Two: the topic of cattle herd Chaoyang rock climbing Luolu road is not lost, and the wind is so low in the morning. The cave name is exclusive to Chaoyang, and there should be phoenix trees.
Three: Xue Nengqiu sits alone in the southeast to see Xiaoxing, and the white clouds are slightly clear. Monks sit on phosphorus stones, and phoenix trees fall into half a court.
Four: The hoist in Shaoye Han Palace well is absolutely silent, and Ban Ji shines in the golden well several times. Indus is old and blossoming, just like the beautiful figure at that time.
Five: In Lu Guimeng, there are many wells in front of Zhuge in Ye Jing, and beautiful people pass under the green phoenix tree. Cold spring may not be able to do this, but there are silver bottles.
Six: Luo Yin listened to the pipa banquet, his thoughts were scattered, and he occasionally smelled it in the darkness of Wu Tong. There is hate in the bottom song, and people all over the building don't know you.
Seven: One hundred poems of Ning He's public words: nature sings the wind, society belongs to Yan, and the lotus fragrance is old and the moss is fat. At night, the frost falls on the plane leaves, and the palace enters the royal clothes.
Eight: Two poems of Li Zhongchun's boudoir, the dust is faint, the spirit sword is lazy, and the peach blossoms are red on both sides. The jade plug is a candle, and Xiaoying is outside the window.
Nine: Tengqian Peak returns to the clouds, and Kanaida and Feather Instrument are seen on the branches of the phoenix tree. The son of the five tombs pities the beautiful woman's article, paints and embroidered clothes.
Ten: Mrs. Hua Rui's Palace Poems (the following are forty-one poems of Wang Jue's "Children in the Pear Garden"): Liu Yin leads the Yugou, and the phoenix tree embraces the Zhulou. Wang Tengting is in Jinling City, and it is shameful to paint painters in Danqing.
Eleven: Yao Yuehua and Chu Fei complain that the plane leaves are under the golden well and the straddle pulley is pulling grain. Beauty gets up before dawn, blowing a silver bottle with cold autumn water.
Twelve: Liu Yuan and Nagato complained about the long autumn nights of the raindrop phoenix tree and worried that it would rain in Zhaoyang. Tears are not like hello, but thousands of lines are wiped.
Thirteen: Zhao Xuzhou's drama presents a phoenix tree after the rain, with low straight branches. Crows and birds don't need to report. His family has its own phoenix habitat.
Fourteen: Zhang Yaochun's two poems, I move on the Indus well, and the flower is the tallest branch at night. If you don't teach in the boudoir, you will argue in front of the spring.
Fifteen: Xue Tao, it's even more bleak to climb the Qinling Mountains. An Ren's poems will be given, and half of them are mixed with eulogy.
Sixteen: Shang Yan sings phoenix rain sorrow in autumn night, and her clothes are covered with moss. Life is irrelevant, others look for mountains and rivers in southern Hunan.
Seventeen: the beautiful eyes are loose and the rhyme is cool to the bone, and the shadow also nests over the high wall. Packaging is a kind of flat ground, and soon the plane tree will grow naturally.
Eighteen: Li Qiao was disappointed at night. Jane's second and third sons, Chuk, are sad in autumn, Wang, on credit. Platanus acerifolia leaves slightly, and Osmanthus fragrans wants to blossom. Qi leads to cold dew, and light receives sunset glow. Long song Baishui Qu, empty to green pool.
Other knowledge development of Indus:
The 18th Linping Poetry Competition and Appreciation of Wu Tong Night Rain Award-winning Works
The picture title of the 18th Linping Poetry Competition in China is as above. The picture shows an outstretched hand without any background. You can only see the owner of the hand wearing a formal suit. What can this hand remind us of The other party is a gentle and modest gentleman. The outstretched hand shows a gentleman's demeanor, but it also contains an expectation, which is an attitude and a courtesy. This can be reminiscent of this outstretched hand and everything behind it. Ideas can be big or small, from the big picture, can represent a country, reflect the theme of today's world, peaceful and friendly, friendly dialogue; Start small, raise your right hand actively and gather enough sincerity, which is a kind of warmth, a kind of confidence and a kind of strength. And in the face of such hands, do we feel this way? Have we ever rejected the enthusiasm of others? Have we ever been rejected by others? Therefore, only by finding the connection between the picture and life can we broaden the artistic conception of the picture.
