Original publisher: every plop plop.
Sentence about calligraphy: 1. Full of pen power: pen and ink can be used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor. 2. flowing, flowing. 3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth. 4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching. 5. Look at its strength without losing, show its posture without boasting, and its pen is flowing. 6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly. 7. Flourishing sea, flying cranes and swimming in the air (Liang Wudi, Xiao Yan, commenting on Wang Xizhi) 8. Floating like a cloud, agile like a dragon. Iron book silver hook, the most ancient and modern. 9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns. 10. Pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful. People call it Weng Long (a famous Weng). 1 1. zigzag, big and small, open and closed, with obvious changes in line thickness and ups and downs. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong's posture is steep, his writing style is inclined or positive, heavy or light, and she begins to vent her anger like a thunderbolt. He writes quickly,
2. This ancient poem is about the five methods of writing brush Four Treasures of the Study, namely, pen, ink, paper and inkstone.
pen
Bamboo jade tube, peerless four virtues.
The ink is as healthy and happy as you wish.
If the phoenix dances lightly, Yue Long will be amazing.
Leave a masterpiece through the ages, and the spirit of agility will be passed down for thousands of years.
black
After a long period of tempering with alcohol and smoke, Chu Jiu was tempered.
The rules were made by Fiona Fang, and flowers and birds were close to each other.
Guixuan is full of charm, and the sand musk deer picks green roses.
After many years of existence, the lingering fragrance is still rippling.
paper
Body sculpting is as thin as wings, splashing ink and painting.
Hongyan reports news, and poetry rhymes.
Elegant public taste, classic eternal spirit.
Sweet and sour things, including all ages.
inkstone
Inheriting ancient wonders, hand-painted and dignified.
After a hundred years of playing with stone friends, it is scattered and fragrant.
Panlong makes the ink sea, and the wild dew black frost.
Thick and deep, deep and elegant.
3. What are the five-character poems that are often written with a brush? Sitting alone in Jingting Mountain, birds fly high and lonely clouds go alone.
You look at me, I look at you, and there are only my eyes and Jingting Mountain's eyes. Silent night thinking about the bright light at the foot of my bed, will it have frost? .
I looked up at the moon and looked down, feeling nostalgic. Hate how beautiful she is, open the pearly window sash, how quietly she leans against it, and how annoyed her forehead is! .
I only saw her tears wet her cheeks, and I don't know if she hates herself or herself. Jade steps hate her for her cold dew, wet silk bottom and long stay.
Go back to my room and put down the crystal curtain, still looking at the exquisite moon through the curtain. I was killed by my brother Yucheng in Liangyuan last night in order to present a gift to Xue.
Brother Han doesn't know. See you in front of the court.
The memory of heartbroken is connected with branches. Slogan (a slogan for leaving Jinling gentlemen) eats the beauty of Noda.
Wine is far from water. If it doesn't end.
We should meet each other. Farewell to Lin Dong, a monk from Tolin Temple, to see him off.
When the moon rises, white apes crow. Say goodbye to Lushan Mountain with a smile.
Why bother? Farewell, Wang Wei. I got off the horse and gave you a toast. I asked where you were going and why.
You said you would go back to Zhongnanshan because you were not proud of your life. So please allow me to leave, don't ask me any questions, white clouds have no end there.
I would like to know you, the mountains have no edges, and heaven and earth are in harmony, but I dare to die with you! I am full of thinking that if I marry a person with a heart, I can love each other and be happy forever. Han; Zhuo Wenjun's white-headed ballads, when those red berries come in spring, blush on your southern branches.
May you bear more pain as a symbol of our love. Wang Wei's "acacia" past has become empty and still like a dream.
Li Yu's "Midnight Song * How Can I Avoid Sadness and Hate" is on Liu's head, and people make an appointment after dusk. Zhu's Camellia is like a double screen with a knot in it.
The novel "Years of Chitose" is a long trip by Tang and Li Bai. My hair hasn't covered my forehead yet. I'm picking flowers and paying by my door. When you, my love, ride a bamboo horse, run in circles and throw your childhood.
We live in an alley in Qingkan. We are all young and happy. When I was fourteen, I became your wife, and I was too shy to laugh.
