The same is selling feelings, there is a gap between the two. Tricia Altman is a work commemorating the 25th anniversary of ultraman tiga, and Kamen Rider Levis is a work commemorating the 50th anniversary of Kamen Rider series. Both of them are sentimental works, but there is a gap in the way of selling feelings. Trica Altman takes Diga as the slogan, and the protagonists try to imitate Diga, but tell their own stories. Whether it is a person's design or a story, Kamen Rider Levis has little to do with its predecessors. The predecessors only appeared as a form.
"Teliga Altman" imitates the people's designs of the predecessors, and does not learn the stories of the predecessors. Therefore, people defined ooc liquor as red wine. Compared with the Big Three in the theatrical version of Dijia, the Dark Giant is more fascinated except Dagong, but the second generation is more useless than the first. Kamen Rider Leavis did not deliberately seek the return of his predecessors, nor did he imitate their designs, so he avoided the minefield where the image of his predecessors collapsed because of King Kamen Rider and Triga Altman.
The highlight of Teliga Altman is far less than that of Kamen Rider Levi's. The episodes of Teliga Altman, which has a warm reputation, are the episodes in which Dark Teliga appeared. Jianwu crossed to the ultra-ancient times and met the dark Teliga. However, with the blackening of real time and space, how to deal with the paradox of black-and-white conversion has aroused great interest of the audience. Later, the screenwriter explained that Triga has always been Jianwu himself, whether it is Triga or dark Triga, it is true and nonsense. The paradox of time and space is one of the few bright spots in Triga Altman. The more routine the plot is, the more boring it is.
Although "Kamen Rider Levis" can't guarantee a wonderful episode, at least every episode will try to throw out a place to attract the audience, either to fill the pit of the role, or to create a new form, or the plot is over-expanded, and the plot is basically insufficient. In this way, the audience of "Kamen Rider Levis" is much more sticky than "Terry plus Altman", and sometimes it doesn't matter to watch one or two episodes of "Terry plus Altman", such as the episodes where the golden statuette appeared, which didn't greatly promote the plot.
Triga Altman and Kamen Rider Levis have different orientations. Triga Altman can see that the same style is "stable" from the character setting to the plot. Its supporting role is as flat as possible and can be summarized by a personality. For example, Hitram is a clown and Carmela is a sick girl. There are not many three-dimensional and multi-level roles like Dagong and Ignace, and writers do not require them. Tracy Altman's calm style makes it dare not live for a lifetime, and it can only become an ordinary work. It sells toys in honor of Diga, and the plot does not unfold unexpectedly.
Kamen Rider Levi's position is different from that of tricia Altman, emphasizing the word "change". Its screenwriter, Muxia Bantai, once wrote suspense dramas, so Kamen Rider Levi's broke away from the so-called style of Kamen Rider 0 1 and the kingly style of Kamen Rider's victory over change, and took the line of suspense. Kamen Rider Levi's also adopts the dual protagonists of the devil and man, and the three brothers and sisters are set by Kamen Rider. It also turned the original enemy knight into a just partner, and strived to bring a brand-new viewing experience to the audience.
Summary:
The reversal of word-of-mouth between Trega Altman and Kamen Rider Levi's is not due to how bad Trega is. Tricia is just an ordinary work that imitates the feelings of predecessors and does not seek a critical point, but seeks stability. This is not a bad film. It's just that Kamen Rider Levi's, which is against it, doesn't sell hard feelings, tries to change, and tries to lay down doubts, highlights and explosions. Tricia, who only wants to fail, can't compete with Levi's who wants to get a scholarship.