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Shen Shi: Biography of the First Generation of Criminal Investigators in New China by Cao Xianzheng
Wisdom creates a legendary spectrum of justice, sings for the people and lights up life.

Text/Cheng Humboldt

The upcoming 30-episode TV series SHIELD is adapted from the long documentary literature of the same name created by public security front writers Cao Jinyuan and Cao Jinyun. Based on Cao Xianzheng and others, the TV series artistically reproduces the heroic deeds and glorious image of the first generation of criminal investigators in New China. This drama is not only an epic of the times carefully created by the creative team composed of national first-class TV people with painstaking efforts and wisdom, but also a masterpiece that will have a great influence in the history of criminal investigation TV in China. S.H.I.E.L.D. is a TV series that portrays the pioneers of criminal investigation in new China, that is, "the heart is with the people, the heart is with the people, and the good and evil can defeat the enemy". The theme of the play is grand, which describes how the criminal investigation work in new China started from scratch and achieved the most brilliant results under the most difficult circumstances. It is a microcosm of the criminal investigation legend of New China. Cao Xianzheng, the life prototype of the play, created a criminal investigation detection rate of 100% in the whole province and kept it for three consecutive years, which is unheard of so far!

At the beginning of the birth of New China, more than 6,543,800 Kuomintang troops still occupied a large area of land and coastal islands, including Yunnan, and more than 2 million bandits were still enemies of the people. Destroying the remaining enemies, clearing bandits against hegemony, suppressing counter-revolutionaries, solving criminal cases and consolidating the new people's political power are all serious struggles, and their political significance is the same as defeating the 8 million troops of the Chiang family dynasty.

The public security work in New China was established on the basis of military security work. 1At the end of 950, the Security Department of the General Political Department handed over the party and government work of the public security forces to the leadership of the newly established China People's Public Security Forces. At that time, a large number of cadres were mobilized from the army to work in the public security front. Cao Zheng, the "first hero" in the play, is an artistic model among these people.

In his nearly 40 years of work, Cao Xianzheng fought bloody battles to seize the revolutionary regime, gained great wisdom and courage in consolidating the new people's regime, made many pioneering work in maintaining social peace and people's peace, and achieved brilliant results.

It is precisely because of Cao Xian's "political demeanor" that the people's public security work hard and create brilliance, which has achieved the best social security situation in the history of the local country. With a sense of security, the people's trust in the party and the government has increased, further promoting social stability and consolidating the new people's political power. It is the sacred mission of China TV people to create such a TV series with great themes, which has important political significance and great historical and contemporary value. "Shield God" originates from life and is higher than life. It is a masterpiece with excellent ideological content, artistry and appreciation, with strong value of the times and inheritance of advanced culture.

The whole drama is based on the social and historical background of the first generation of criminal investigation in New China, with the complicated case detection as the carrier. Through the successful shaping of Cao Xianzheng and others who came from the bloody battle in the early days of the founding of the People's Republic of China, it artistically reproduces the typical characters in the typical environment and has many breakthroughs.

Through the detailed description and artistic generalization of the characters in different contradictions and conflicts, the play makes the characters distinctive, the details vivid and touching, and the story true and credible. Cao Zheng, the hero, has changed from an army "regular" public security to a "nemesis" of major cases; He not only has the responsibility and professional skills of "not letting go of a real murderer and not wronged a good man", but also has the courage and courage to use talents in an eclectic way; No matter what kind of unsolved case, as long as Cao Xianzheng goes out and eliminates the appearance of the case, he can always grasp the key and get to the bottom of it. In the play, the female No.1 stone saw that "there is no war now, and the common people still live a restless life". She not only fully supports her husband Cao Zheng's work, but also is strict with herself, generous with others, and actively resolves conflicts of interest and emotional entanglements among comrades, showing a dazzling brilliance of human nature. Other characters in the play, such as Shi, Wan Daxi, Ma Guihua, Sun, Wang, Du, Qian Yuxiang and Ding Youcheng, also have their own characteristics and are unforgettable. The portrayal of the characters in the play is not flat, patterned and simplified, but full of blood, flesh, syndrome differentiation and three-dimensional, which is very attractive and infectious.

