The style of Li Bai's poems was formed in the most powerful era of the Tang Dynasty, focusing on expressing personal feelings and praising the desire and pursuit of personal value in free life. (History of China Literature) His poems are free and unrestrained, clear and fluent, imaginative and magnificent. He inherited the romantic tradition since The Songs of the South and formed his own unique style.
Du Fu's poetic style was formed in the period of An Shi Rebellion, and gradually took shape in suffering. Du Fu went deep into the society, cared about the sufferings of politics and people's livelihood, and attached importance to realism. He shoulders the heavy responsibility of the country and the nation and faithfully depicts the face of the times and inner feelings. Du Fu's artistic style is gloomy. He inherited Du Fu's realistic style from the middle Tang Dynasty to the Song Dynasty, especially the Jiangxi Poetry School in the Song Dynasty, which took Du Fu as its ancestor. His influence is enormous.
When Li Bai was young, he read a lot of books. "At the age of five, he read hundreds of books, and at the age of ten, he read strange books, endowed with exquisite images." He also fought with Ren Xia, saying that "fifteen good swordsmanship, the prince is everywhere". (History of China Literature) When he was young, he traveled widely. All these have a great influence on the formation of Li Bai's bold and unconstrained character, and also directly lead to the formation of his romantic poetry style. Li Bai values martial arts and despises Confucianism. He is generous with money and likes drinking. His ideal in life is to be detached from things and actively join the WTO. His personality charm is beyond the reach of others.
Du Fu was born in an official family, and his grandfather Du Shenyan was an important poet in the early Tang Dynasty. Therefore, for Du Fu, career and poetry are both family businesses. He once said to his son, "Poetry is my family". Du Fu was deeply influenced by Confucian culture, and he had a desire to help the monarch all his life. In addition, he was poor all his life, which formed his character of caring for the country and the people and caring for the people. Therefore, his poems emphasize realism.
Li Bai has been wandering between being an official and dancing all his life. In Shu Dao Nan, he described the wonderful and breathtaking mountains and rivers on Shu Dao in Qin Dynasty, from which he revealed some worries about society. He said that "it's too high for a yellow crane to cross" and "the sword pagoda is indestructible" may be a metaphor for his depression at that time. In his "It's Hard to Walk", he used "I threw the food bar and cup aside, I couldn't eat or drink, I pulled out my dagger, and I peeped in four directions in vain. I will cross the Yellow River, but ice blocks the ferry until Taihang Mountain is covered with snow "to describe his difficult situation. Because of Gao Lishi Yang's love at that time, these wise men were kept out of the court, so he issued "It's hard to go, it's hard to go. All roads lead to the same goal, but his optimistic nature makes him persistent in his pursuit of ideals. Full of confidence and longing, he sang the strong voice of "I will ride the wind and waves one day, and set my cloudy sail straight and bridge the deep, deep sea". He wrote in "Nostalgia at Night in Niuzhu": "I looked at the autumn moon on the deck and missed the old general Xie in vain. I have poems; I can read. He hears others, but it's not mine. "Thank you for the story you met, to show that you didn't meet, and you want a bosom friend. All of the above shows that Li Bai is positive about his career. On the other hand, influenced by Taoism, Li Bai had the idea of escaping from the world from time to time and once lived in seclusion in the mountains. In Lushan, he said, "I am a madman of the Chu people and sang a crazy song arguing with Confucius." Holding a green jade stick in his hand, he bid farewell to the famous Yellow Crane Tower early in the morning. It is a habit of my life that the Five Mountains travel far away to find mountains. "It shows his devotion to Taoism, his mockery of Confucianism, and his feelings of getting rid of the secular and pursuing immortal life. In "Dream on Mount Tianmu", he described absurd dreams and expressed his yearning for the fairy world. Finally, he said that "security can make people rich and make me unhappy", which showed his ambition to lead an honest and clean life. It can be said that Li Bai's life is full of sadness in the contradiction between being born and joining the WTO.