I bowed my head and went to the dark corner, unwilling to pay attention to your thousands of calls. But at the age of fifteen, I raised my eyebrows and laughed, knowing that no dust can seal our love.
Even to death, I will wait for you in my post, and I will not lose heart in the silent watchtower. When I was sixteen years old, you embarked on a long journey, crossing the Qingtang Canyon full of rocks and swirling water.
Then in the fifth month, I couldn't help it anymore. The ape shouted in the sky. I looked at the place where you walked, your footprints in front of our door, each hidden under the green moss.
Hiding under the moss is too deep to sweep away, and the first autumn wind adds leaves. In August, butterflies are yellow and only fly to the west garden grass.
Because of all this, my heart is broken, and I am worried that my bright cheeks will fade. Oh, finally, when you come back through three Pa areas, send me a message home in advance! .
I'll pick you up, and I won't mind the distance, all the way to Sha Changfeng. Peacock flies southeast, in the southeast corner of Sunrise in Sanghan Yuefu, according to my Qin Lou.
Qin has a good daughter who calls herself Luo Fu. Luo Fu likes raising silkworms and picking mulberry in the south corner of the city.
Moss is a cage system and cassia twig is a cage hook. There is a bun on the head and a bright moon in the ear.
Xiang Qi is the lower skirt, and Zi Qi is the upper skirt. When Monkey saw Luo Fu, he put it on his shoulder and smoothed his moustache.
When the teenager saw Luo Fu, he took off his hat and put on a towel. The tiller forgets to plow, and the hoe forgets to hoe.
In spite of resentment, he sat watching Luo Fu. You come from the south, and five horses stand upright.
Your majesty sent officials to ask whose family it was. "Qin has a good daughter who calls herself Luo Fu." "What is the date of Luo Fu?" Twenty is not enough, fifteen is enough.
Your Majesty thanked Luo Fu: "Would you rather recite it?" Luo Fu preface: "You are such a fool! You have a wife, and Luo Fu has a husband. " "One thousand people ride the east, and the husband is at the top.
What's the use of knowing your husband? A pony's white horse; Hair tied with ponytail, horsehead covered with gold; Deer sword, a deer in the waist, can be worth more than 10 million. Miniature biographies of fifteen families, doctors in the twentieth dynasty, middle-level officials in their thirties, and urban residents in their forties.
He is white and has a beard on his temples. Ministry of Industry and Service of Ying Ying, Ran Ran and Zhong Chao.
There are thousands of people sitting in the room, all of whom say that their husbands are extraordinary. Wang Wei, there seems to be no one on the empty mountain, but I think I heard a voice.
The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant. Wang Wei in Zhuliguan leans alone in the dense bamboo, and I am playing the pipa and humming a song.
It's too light for anyone to hear, except my partner, Mingyue. Farewell, Wang Wei, my friend, I have been watching you go down the mountain. Until now, I have closed my thatched door in the dark.
Spring grass will grow green next year, my friend, will you come back? Wang Wei's poem, you come from my old country, tell me what happened there! . Did the plum blossom when you came to the engraved window of my house? Send Cui Jiu to Pei Di, although you want to go back to this labyrinthine mountain, oh, let them fill your heart and wonder! .
Instead of learning from Wu Lingren described by Tao Yuanming, he stayed in the Peach Blossom Garden for a few days and then hurried out of the mountain. Zuyong, look at the snow in the south, and see how the Zhongnan Mountain soars, with white tops over clouds.
After the snow in Chu Qing, the afterglow of the sun shone from the forest. It was late, and Chang 'an was even more chilly. Sleeping at Jiande River Meng Haoran When my boat was sailing in the fog, the days were getting shorter and the memories of the old days began.
The vastness of the wilderness is deeper than trees, and the moon is very close to the moon. Xiao Chunmeng Haoran This morning in spring, I woke up carefree and there were birds singing everywhere.
But now I remember that night, that storm, I wonder how many flowers were broken? Du Fu, divided in the Three Kingdoms, has always been bound by his greatness, and the Eight Faces Castle is built on his prestige. This river won't divert the stones from your disposal, and you will always regret that you will destroy Wu's unwise.
