The novel itself is an encyclopedic work, which not only shows the author's profound knowledge, but also embodies the working concept of the work: "Fill the human soul with truth, knowledge and knowledge." From the unfolding birth of КаΥан Du Ya, he shouted "Drink! Drink! " At the end of the article, "Drink!" All the instructions strongly express the eager desire to get rid of mental shackles and pursue new ideas and knowledge.
The hero of the novel, КаΥан Du Ya, a father-son giant and a huge ancient Egypt, all have extraordinary physique and strength. In them, rabelais not only showed the value and greatness of human beings, but also emphasized the important role of humanities in education. It is obvious that КаΥан was educated twice in Du Ya. He was originally brilliant, but decades of school education turned him into an idiot and a confused person. Only after he turned to humanistic education did he become a veritable "giant", and the eclectic educational thought embodied in it had a great influence on the development of educational thought later.
The monastery of Tremay in the novel is rabelais's imaginary humanistic ideal country. The only rule of this monastery is "do whatever you want". Brother John, who founded the monastery, is the ideal figure of this humanism. He is not a celibate, and dares to look at the girl boldly: he doesn't go on a diet, eating and drinking are worth four people; he is not afraid of the enemy, and he is ruthless to the enemy. He once beat the invading enemy out of the water. This image is very different from the noble monk class in the Middle Ages, and it conforms to the humanistic "human feelings" standard.
The greatest artistic feature of The Legend of the Giant is its fantastic satire, humor and rich imagination in its absurd and exaggerated description. This feature comes from rabelais's excellent inheritance and transformation of folk literature tradition. In the study of contemporary literature. This work is attracting more and more attention with its unique artistic charm.
Through the growth process of the protagonist КаΥан Du Ya and his son Gu Ai, Biography of the Giant mercilessly attacked the corruption of school education and the authority of the church with absurd techniques, exaggerated language and humorous and pungent style, enthusiastically eulogized humanistic education and praised the new spirit of the Renaissance. The second part of Biography of the Giant, Hugue Gu 'ai, was first published, and later rabelais wrote КаΥан Du Ya. Because КаΥан Du Ya is his father, when the novel was reprinted, КаΥан Du Ya ranked first. The third part is entitled "The Heroic Words and Actions of the Kind and Great Gu Ai Volume III" (published in 1545). The fourth part describes the experience of giant solid Egypt and its partner baruch in searching for Aquarius (published in 1552). The fifth book Zhong Ming Island was published after rabelais's death (1564). Among them, the first two parts are closely related to education. The book is written by folk writers, interspersed with popular forms, such as riddles, fairy tales, fables, history, short plays, limerick and so on. , and used a variety of archaism, Greek, Latin, loanwords, local languages, jargon, puns, jokes and jokes, which is unique in French literature. Some of these chapters have long been translated into Chinese, and there are several translations of titles, such as Duya and Hugue Gue, Da and Hugue Gue, Jia and Pandgor. China People's Literature Publishing House published Bao's Biography of the Giant 1983, with a total of 333 pages. Part one, chapter 58, and part two, chapter 34. Biography of the Giant exposes the darkness and decay of the church in the Middle Ages and reflects the humanists' pursuit of bourgeois liberation in the Renaissance. In rabelais's ideal society, human nature is kind and people are simple. His ideal code of conduct is: "Do what you like". When reading rabelais's Biography of the Giant, everyone can laugh happily, heartily and heartily, which is why he is known as a "great comedian".
Rabelais (1494-1553) was interested in education mainly because he was influenced by Erasmus and Protestant educator Sturm. His educational thoughts are mainly embodied in his satirical literary work Biography of the Giant. The main points are as follows.
Firstly, the new concept of freedom of education is expounded. He demanded to break all the commandments, whether church or secular. He believes that the ideal society is composed of people who enjoy complete freedom, and "doing what you want" is the principle he advocates. The freedom he advocated is different from the urban freedom in the early Italian Renaissance, but mainly a kind of personal freedom, which shows his conviction of personal value and personal freedom.
Second, he advocated the parallel development of body and mind and attached importance to sports. He listed many sports activities, such as horse riding, fencing, wrestling, running, swimming, archery, mountain climbing and tree climbing.
Third, ask for omniscience. Rabelais proposed an all-encompassing range of learning knowledge, with classical languages and works as the main subjects, but rabelais introduced natural subjects, requiring "special research" on nature. Rabelais also pays attention to the teaching of mother tongue, and requires the use of mother tongue in daily communication.
Fourthly, new learning methods and approaches are put forward. Rabelais hated the tedious argumentation and rote learning methods of scholasticism, and demanded that the mastery of knowledge should be based on understanding. He believes that "knowledge without understanding is a waste of the soul", and he demands new teaching methods to make the process of teaching and learning relaxed and enjoyable. "It is not so much the students who are studying as the king who is enjoying himself." Books are the source of knowledge, and observation, conversation, games, study tours, visits and travel are also important ways to acquire knowledge.