Du Fu is much simpler. He has been seeking an official position all his life. "Obey Confucianism and guard the official, but don't fall into the vegetarian business" ("Carving and Fu Biao"). Throughout his life, he believed that one day he could "make the monarch Yao Shun ascend, and then make the folk customs simple". This spirit has been permeated between the lines of Du Fu's poems, as well as his seven laws "Climbing the Building", "Flowers, as high as my window, hurt the wandering heart, because I see, from this height, everywhere sad. The spring scenery of Jinjiang flooded in, and the clouds on the mountain, ancient, varied and changeable. The imperial court, like the North Star, will not change in the end, and the Western Hills of Kohl will not invade Tibet. However, I feel sorry for the sorrow of a long-lost emperor at dusk and talk to Fu Liang at sunset. " This poem can fully reflect the characteristics of Du Fu's poems, and the scenery at the beginning of the poem leads to the author's mood, which is as touching as "where the petals have fallen like tears, where the lonely bird has sung sorrow". Later, I wrote about how difficult it is for ten thousand people, and finally I wrote a personal report. He wants to make contributions like Zhuge Liang. The whole poem expresses the connection between mountains and rivers and the changes of society through the ages, and it talks about the infiltration and tolerance of personnel with the help of natural scenery. The combination of natural scenery, national tragedy and personal feelings embodies the poet's depressed and frustrated style. His banks of the Yellow River were recovered by the imperial army, and the news is in this distant west station! The north has been recovered! At first, I couldn't stop crying on my coat. Where are my wife and son? There is not a trace of sadness on their faces. However, I packed my books and poems crazily. On a green spring day, I began to go home, singing my songs loudly and drinking my wine. Come back from this mountain, pass another mountain, go up from the south and then go north-to my own town! . "It is about the joy of the poet after hearing the news after Tang Jun conquered Anshi's lair. The whole poem has left a deep impression on people with its smooth rhyme, sincere emotion and fast rhythm. His poem "Up the Mountain" is neat and neat, and the scenery is lyrical. The first two couplets describe the scenery, and the latter two couplets combine their own aging and come down to the root of being down and out. "Leaves fall like the spray of a waterfall, and I watch the long river roll forward. "This is a famous sentence through the ages.
Poetically speaking, Li Bai is good at ancient songs and May 7th quatrains. His unrestrained personality makes him not stick to the rules. His book Shu Dao Nan is uneven in length. The first two sentences of his book A Farewell to the School Cloud in Xuanzhou Xie Tiao Building, "Those who abandon me can't stay yesterday, and those who disturb my heart are more worried about today" use prose syntax. Du Fu is good at melody and arrangement. Therefore, metrical poems, especially the seven-tone poems, are his strong points. Li Bai is slightly inferior to Du Fu in the beauty of sound and form. From the beauty of style, Li Bai's elegant and heroic style and speech are naturally beyond others' learning. Li Bai speaks his mind, smiles when he is happy, and laughs when he is sad. Most of Du Fu's poems are subtle and tortuous, depressed and frustrated. This is one of the reasons why young people prefer Li Bai and mature people prefer Fu.
Li Bai loves all the beautiful things in real life and throws a contemptuous look at unreasonable phenomena without scruple. This attitude of being imprisoned by reality but unwilling to accept the desire to conquer reality is contrary to Du Fu's realistic spirit of always paying attention to and caring for the fate of the people of the motherland with serious compassion, and it is also the same in essence. In Han Yu's words: "Du Li's article is in full swing." Their artistic achievements and integrity will always be the representatives of China culture.
Li Bai and Du Fu's Poetic Style
Li Bai, a poet, and Du Fu, a poet sage, are typical representatives of China's romantic and realistic literary styles. They are two masters, and they have a far-reaching influence on later generations. The two sects they represent coincide with two different cultural industry policies.
Shi Li's imagination is unique and unrestrained, and it is difficult to imitate and learn. It can be said to be a form of content overflow, such as "have you seen how the water of the Yellow River moved out of heaven and into the ocean, never to return?" Have you seen the lovely hair in the bright mirror in the high room? Although it is silky black in the morning, it turns into snow at night? Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! "And so on, stirring, very talented, seems to have no norms to follow, but wonderful and strange, incredible.
Du Fu's poems are magnificent, but they are closer to reality, approachable, easy to understand and more neat and formal in content. Due to the regularity of form and content, Du Fu's poems can be a model of effective practice. We can seek beauty, explore beauty and create beauty in the Fiona Fang he established.
Li Bai, Jade Family
Dew fell on the steps of jade, and the night was long. Dew wet the stone. Go back to my room and put down the crystal curtain, still looking at the exquisite moon through the curtain.
