You know-when a person is depressed, he will especially like watching the sunset.

2, the flowers are too inconsistent! But I am too young to know how to love her.

Flowers are always duplicitous. I am too young to know how to love and protect her.

Because she didn't want him to see her cry. She is such a proud flower.

In fact, she didn't want the little prince to see her cry. What a proud flower she was.

4, the flowers are too inconsistent! But I am too young to know how to love her.

Flowers are always duplicitous. I am too young to know how to love and protect her.

In the whole fairy tale, almost all the narrators adopt this perspective mode of alternating empirical perspective and narrative perspective. The narrator always reveals everything he knows from the perspective of narrative self, instead of telling the reader and then showing it from the perspective of experience.

Because the whole fairy tale is basically retrospective, the narrator's perspective of recalling the past has become a conventional perspective, and readers expect to see everything observed by the narrator. However, the narrator intends to control the information from an empirical perspective, thus causing a tense suspense, which greatly arouses the reader's interest in reading and the drama of the work.