The opening words of the 1970s were "Welcome the great 1970s with revolutionary pride" and the slogan was "Have a revolutionary and fighting Spring Festival", which lasted until 1977. Our superiors both "stressed" and "demanded" that we should have a revolutionary Spring Festival. During the Spring Festival, we should pay close attention to the revolution and production. We will work hard until the 29th of the twelfth lunar month, eat jiaozi, and then start working on the first morning. This is called changing customs to celebrate the New Year, and there is no rest on New Year's Eve.

New Year's Eve: Eat more meals.

In the 1970s, the New Year's Eve dinner changed from poverty to affluence, and from a monotonous stomach to gluttony. The theme of people's consumption is "snapping up", which requires people to have a slightly better New Year's Eve dinner: good health, good patience, getting up early and so on. However, even in the most difficult times, traditional festivals such as the Spring Festival are still valued by China people. The return of food can be said to be a signal of the return of human nature.

New year's goods: more goods, more decoration.

1972 During the Spring Festival, luminous watches and color dial watches produced by Beijing Watch Factory were displayed at the watch exhibition counter in department stores. 1975 added gabardine, polyester, khaki and other commodities 100. 1976 The report that Beijing Furniture Factory invented new combined furniture in Zhongshan Park made the front page of Beijing Daily during the Spring Festival. ...

Old custom: rhetoric becomes easier.

The words of the times are gradually relaxed, and the Spring Festival couplets are gradually humanized and life-oriented, and ordinary people have joined their parents' brief greetings to each other. At that time, people's contact and frequent exchanges expressed strong social needs. Folk languages have also been enriched. ...

Nianle: Set things right and have a happy reunion.

Throughout the first half of 1970s, the entertainment theme of the Spring Festival was rather monotonous. During the period of 1977, the situation changed greatly, and the atmosphere of the Spring Festival began to be lively, including sports performances, temple fairs, dances, poetry evenings, literary evenings, concerts and even internal movies. Spring Festival performances are also very rich, with more than 50 kinds. We can not only see domestic films such as Ashima, Peach Blossom Fan and Li Shuangshuang that reappear many years later, but also see newly created dramas in silence. More importantly, we can see feature films from abroad and at home, such as Japanese Chasing, which is unprecedented in openness and richness.