Li Bai, Luoyang Ink
Who is Bai Yu? Back to Tianjin. Look at the flowers in the East and disturb Luoyang people.
Li Bai, a "quiet night thinker"
Look at the moonlight in front of the bed, will it have frost? . Looking up at the mountains and the moon, and sinking again, I suddenly remembered home.
Li Bai's "Sacrificing Snow to Realize My Brother's Success"
Last night in Liangyuan, Brother Han didn't know. Looking at Yushu in front of the court, my heart is broken and I think of branches.
"To Wang Lun (Taohuatan, Baiyoujing County, villager Wang Lun often makes white wine)" Li Bai.
Li Bai was just about to leave when he heard a farewell song from the shore.
Even if the Peach Blossom Pond is deep, it is not as deep as Wang Lun's sending away my love.
Li Bai, Farewell to the Monks in Tuolin Temple
In Lin Dong's Fujian, the white ape cries the moon. Laugh goodbye to Lushan Mountain, why bother with Huxi?
"Yellow Crane Tower sends Meng Haoran to Yangzhou" Li Bai
Old friends frequently waved to me, bid farewell to the Yellow Crane Tower, and traveled to Yangzhou in this beautiful spring filled with catkins and flowers.
Sailing alone in the blue mountains, only the Yangtze River flows in the sky.
Li Bai's "Send the guests back to their hometown in Vietnam"
Mirror mirror, the lake mirror, is your highest passion for Siming's fierce return to the ship.
In ancient times, I wrote to Taoist Ubak to exchange geese, and you must have such fun.
Li Bai, Send Judge Lu to Pipa Gorge
The autumn wind night in the water town is not far away. Chang 'an is like a dream, when is the return date?
"Give a white crane to the Three Gorges of Song Shaofu" Li Bai.
Egret punches and kicks, when will the bright moon shine and the autumn water be cold. People are surprised to fly far away and go straight to Monarch Beach.
Du Fu's North Wind
The north wind breaks the South Pole, and Zhu Feng declines. Autumn scenery in Dongting, Hongyan will return safely.
Ten years of murderous look, Liuhe is vast and sparsely populated. I admire Han Lao, but he is still Confucian and wise.
Du Fu, a guest follower
The guests came from there, but I left my spring guest beads. There are words hidden in the beads, so you can't tell a book apart.
In order to meet the needs of the public, I kept silent for a long time. Open your eyes and turn into blood, mourning for the absence of this sign.
Du Fu, White Horse
The white horse comes from the northeast, and the empty saddle wears double arrows. Poor Mamalang, I don't know who I am today.
In the near future, the Lord will kill, and in the middle of the night, the Lord will fight. Many people died in confusion and cried like tears.
Du Fu's Li Jianzhai
Grandfather Wang Sungui has a strong sense of family. Open the golden peacock on the screen and embroider hibiscus flowers on the mattress.
There are also beautiful women who eat Pisces and see the smell. The house is crowded, and the son-in-law is near Lapras.
Du Fu's Restatement of Zheng Dongting (in Xin 'an Boundary)
Huating is green, and autumn is chaotic. Rocky mountain trees collapse, clear ripples drag water clothes.
Purple scales jump to the shore, and the pale falcon protects the nest. Looking for a way at dusk, the remnant clouds fly beside the horse.
To Li Bai Du Fu
Qiu Lai is very concerned about him, but he is not ashamed of Ge Hong for cinnabar.
Drinking crazy songs for nothing, who is arrogant?
Du Fu's Hope in Spring
Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested. Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.
The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold. Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.
Du Fu's Yue
Autumn is near in the sky, and the moon is clear on the ground. When you enter the river, the toad will live forever.
Only beneficial to Dan Xin, can add white invention. If you know the land like the back of your hand, don't follow the western camp of the country.
Du Fu, "Leaving Yan Jia 'er Pavilion to Fill the Vacancy (Getting a Cloud Word)"
The countryside must go temporarily, and the soldiers are reluctant to leave the regiment. Go away and stay in poetry, and get drunk.
It often rains in autumn, but there are no clouds today. Blowing a trumpet on a mountain road can be smelled everywhere.
Du Fu's Slogan of Leaving Late
Sanchuan can't come, the road is late and the mountain is thick. Wild geese float in cold water, and hunger gathers in the building.
Today's market is different. When will the chaos stop? I'm ashamed of Manager Liang Jiang, but I still have a black head at home.