Xue's "non-pen and ink" theory and practice. Wu Guanzhong's slogan "Pen and ink are equal to zero", two artists have promoted the concept renewal and innovative development of China painting art since 1989.
Reference book: New Exploration of Chinese Painting Concept Renewal and Techniques published by Xue 1989.
Looking for Referential Nouns: Xue's Artistic Theory System of "Xue's Six Methods" ...
Related papers: Xue Fei's pen and ink Chinese painting is feasible (Xinhuanet Education Lecture Hall, etc. )
Xue Liufa
1989 Xue summarized the qualitative analysis.
Historians call it an important artistic contribution of "1989 Xue's epoch-making" in the history of painting art in China.
Published works: New Exploration of Chinese Painting Concepts and Techniques (a landmark work in the history of China painting art, published by Shenyang Publishing House, 1989).
abstract:
1989 is regarded as the end of China's traditional painting theory, that is, the qualitative China's traditional painting theory of "Sheikh's six methods" and "pen and ink" since Wei, Jin, Southern and Northern Dynasties in China's art history. The era of comprehensive, scientific, systematic and international painting art in China has begun, and the publication of "New Exploration of China's Painting Concepts and Techniques", which is regarded as a milestone in China's art history, is ready to be published. It provides a theoretical basis for the development and transcendence of Chinese national painting (poster) art and for the overall scientific, systematic and international publicity painting (Chinese painting). Its core problem is the definition of six elements of Xuanhua modeling:
1, lines-pen and ink lines and non-pen and ink lines.
2, modeling-seeking quality.
3. Structure-pen and ink line structure and non-pen and ink line structure and light and shade structure.
4. Light and shade-the opposition and light and shade form between the dark line subject (pen and ink line) and the bright line subject (non-pen and ink line).
5. Space-plane overlap and subject, objective reality universe (the first reality universe) and "reality" universe of psychology and imagination (the second "reality" universe).
6, color-heavy ink color light ink color and heavy ink color light ink color. Colors come from pigments and single ink in traditional Chinese painting ... See New Exploration of Chinese Painting Concepts and Techniques, page 32 and Xue Art Theory, page 30.
Thus, it changed the so-called "vivid in form", "vivid in spirit, vivid in brushwork, vivid in objects, vivid in colors and vivid in modeling" in China's painting tradition, which was obscure and vague, similar to the theoretical model and traditional dogma of metaphysics. It provides theoretical and practical basis for the overall innovation and development of China's painting art. Facts have proved that only by establishing and looking for a new artistic theory and ideological system in our times can we promote and promote the all-round development and progress of our national painting art. Our national painting (propaganda painting) art can really get out of the historical predicament of more than 2,000 years and can't surpass the Song Dynasty and China circle. ...
Related articles:
Since Xue 1989, the "Six Laws of Sheikh" and "Pen and Ink" have clearly defined the necessity of the phased end and historical transcendence of China's painting art.
-If China was not created, what works of art are worth collecting?
-How long will the value and price of China's creative arts be misplaced?
-Problems that need to be solved and considered urgently in China art market.
I'm not saying that buying and selling works of the painting school is confusing. Actually, selling paintings is no longer my personal business. I just want to do more for the development and progress of our national painting art. Everything I do is my dedication and creation to art. Xue's life will be a life of "creation and dedication to art". Although, so far, compared with the founders of the painting school, the return is far from proportional. However, I feel very full and proud to fight for the scientificity, systematization and internationalization of China's national painting art, and I remember the 1990s. An important French friend once invited me to settle in Paris. And said to me, "Do you know how much it is worth in France than the founder of the painting school?" That's incalculable. It's the same price as Picasso. "... I don't regret it, because I want to create the pride and miracle of our China in China.
However, for now, what I want to do may be too big. I started from 1989 and made great contributions to the development and progress of our national painting art. But I can't rely on my own personal behavior to complete the overall revitalization of China's entire national painting art, surpassing history in an all-round way and being internationalized in an all-round way ... Therefore, it needs to attract extensive attention and support from the society. I remember an artist saying, "No one will help an artist until he succeeds." In contrast, my artistic life is lucky enough and smooth enough. Today, I am not here in advance to preface the legend of Xue, the founder of the relative painting school. Instead, I want to discuss an important issue with relevant departments, experts and scholars and collectors through the media. That is, whether China wants creative arts or not, and how long the value and price of creative arts in China will be misplaced. If our national painting art has no or no need for artistic creation. So, what other works of art are worth collecting in China?