Let's talk about the fixed topic "rain at dusk" first. This poetic topic seems to come from Lu You's Yongmei. "It's already dusk, and the wind and rain are getting worse." Sunset dusk, twilight hazy, how can this lonely plum bear this desolation? It only has "sorrow"-and it is "lonely sorrow", but at this time, the wind blew again and it rained. How difficult the situation is, how cold the environment is, and infinite melancholy is among them. Is it still blooming after the storm, or is it depressed with a tender heart? This is not impossible. If we say "Yongmei", it seems that we can't get rid of the theme of "sadness", and look: the time is fixed at dusk, and the scene is intermittent rain. At dusk, the most beautiful time of the day has passed, which is really infinite melancholy and lament. Even with all kinds of nostalgia, there is nothing to do. But rain, "endless rain is as fine as sorrow", will really draw endless thoughts, past events, memories, love and hate, and all kinds of worries will drown people. A rain, a melancholy, a romantic poem, will inevitably make the poetic melancholy surge. ...
Because the background of the picture is serious, writing a slogan poem is likely to be straightforward and easy. So most of the poets on the screen chose fixed questions. Of the 49 works in this issue, only four poets have written poems with pictures. Of the 22 works supported by friendship, there are relatively many screen themes, only 7. As for the rain at dusk, there are stories of affection, stories of love, memories in the rain and confidences in the rain. Some are novel and unique, some are profound in atmosphere, some are swimming in Tangwan through ancient poems, and some are idyllic, which can be described as brilliant. As for the poems with pictures, most of them are magnificent and expand the artistic conception of the picture. The radian of modern Beijing handshake is broad and heavy, which is quite imposing; Lao Pang's "Remember those Hands" is heroic and infectious, and poetically resides in "Holding Your Hand", which is concise and has good language skills. An An, the host of the women's poetry workshop, is even more ingenious, writing about love and touching feelings. Of the 49 works, I have carefully read all the entries, and only some of them are supported by friendship. Because there are too many works and my level is limited, I won't comment here.
Finally, briefly talk about the winning works. The eight winning works are all fixed topics "Rain at dusk".
First place, Liu Qingyan's works attracted people to do as the Romans do from the beginning:
"Pay attention to your line of sight.
So far, no one has been found.
Turn into cool rain
At this dusk-
Dribble "
Next:
"Your blush, my heartbeat.
And the sweetness of walking side by side
This evening rain on the string.
On my umbrella—
inch by inch
This dribble and monotony
Evening rain, misty into endless melancholy.
Is to remind me to remember an unsuccessful first love.
Still sad-
There are no more two hearts
The purest method "
The taste of love, an unsuccessful first love, is presented to readers one after another. The wonderful artistic conception is indescribable, and the language is concise and fresh, giving people beautiful enjoyment! The last two sentences of the first two sections use the same sentence pattern, which is very rhythmic. The short three paragraphs contain infinite meaning and faint melancholy, which fits the artistic conception of sunset and rain.
Second, in the works of White case, the poet seems to find a point of agreement in Lu You's poems, which properly interprets the love between Tang Wan and Lu You and Shen Yuan's Hairpin Phoenix, and the infinite melancholy of love appears in the rain. Poetry presents beautiful love, and women's tears pour out. The author's clever use of poetry shows that his writing skills are extraordinary.