Wang Zhihuan heron lodge, the mountains cover the day, and the sea drains the golden river. By going up one flight of stairs, look further.
Send Che Ling to Liu Changqing. From the temple, deep in its tender bamboo, there comes the deep sound of the evening bell. The sunset with a hat gradually returned to Qingshan.
Liu Changqing, your seven strings are like the sound of playing the piano in the pines and the cold wind. Although I like this ancient song very much, most people don't play it today.
Can a floating stork be a tenant in our world if it is sent to Liu Changqing? ! Please don't buy a famous mountain, it's a world-famous place. Autumn Night Message Autumn, Wei, I am walking on a cool autumn night, thinking of you and singing my poems.
I heard the pine cone fall on the mountain, and you seemed to wake up. Listen to Zheng and Li Duan, her snow-white jade hands, shining under the snow window and on the golden harp.
Trying to please Zhou Lang as much as possible, you see she deliberately dialed the wrong string. On the third day, the bride Wang Jian cooked instead of me and washed her hands to make bride soup.
I don't know the taste of mother-in-law. Let's make the taste of good sister-in-law first. Yutai untied my wallet last night, Quan Deyu, and now [Insect Joy] is going to fly.
This is my pigment, this is my powder, welcome to put on my shackles again. Jiang Xue LiuZongYuan hundred mountains without birds, thousands of paths without footprints.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice. Palace Yuan Zhen is in the faded old palace. Peony is red, but no one comes to see them.
Several white-haired footmen were sitting around talking about the emperor of the Tang Dynasty. A suggestion to my friend Bai Liu Juyi: There is a ray of green in the old bottle and a trace of red in the static furnace.
With dusk and snow coming, how about a glass of wine? Zhang Hu, He Manzi is 1000 miles away from her home. A maid-in-waiting has lived here for twenty years. However, ask her for this song and use the first few words of this song to see how she tries to hold back her tears.
Li Shangyin, the tomb of Leyou, had the shadow of twilight in his heart, and I drove forward in the tomb of Leyou. Sunset, infinitely beautiful, only near dusk.
Jia Dao, when I asked your student under a pine tree, he left a note: "My teacher went to collect medicine". However, through these clouds, how can I know which corner of the mountain it is facing? .
Crossing the Hanshui River, Li Pin, far away from home, I am eager for news, winter goes to spring, spring goes to spring. The closer I get to my hometown, the more timid I am, afraid to inquire about people from home.
Jin Changxu, get rid of the orioles and get rid of all their music from the trees. They woke her up when she dreamed that she went to meet him in Liaoxi camp.
Goshugosi, I am the constellation with seven high stars. It is Shu Ge who raises his sword at night. Today, the Tubo people who breed horses only dare to look into the distance; They dare not go south and cross Lintao County.
Xi Juan, Wang Wei's five-character poem: I drove the Huanghua River and carried the green water stream. Ten thousand laps around the mountain in less than thirty miles.
The rapids buzzed on the piled rocks, but the light dimmed among the dense pine trees. Yang is playing in the water, and weeds are flourishing on both sides.
Deep down in my heart, I have always been pure, Qingchuan Dansuo. Liu Zhu panshi city, cast a fishing line forever! .
The masterpiece of Wang Wei's five-character poem "Calling Kawabata": In the oblique light of the country sun, poor cattle and sheep return. There is also a rugged old man at the door of the thatched cottage, leaning against Hou Jing.
4. The sentence 1. Brush writing is full: pen and ink are used freely and full.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
2. flowing, flowing. 3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching. 5. Look at its strength without losing, show its posture without boasting, and its pen is flowing.
6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly. 7. Flourishing sea, flying cranes and swimming in the air (Liang Wudi, Xiao Yan, commenting on Wang Xizhi) 8. Floating like a cloud, agile like a dragon.
Iron book silver hook, the most ancient and modern. 9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns.
