determined by the return. When we return to the land reform law of 1950, it involves the confiscation and expropriation of land. Article 2: "The land of landlords, rural livestock, farm tools, surplus grain and surplus houses shall be confiscated. But the other property of the landlord will not be confiscated. " With joy, if we do this seriously, we will not feel sorry for the new country. This law appears in the form of reform, and the rational requirement should be social redistribution on the basis of inheritance. Tianxiangge, as a part of professional premises and limited private property, does not belong to the scope of confiscation according to regulations, but it is counted as exploitation income in liquidation and completely confiscated in imitation of revolutionary charges. This process is full of contradictions between human ethics and politics. In this case, most people suffer and choose silence. At this point, it is human nature that Mr. Wang is far away from his hometown, so there is a saying: "There is no truth in history, only one truth remains." Look back at the decline of the grain depot on the original site of Tianxiangge, and then look at the people around us swallowing state-owned assets with zero assets in the restructuring. They are doing the same thing as their predecessors. In the game of distribution of private property and public property, they are always at the most shameless end. Sometimes passing by the factory where I once lived, too many assets are lost, which makes it look like a dying woman, and its lonely and numb expression is as lifeless as dusk. Darkness is still lusting after her milk, dreaming of nourishing it from generation to generation, but the withered chest has long been unable to squeeze out a drop, a drop of stars, leaving only a little smelly and rusty blood.