Third, floating works, written from the rainy scenery in the countryside, can be described as novel in perspective, soothing in style, expressing homesickness and sweet dreams. The artistic conception is long, like smoke curling from a kitchen stove, and like Wan Li smoke waves. At this moment, the rain at dusk, in the author's pen, is not the melancholy of moaning without illness, but infinitely beautiful.
Tied for third place, Qiu's works are very skillful in context, picture extension and image application:
"Late rain opened the heart of the sunset.
The rain and dew are crystal clear, lighting up thousands of lamps.
A piece of fallen leaves, burning with the imprint of water droplets. "
The opening is not bad, with a yellow rain scene,
"Oh, where did the song come from?
Flowering, white flowers
On the river bank, quietly. "
The natural layout in the second quarter broadens the horizon.
"You, is that you? A vague figure
The wind is falling and holding the afterglow.
Stumbling and floating in the rain clouds. "
The love dialogue in the third season is full of heartache and tenderness, which further lays out the artistic conception.
"Ah, the rain, the greater the wound opened at dusk.
The water on the moon is huge.
The feast is full of lights and candles.
Thousands of pairs of eyes look around.
The jungle of torches is full of waves, mountains and blue.
Your eyes, your heart. "
Accompanied by the rhythm of poetry, a growing heavy rain soaked your heart and mine.
-Until the end:
"At this time, the rows of trees standing were silent.
The dust of your footsteps passes through my heart.
Your back, the earth is boundless, like water. "
With the end of the poem, it seems that you can really see that the back in the rain is endless. ...
I was deeply moved by reading the complete poem.
There is also a work tied for third place, prisoner's meat,
"The angle between day and night.
There is only one bisector.
It is pulled by the wings of homing birds. "
The opening part opens a picture of dusk with a unique perspective, geometric nouns and novel images.
"Every point on the production line is busy with aprons.
A day's hard work boiled out a fragrant mist.
Only the dark clouds were made homeless by the wind.
Thousands of rain lines
Repair the sense of belonging in your heart. "
In the second section, the source of rain and its inextricable connection with life are written in the same way and the same novel image.
"The rain came to the earth and began to sing.
Singing beats the happiness in every window.
Wash the air affectionately. "
The third section states the beauty of rain and people with personification and brisk style.
"What a fresh and clean evening.
Rain found its own happiness in the deep breath of nostrils.
Happiness is more in the lower part.
This is where the rain falls.
The only reason "
Finally, the poet pointed out that rain also has its own happiness in summative language, and expressed his will in poetry, making the whole poem fresh and clear, giving people a refreshing feeling.
Excellent work, the work of sailing in the sea of clouds, is a beautiful prose poem for me. When I wrote to my father, I thought of Zhu Ziqing's Back. Simple feelings make people cry. In a short period of time, it is quite rare to write such a long prose poem, which is proficient in language and rhymes smoothly.
Excellent works, Cao's works, novel images, clever language, personification, symbol, metaphor and a series of writing techniques are all very skilled. The opening is very special:
"A day's encounter.
Get wet by this late rain.
Rub out the mood.
Have to hold on to the nightingale's cry. "
The ending is free and easy:
"So, I sat in the rain.
Put dusk on you.
Throw the wind into the wind
Hide the flowers among the flowers
Hold the chicken's first love in your hand
Give the shepherd boy's flute to the old cow.
Waiting for a heavy snow
Flying all over the sky. "
The whole picture is full of colorful images, which makes this evening rain relate to the life of the day, and it is quite imposing. At the same time, it also shows the poet's free and easy mind.
Excellent works, Luo Long's works, in a dusk rain, filled with infinite reverie, such as "Hemp Thread Woven by Mother when She was Young" and "Lover's Red Scarf", frogs, childhood, if it is a dusk rain scene, it is better to say that it is a mood of flying in the rain. Then, it is logical that such a yellow rain makes the author "destined to sleep in a homesick quilt tonight". The whole poem shows the author's feelings in the rain, with a coherent momentum and certain feelings.