Crescent Society is a large-scale literary society whose main content is to explore the theory and creation of new poetry since the May 4th Movement. 1923 was founded in Beijing, 1927 spring activities moved to Shanghai, and 1933 ended. Its main members are Hu Shi, Xu Zhimo, Wen Yiduo and Liang Shiqiu. They took the Morning Post Supplement as their position, and later founded Poetry Magazine and Crescent Weekly. Crescent Society is a faction involving politics, ideology, scholarship and literature, which shows the characteristics of bourgeois liberalism in ideology and organization. Its contribution in the history of modern literature in China mainly lies in new poetry. Wen Yiduo, Xu Zhimo and others put forward the idea of new metrical poetry in view of the prosaic tendency of free verse, that is, the "three beauties" of new poetry. Their pursuit of poetic art has an aesthetic tendency, but to some extent, they have overcome and corrected the shortcomings of vernacular new poetry since the May Fourth Movement, which is of great significance to the development of artistic skills of new poetry at that time. Xu Zhimo's Farewell to Cambridge and Wen Yiduo's Dead Water are both representative works of Crescent Society.
Silk Society: named after the weekly magazine Silk. Threads were founded in 1924, 1 1, 1930 and ceased to be published in March, and the Threads Society dissipated. Sun Fuyuan, Zhou Zuoren, Lu Xun and Lin Yutang are the main contributors to Yu Si. It is a publication with prose creation as its main content in the history of modern literature in China, mainly publishing miscellaneous feelings, short comments and sketches. The prose creation of Silk Society writers has formed a unique "silk style", which is arbitrary in ideological content and innovative in art, with literary sketches and essays as the main forms, pungent and humorous, with strong irony. The style of writing is "witty and full of irony", which is characterized by "nonsense, unbridled, urging people to be reborn, but harming people old and new. –; But what kind of' new' should be produced, but there is no clear expression. When I feel a little crisis, I am deliberately vague. " The sharp and pungent essays represented by Lu Xun and the elegant essays represented by Zhou Zuoren and Lin Yutang formed two categories of prose creation, which had an important influence on the development of prose.
Asakusa Society: 1922 was founded in Shanghai, and its main members are Lin Ruyong, Chen, Chen Xianghe and Feng Zhi. He founded Asakusa Quarterly and published Xunwen in the supplement of Republic of China Daily in Shanghai. In the autumn of 1929, its backbone members formed the Shen Zhong Society, founded the Shen Zhong Weekly and Bimonthly, and devoted themselves to introducing foreign literature, especially German Romantic literature. In terms of creation, there are Feng Zhi's poems, such as Lin Ruzhen and Chen Wei.
Mangyuan Society: founded in 1925, initiated and led by Lu Xun. Members mainly include Gao Changhong, Xiang Peiliang and Wei Suyuan. , named after the founding of Mangyuan Weekly and Bimonthly. Mangyuan advocates social criticism and civilization criticism, and attacks the old forces and civilization.
Unnamed Society: founded in 1925, initiated and led by Lu Xun. Members mainly include Wei Suyuan and Tai Jingnong. This is a group that focuses on the translation and introduction of foreign literature, especially Russian literature, including unnamed series of specially translated works and unnamed new collections specially created. Tai Jingnong's collection of novels, Sons of the Earth, is an important achievement of the novel creation of Weiming Society and a successful local literature work.
Lakeside Poetry Society:1A new poetry group established in Hangzhou in April, 922, mainly represented by Wang Jingzhi, Pan Mohua, Ying Xiuren and Feng Xuefeng. In April of the same year, their poetry collection Lakeside was published, hence the name lake poets. They write lyric poems, but the most influential ones are love poems, which are fresh and natural in style, naive and straightforward, showing a bold rebellious spirit against traditional feudalism and secularism, and are relatively mature in art. 1923 published Songs of Spring, which can arouse the naive enthusiasm of the new generation. Zhu Ziqing called them four young people who were "committed to making love poems" at that time.
New drama: also known as civilized drama. This is the first stage of the drama movement in China. From 65438 to 0907, under the influence of European, American and Japanese drama movements, Zeng Xiaogu, Ou Yangyuqian and other students studying in Japan organized a drama group "Spring Willow Society" and adapted and performed plays such as "Black Slave Record". Before and after the Revolution of 1911, many new dramas appeared, and most of them performed political dramas with the national democratic revolution as their content. After the Revolution of 1911, the new dramas were very prosperous, mainly performing family ethics dramas. On the eve of the May 4th Movement, new dramas tended to decline. The reasons are as follows: first, the new drama is commercialized, catering to the interests of ordinary citizens, and its content is vulgar; Second, the new plays are all curtain plays, and there is no complete script, only the story outline, so it is difficult to improve the artistic level and acting skills. The May 4th literary revolution criticized the degenerate civilized drama, and some dramatists put forward the slogan of "loving American drama", thus the drama movement in China entered the second stage.
American love drama: the unprofessional drama movement that arose after the May 4th Movement in China, referred to as American love drama for short. "Love American TV series" is a transliteration of English amateur, which means amateur. "Love American TV series" refers to amateur TV series. 192 1 in June, Wang Youyou first put forward the idea of getting rid of the shackles of capitalists and imitating the non-commercial independent theater companies of western organizations, and established the People's Drama Club with Chen Dabei and others. Soon, Chen Dabei wrote the drama "Love Beauty", which aroused a warm response in the society, so American love drama quickly replaced the declining civilized drama and became the mainstream of drama activities in China in the early 1920s. Amy's drama movement takes students as the main body and Beijing and Shanghai as the center. This is the first attempt of China's modern drama. On the basis of criticizing civilized drama, western drama theories and methods are introduced to innovate China's drama. Therefore, it is the product of the transition from civilization to modern drama, which theoretically makes the new concept of drama further perfect and concrete, advocates "educated entertainment" and so on.
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