At present, China's painting art has been shrouded in a nearly chaotic market and monopolized prices. False and artificial speculation is widespread in the market. Some so-called arts that have no individuality, characteristics of the national era and "symbols of unique beauty" are "selling" very high. Keep developing. The creative history of our national painting art will be dated. At present, efforts should be made to establish and improve the scientific, systematic and international system of painting art in China, so as to form a powerful publicity and painting (Chinese painting) competition system. Form an oriental art brand. Occupy the international market. We can no longer follow the history that our national painting art has only stayed within the scope of Chinese for thousands of years. We can't let our nation become a vassal of western painting. Our society and collectors should abandon those so-called vassals of art and western painting that are hypocritical or have no artistic personality and collection value and can't stand the test of time or history. We should focus on the overall progress and development of our national art. Comprehensive scientific, systematic and international.
First, starting from 1989, the "Six Shaikh Laws" and "Pen and Ink" made it clear that it was necessary for China's painting art to end in stages and surpass history.
1989 is regarded as the end of China's traditional painting theory, that is, the qualitative China's traditional painting theory of "Sheikh's six methods" and "pen and ink" since Wei, Jin, Southern and Northern Dynasties in China's art history. The era of comprehensive, scientific, systematic and international painting art in China has begun, and the publication of "New Exploration of China's Painting Concepts and Techniques", which is regarded as a milestone in China's art history, is ready to be published. It provides a theoretical basis for the development and transcendence of Chinese national painting (poster) art and for the overall scientific, systematic and international publicity painting (Chinese painting). Its core problem is the definition of six elements of Xuanhua modeling:
1, lines-pen and ink lines and non-pen and ink lines.
2, modeling-seeking quality.
3. Structure-pen and ink line structure and non-pen and ink line structure and light and shade structure.
4. Light and shade-the opposition and light and shade form between the dark line subject (pen and ink line) and the bright line subject (non-pen and ink line).
5. Space-plane overlap and subject, objective reality universe (the first reality universe) and "reality" universe of psychology and imagination (the second "reality" universe).
6, color-heavy ink color light ink color and heavy ink color light ink color. Colors come from pigments and single ink in traditional Chinese painting ... See New Exploration of Chinese Painting Concepts and Techniques, page 32 and Xue Art Theory, page 30.
Thus, it changed the so-called "vivid in form", "vivid in spirit, vivid in brushwork, vivid in objects, vivid in colors and vivid in modeling" in China's painting tradition, which was obscure and vague, similar to the theoretical model and traditional dogma of metaphysics. It provides theoretical and practical basis for the overall innovation and development of China's painting art. Facts have proved that only by establishing and looking for a new artistic theory and ideological system in our times can we promote and promote the all-round development and progress of our national painting art. Our national painting (propaganda painting) art can really get out of the historical predicament of more than 2,000 years and can't surpass the Song Dynasty and China circle. ...
Two, China art market problems to be solved and thought.
In my earlier interview with reporters, I also talked about similar issues on different occasions. To revitalize and develop our nation's painting art, we must establish a new, scientific and contemporary art theory and thought system. Our nation, facing the progress and development of culture and art, cannot be too eager for quick success and instant benefit. With the internationalization of China's economy and commodities. How to internationalize the art of our national posters (Chinese paintings) is an important event related to the internationalization and development of our national culture. However, to solve this problem, we must solve the problems of our art market and art mechanism ... Because of the time, I can only outline the questions and make it convenient for everyone to express their opinions.
* Do you want artistic creation or artistic price?
* Is it just money or dedication?
Do you want to stay in the traditional past or open up a new future?
Do you want to be a vassal of western art, or do you want to develop oriental art on the basis of propaganda painting (Chinese painting)?
Do you want to draw handicrafts or pure works of art?
* Do you want the bookmakers to speculate, or do you want to be in line with international standards?
Do you want a full-time painter or a real artist?
*……
Great art comes from great countries. The Chinese nation's spirit of continuous progress, advancing with the times and pioneering and innovating is our nation's greatest strength and wealth. The continuation of history stems from the inheritance, creation and development of different times. No matter how brilliant the past is. Only today's breakthrough and leap can we have a more brilliant history tomorrow. It is precisely because of this fine tradition of our nation that our nation has an eternal past and future! ……
Xue was in Beijing on April 8, 2009.
Source Xinhuanet Xi Zhi Calligraphy and Painting Newspaper (09.5.22) Relative Painting Art Network Xue Xinhua Blog, etc.