It is a slogan poem against "false, big and empty" in Govin's poetry circle, and puts forward the proposition that people who oppose obscurantism wake up. However, the emergence of the new generation is not against the background of the old slogan of "nothing" eating poetry, but under the condition that obscure poetry has reached a certain stage and its own development is limited, so it seeks breakthrough and innovation. On the one hand, they accepted the enlightenment and nourishment of misty poetry, which can be said to be due to the fact that misty poetry was not produced in an antagonistic attitude. However, on the other hand, they abandoned and criticized the shortcomings of misty poetry. They inherited the creative attitude of obscure poets who demanded artistic change because they were dissatisfied with the monotonous poetry status quo. They tried to transcend the "shadow" formed by the powerful influence of "North Island Poets". Out of the convention of new literature, they are dissatisfied with the present situation and demand "rebellion" within the new poetry tide, because their manifestation is rebellion against "misty poetry"
Obscure poetry has its own new aesthetic principles: first, it disdains to be the trumpet of the spirit of the times, disdains to express great achievements outside the emotional world, but pursues the secret of life dissolved in the soul; Second, emphasize self-expression; Third, the deviation from traditional artistic habits.
However, the creation of the new generation of poets focuses on "deconstruction", dispelling ideals and calling for spiritual freedom. Due to factors such as the times and society in which they live, they present different creative styles and mental outlook from the hazy poets represented by Beidao and Shu Ting. The "new generation of poets" began to explore and experiment by re-questioning and confirming the basic question of "what is poetry". They advocated "returning to themselves" and returning to life or things themselves, which was the deepening of misty poetry after it developed to a certain stage. Therefore, there is a creative concept that is significantly different from the concept of "self-expression" in misty poetry. They emphasize the experience and feeling of life.
2. Specific to the influence of internal and external factors such as the times on personal value orientation and creative ideas.
In the mid-1980s, the "new generation" poems with the rise of clusters had much richer spiritual resources than "misty poems". The comprehensive translation and introduction of western literature, philosophy, cultural thoughts and achievements since the end of 1970s, and the reflective discovery of eastern culture after the "discovery" of the west, put the "new generation" poets in a multicultural landscape and a variety of selective literary environments from the very beginning. The influence of literature and culture accepted by poets is far more complicated than that of "hazy poets"; They also express themselves more freely through poetry to establish their position. It can be said that under these influences, the poet has a different value orientation and poetic concept from the hazy poet.
3. The convention of literary development-continuous breakthrough and transcendence.
An important reason why the new generation of poetry tries to surpass obscure poetry is that these young poets who grew up in the new cultural atmosphere feel that there are more sociological factors in the poetics of obscure poetry, and they want to pursue the essential relationship between the language form of poor poetry and human survival or self-life. In the process of searching for the ontology of poetry, the new generation of poetry groups made a comprehensive attempt to construct the life form of new poetry by virtue of their own cultural advantages and taking advantage of the opportunities provided by the open era.
It can be said that they are the continuation or activation of misty poetry in the course of literary development, and they are a tradition based on their own, through their own discovery, resistance, transcendence and reconstruction.
I think it is probably the above three main reasons. They are a relationship of inheritance and improvement, not opposition. Remember this.