The play pays more attention to the profound revelation and accurate grasp of the inner world of the characters. Through the cracking of complex and bizarre cases, it reflects today's complicated life world; There are greed, selfish desires, deception, insidious hatred and betrayal, and sincerity for the people, wit and courage, and courage to sacrifice, which concisely and intensively show the ideological essence, personality charm and human brilliance of criminal investigators. Cao Zheng's bravery and invincibility embodies the proletarian style of the broad masses of public security police who practice the fundamental purpose of "serving the people wholeheartedly".

The artistic truth of the play comes from the solid and heavy fertile soil of life. Cao Xianzheng, the prototype of Cao Xianzheng, once avenged a suspect who was sentenced to death and was going to be executed the next day. He not only made a speech to the leader at the risk of losing his official position, but also realized the original intention of "keeping people under the sword", and finally investigated the real murderer and won the precious hearts of the people who trusted the party and the government! The aggrieved farmer gave him a plaque, which read: "Cao expressed his grievances as a citizen, and the grassroots people thanked the government for saving his life." He was persecuted and disabled during the Cultural Revolution, but he remained loyal to the Party on his deathbed. His last two demands for the organization are: the ashes are scattered on the land of Yunnan where he died, and he specifically told his son not to tell his persecutors during the Cultural Revolution! The artistic models with distinctive personalities, touching stories and unforgettable details in the play are the true portrayal of these lives.

SHIELD is a public security theme, reflecting the work of criminal investigation and solving crimes, but it is a main theme work focusing on mainstream media communication. There is no content that caters to low tastes, no one-sided gimmicks, no rendering of bloody scenes and description of specific means and methods to solve crimes, and no negative factors that induce crimes. As a theme work, this drama is not a slogan-like empty expression, but a rare masterpiece with a clear theme, healthy thoughts, vivid stories and vivid characters. It is a "Chinese Style" drama that represents China's going to the world and China's public security. Such a wonderful masterpiece has reason to appear in the prime time of CCTV and other satellite TV stations. S.H.I.E.L.D. is a masterpiece carefully created by the national first-class TV production team. The high quality of the play script is created by the playwright's thoughts, value collision and belief identification.

The first screenwriter of the play, Zhang Peng, was born in the 1980s. He once admitted that when he took this job, he was disgusted with the main theme. He refused to deal with it, and then wrote a popular drama "Urban Romance" to make a living. But unexpectedly, a trip to Yunnan went deep into public security life and completely changed his creative concept! Unexpectedly, writing this play actually changed some of his life beliefs!

When he deeply understood Cao Xianzheng, the older generation who "came from the people and dedicated his life to the people", Cao Xianyun, the son of Cao Xianzheng, kept in mind his parents' hopes and responsibilities and stepped into the public security team. He also did not hesitate to "give the hope of life to his comrades-in-arms and leave the danger of death to himself" in "Fight to the Death". Cao Jinyun, the son of his father, also wrote new glories. The new drug testing standards he created reached and exceeded international standards, which are still in use today. The writer once asked bluntly, "Why do you keep the danger of death to yourself?" Cao Jinyun said indifferently and confidently: "I am party member!"

The touching story and lofty realm of two generations of romanticism shocked the playwrights' hearts, and I deeply felt that this line was an understatement, but it was indeed the ideological root when they decided to give their lives. People have repeatedly asked: Why are heroes so brave in solving crimes? Playwrights finally have a real feeling: in addition to excellent professional skills and superhuman wisdom and will, it is more important that "they have a heart to serve the people."

Zhang Peng created this script, and he "devoted his emotions and life", and he "believed in it"! He is convinced that those "police uncles" who solve crimes like gods have not drifted away with the fading history of "old motorcycles", "old walkie-talkies" and "worn-out police uniforms". He realized that "something is not dead, he is still alive"! Therefore, the TV series that can change the life belief of this post-80 s playwright will certainly impress the audience and have a wide and positive social impact.

Note: This article has been published in Chinese Sons and Daughters magazine (20 12,19,338).