5. The famous aphorisms about calligraphy are poetic ● Books originate from nature (forever) ● Silence is better than sound, intangible phase (Tang) ● Learning books can be general knowledge (Tang Zhangyanyuan) ● Metaphysical meaning, out of the surface; The deep reason lies in the shadows; What is natural can be said, and what is wise can be measured (Tang Huai-King) ● Either place it on vertical and horizontal ambitions or place it on stagnation.
Although it is expensive, you can't restrain its height, although you can't exert your strength through clever planning (Tang) ● Words can't be rewritten, and words can't be passed around indiscriminately ● Write like a dog, the uglier you are, the more afraid you are ● Words are afraid of practicing, and horses are afraid of riding ● Words should be practiced ● Words should have backbone, meat should be covered with tendons, and posts should be beautiful (Song. Mo Mo Wan Yuan Bao (stone) ● Start writing hard, if the swan flies high, the dragonfly is graceful (Jin Weiheng) ● If the silver hook, if the source is amazing (Jin) ● If it floats like a cloud, if it is agile, the Yue Long sky is blue, the tiger lies in the Fengge (Southern and Northern Dynasties), and the pearls and jade are fluttering tassels (Tang Huai-Sheng) ● Like a breeze, it will be in your arms tomorrow and next month (Tang Lisi)
6. Use a beautiful sentence to describe the brush strokes: 1. Full of pen power: pen and ink are used very freely and fully. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
2. flowing, flowing.
3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
5. Look at its strength without losing, show its posture without boasting, and its pen is flowing.
7. What sentences are there to describe well-written calligraphy? The pen and ink are horizontal, the pen is strong, the pen is dangerous, the pen is full of ink, the spring insects and autumn snakes, the pen is fine Mo Miao, the pen is long snake, the spring breeze at the bottom of the pen, the pen sweeps a thousand troops, the pen is old and the ink is clear, the words are clear, Ding Zhenkai grass, Ding Zhenyong grass, wood three points. Generous and graceful, talented, magnificent, vivid and fluent, beautiful and charming in style, changeable in charm, phoenix spreads its wings, dragonfly spreads its wings, phoenix spreads its wings peacefully and smoothly, foreign teachers are natural, and nature is wonderful, dragon dances in phoenix, dragon dances in phoenix, dragon dances in phoenix, and dragon dances in phoenix. Masterpiece handed down from ancient times, vigorous and upright, combining rigidity with softness, vigorous and simple, naturally stretching, natural and natural, full of self-interest, flowing like a cone painting sand, vigorous and vigorous, moderately retracted, concise brushwork, skillful brushwork, gorgeous and natural, superb skill, rejuvenation, Wang Yang wanton, Wang Yang Honghu, and so on. You can't learn the sword, draw sand and ink, draw insect graffiti, be ingenious, smart and delicate, smart and unrestrained, smart and carefree, fat and thin, learn books in clinic, doodle with letters, pheasant, pheasant, tense, willow bones and muscles, tense, iron painting silver hook, Tang Linjin post, silkworm.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy.
Also for the conductor. Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing.
In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake. The sword has been drawn and the bow has been drawn.
Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
Brush writing refers to writing according to traditional statutes, rather than writing casually with a brush. Calligraphy is a line plastic arts.
The so-called brush strokes mainly talk about how to shape ideal lines. As a writing tool, the brush has a very long history. As early as Neolithic painted pottery, there were traces of brush.
Although the writing brush had not been seen before the Western Zhou Dynasty, some signs of using a pen can be found in prehistoric painted pottery patterns of Shang Dynasty and Oracle Bone Inscriptions. During the Eastern Zhou Dynasty, the brush was widely used to write bamboo slips and silk books.
This shows that the brush originated before Shang Dynasty. The earliest writing brush can be traced back to about two thousand years ago.
A writing brush from the Spring and Autumn Period was found in the tomb of Zeng Houyi in Leigudun, Suizhou City, Hubei Province. It is the earliest pen found at present, and it is a precious material left over from ancient times. Calligraphy is a line plastic arts.
The so-called brushwork is mainly about how to shape ideal lines (stippling). Lift and press-write by the pen, the strokes will be thick, just lift it.
Just like a person's walking feet, one falls and the other rises, constantly alternating, and the pen keeps pressing in the process of writing. Only in this way can lines with different thicknesses be produced.