Decorative painting; The so-called decorative painting does not emphasize strong artistry, but has good practicality and appreciation, and is in harmony with the surrounding environment. Modern art design: it is a kind of design with a certain democratic color, emphasizing mechanical beauty and functional beauty, advocating rationality, advocating simplicity and practicality, denying the role of decoration and opposing the relationship between form and function, thus developing a different design style from before. Decorative painting can satisfy people's spiritual enjoyment of things! With the development of the times and the diversification of the world, people's spiritual pursuit is constantly improving and changing. Therefore, the continuous integration and mutual development of decorative painting and modern art design makes decorative painting more changeable and full of artistic enjoyment! Supplement: Decoration is a kind of design. The word "decoration" has never left since the birth of human art. The origin of human art is closely related to the original decoration. Wolflin, a famous art historian, thinks that "art history is mainly a decorative history". Decoration is the aesthetic core of art created by people in primitive society. Various painted pottery patterns have become specimens of various decorative and formal beauty. Decoration is a meaningful form. It is not only an aesthetic form, but also has a deeper meaning. It contains specific social feelings and cultural awareness. It is not only "decorative", but also "cultural", which brings people aesthetic pleasure from the aspects of order, line, shape and color, and meets people's deeper needs from the aspects of culture, ideal, symbol and history. In Abstract and Empathy, Wollinger said: The essential feature of decorative art is that a nation's artistic will is expressed in the purest way. ..... Decorative art must form the starting point and foundation of all artistic aesthetics research ... ⑴ Decoration is also of great research significance for modern design. From the perspective of decoration, we can clearly see the development of modern design. Gombrich wrote such a sentence in the preface of the second edition of his book "Sense of Order": "Boldly speaking, my purpose is to explain. The psychological study of decorative art announced in the subtitle of this book is to establish and test the theory declared in the main title: sense of order, which is manifested in all design styles, and I believe its root lies in human biological inheritance. ⑵ Modern design is the product of industrialized civilization. Modern design is an artistic activity to provide services for modern people, and it is also a way of life in modern economic society. In the process of modernism design movement, there are some important design movements, which are always related to the sublation of decoration. Either use decoration or abandon decoration, to a great extent, is the new development of modern design around decoration. Supplement: 2. Modernist design negates decoration. As we all know, modernist design style is developed under the influence of modern art movement and "new architecture" movement. It has a certain social democratic color, emphasizing mechanical beauty and functional beauty, advocating rational design, advocating simplicity and practicality, denying decorative function and opposing the relationship between form and function, thus developing a different design style. As early as 1892, Sullivan, an architect of the Chicago School in the United States, put forward: "If we can completely give up decoration for a period of time, so that our thoughts can be keenly focused on perfect architecture and beautiful nudity, it will certainly be of great benefit to our aesthetic taste. ⑷ His view that "form obeys function" has become the declaration and core idea of functionalism. Fan, one of the key figures in the Art Nouveau movement? De? 1894 Wilde put forward in his article "clearing obstacles for art" that "the first condition of beauty is functional works made according to reasonable laws and structures." [5] These thoughts became the pioneers of mechanical aesthetics. Austrian architect Adolf? Luce advocated the importance of function to the extreme. He hates decoration very much. 1898, he wrote in an article: "Seeking formal beauty without decoration is the goal that all mankind hopes to achieve". [6] He also said that "the progress of civilization is equivalent to removing the decorations from useful things". On one occasion, he classified the decoration as "backward", "pornography" and "waste". Decoration is a waste of energy, so it wastes children's health, which has always been the case. But today it also means the waste of materials, and the combination of the two means the waste of assets. "Being1908, Luce published Decoration and Sin, which can be summarized by the slogan" Decoration is a crime ". To some extent, these theories have served as the guiding ideology of the modernist movement, and also pushed modernist design to the direction of functional design. Supplement: Bauhaus is the cradle of modern design movement, and it also indicates the arrival of the climax of modernist design. Bauhaus was founded by Gropes in Weimar, Germany in 19 19, and formed a whole set of design teaching system in the short course of14 (191933). Advocating the combination of art and technology has formed a modernist design style. It marks that the original decorative design has been replaced by modernist rational design. After Bauhaus was closed by the Nazis, its main teaching backbone and students were scattered to Europe and the United States, making rational design ideas spread all over the world. The "international style" in the forties and fifties was the result of the popularization of Bauhaus's design style. The "internationalist style" completely rejects decoration and takes the rational spirit of function as the criterion. Le corbusier, a master of modernist design and a representative of mechanical aesthetics, put forward that "a house is a living machine". This is a classic mechanized and functional design concept. From 65438 to 0958, the West gleim Building in new york designed by Mies Vanderro and philip johnson is a landmark building with internationalist style, and it is also the product of Mies Vanderro's "less is more" design thought. This simple design, which overemphasizes rationality and functionality, is increasingly lacking in personality and human touch, which makes people more and more bored. The rejection of decoration by modernist design does not mean the disappearance of decoration. On the contrary, decoration appears in new forms. British scholar Peter? Collins wrote in the book Evolution of Modern Architectural Design Thoughts: "Is it true that the excessive use of decoration in the19th century led to the abandonment of decoration, or is it just a change of dress? He believes that "decoration will die out in the future, and it just melts into the structure unconsciously." . Levies Modernist design absorbed decoration and structure, and created "unadorned decoration".