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The artistic concept, main representative figures and works of Italian new realistic films.
Proposition: Documentary can draw a conclusion, try not to erode the whole picture of the original material, and in the eyes of the audience, the reproduction of the picture truth and the reality truth is combined into one. In real-life shooting, the lens moves with the characters in real space, and the traditional scene scheduling theory disappears. It can express a more cinematic real space form while avoiding the drama of the stage concept.

The use of long lens and depth-of-field lens makes each lens become a complete fragment, which embodies the objectivity of the creator's loyalty to nature and Bazin's view of "strictly observing the unity of space in photography".

Representative figures and works:

1. roberto rossellini:

Fortress Besieged Rome, Guerrilla and Germany 2000 are called "War Trilogy", which marks the heyday of neo-realism, Long live Italy.

2. Viscandi:

Sinking, the earth is fluctuating and people are suffering.

3. desika:

The bicycle thief, humberto d.

4. Desentis Peak:

Eleven o'clock Rome time

Extended data

Related background:

Italian neo-realistic film refers to the realistic film movement that began in Italy in the 1940s. Outstanding Italian film artists stood up from the ruins after the war under the long fascist rule, and they tried their best to raise funds and films to make movies.

Italian neo-realism is a thorough aesthetic revolution from content to form, and it is the second film aesthetic movement after the avant-garde film movement. The distinctive aesthetic characteristics of Italian realism mark the most outstanding achievement of pursuing realism aesthetics in movies since the sound film, which has changed the contrast between western and American movies, challenged traditional drama movies and created more film art works.

Baidu Encyclopedia-Italian New Realistic Movies