Some people think that Shaanxi opera has nothing to do with entertainment and is not suitable for your young people's preferences. In fact, they don't really understand Shaanxi opera. Is the ancient Shaanxi opera art with a history of hundreds of years so vulnerable? Is it an external cause? Or internal factors? It is worthy of our dramatists' reflection. Shaanxi opera is the artistic treasure of the Chinese nation and the pride of the children of Sanqin. However, if we don't reform, change our ideas, break some old rules, learn sister dramas and seek our own development, the road of Shaanxi Opera will get narrower and narrower, let alone let it go to the whole country, for fear that even Tongguan will not get out. Revitalizing Shaanxi Opera can only be an empty slogan. Now some people think that Shaanxi Opera is popular in rural areas, and farmers can watch it as long as they like, and even put forward the strategy of revitalizing Shaanxi Opera by encircling the cities from rural areas. Whether this strategy is feasible remains to be discussed. However, they ignored the attribute of Shaanxi Opera as a national culture. The development of drama is actually the development of culture. Since it is a culture, it must be spread. Now the most advanced means of communication is undoubtedly in cities.
Today, there are still great differences in social development between urban and rural areas. City is the economic and cultural center of a region, and its knowledge structure, economic strength and information dissemination far exceed that of rural areas. The cultural level and appreciation ability of urban audience are more conducive to the improvement and development of Shaanxi opera and the cultivation of urban audience, which is a big problem worthy of study in drama work. The purpose of reforming Shaanxi Opera is to revitalize it better. However, some people think that the rules of Shaanxi Opera are too big to be changed, unlike Shaanxi Opera. They are worried about turning Shaanxi Opera into Qin Ge. It seems that the family rules left by our ancestors cannot be changed. You don't know that if we don't reform Shaanxi Opera, it will become poor one day, and even Qin Ge will be lost. Only reform can develop, and this principle applies to the art category of any industry. Film and television first changed the makeup of traditional opera, making it closer to life makeup. The actors in front of the stage performed for it, and the actors in the background sang for it, which brought out the best in each other, and the rhythm of the drama was obviously accelerated. Didn't the audience accept it? As long as the audience likes to watch it, what's wrong with changing it without hurting the bones and muscles?
Huangmei Opera, the most "successful" drama in modernization, probably won the best living space in urbanization, but is it really a success as a drama? If one day, like Huangmei Opera, Shaanxi Opera will be accepted by audiences in vast areas outside the northwest, will it still be Shaanxi Opera? In fact, the process of Shaanxi Opera's winning urbanization survival is also the process of its own deconstruction and reorganization. As two forms of Shaanxi Opera's urbanization, tea garden and theater are almost opposite directions. This contradiction puts the Shaanxi opera in a dilemma, whether to return or deconstruct. When faced with the problem of survival, there is really no choice. However, as long as the evaluation value of mainstream discourse remains unchanged and the pace of social urbanization continues, the deconstruction and reorganization of Shaanxi Opera will be a historical necessity.
The artistic charm of "I didn't eat for three days after seeing Liang Qiuyan" is rare. Liang Qiuyan, a popular drama in 1950s, is a small and medium-sized drama, but its ideological content really corresponds to the popular psychology of people opposing feudal arranged marriage and advocating young people's free love. The vocal design and the artistic effect of the actor's appearance are pleasing to the eye, which makes the audience who are used to watching historical dramas feel refreshed. However, nowadays, there are very few modern operas popular on the opera stage. Emperors, princes, gifted scholars and beautiful women occupy the stage, which is far from real life, and art has become a rootless source without life. Teach children every day, go back to yamen every night, kill temples every month, and play "golden branches" every year. The audience of its historical stories is also well known, and there is nothing new. Who will pay for that outdated play? ! Zhejiang Xiaobaihuayue Opera Troupe once performed in Xi 'an, and the venue was full. Qin people can't understand Wu Nong's Vietnamese. Why do they prefer it so much? Some critics put it well, "Listening to the singing and watching the actors will bring a breath of youth." Most of Xiao Baihua's actors are young and beautiful, and their voice lines are euphemistic. The beauty of dress, culture, Taoism and dance conforms to the aesthetic consciousness of modern people. Is there any reason why the audience doesn't like watching it? !
Let's look at Qin Zhisheng in Shaanxi. Compared with other channels, it is ok. At least other locals know that Shaanxi Satellite TV has the program "The Voice of A Qin", not to mention what it is like. As far as other popular entertainment programs in Shaanxi are concerned, they have done well. At least, it has been driven out of Shaanxi by the media. Imagine: If a symphony, a ballet or a song-and-dance performance are put together with an excellent Shaanxi opera at the same time, when opera and opera, opera and ballet, musical and other artistic forms are almost completely homogenized, the actual living state of opera becomes a problem.
The art of Shaanxi Opera is a special art abroad, and it is known as "Shaanxi Rock". It's not that they don't value it. There are too many intrigues under the key, and many people don't want to participate. There is not much commercial value except art. Naturally, the media will not pay too much attention, which leads to the state that everyone sweeps the snow in front of the door, and everyone has no way out! The reality is cruel, facing serious social problems, that is, serious business operations. For example, the most obvious stage design in Qin Zhisheng is "feed" and "college", which are the same in recent years. In addition, the stage has a strong modern flavor, and sometimes it is easy to combine those ancient and modern elements to make traditional art dress up. It has been retouched. The so-called packaging, made with modern structural mode, is really artificial. Don't you know it's like a very old collection, and Xiu Xiu's painting on it will eventually lead to its great value? Since it is also commercialized, I think we should work hard on publicity and operation instead of changing the original things. What is even more ridiculous is that the instrumental performers behind the scenes were moved to the stage and finally put on a costume. Every time I see this in the camera, I can't help laughing. I personally don't feel this way. I asked a lot and felt the same way. I would like to ask, this is called reform. What is Shaanxi Opera?
Although there are gossip in the entertainment circle now, Shaanxi opera is an art, just like drama. At least people have made great progress in content and the forms of expression are still the same. However, Qin Zhisheng hasn't changed much, but it's hard to see anything related to culture in the form of expression. Alas, the original god no longer exists. Don't say Qin people, what will the audience in other areas think when they see it? There are many, many people who don't realize the localization of Shaanxi opera, and the practitioners are also very weak. They can make a living by sweeping away the snow in front of their doors. In the long run, it is conceivable that once they leave the media, the number of audiences will drop, and the art of Shaanxi Opera will be exhausted, which is likely to lead to the unique skills of traditional culture! Anyway, as a A Qin native, I still hope to treat Shaanxi Opera as a kind of culture and art, although no matter which industry is taking the market economy, everything will be empty talk without the economy. I just hope that the business operation is not too obvious, at least not shown, especially in the media! If you want to promote the development of Shaanxi Opera, I think we should work together! (Author: fun)