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Classic dialogue of distant savior
After watching the TV series "Heaven", I exclaimed that the speaking level of the characters in the drama was really high. Seeing the barrage reminds us that the TV series has been castrated and lost some important plots. I bought an original novel, The Distant Savior. I'm still a little confused after reading it. I have an idea from my heart. Maybe I can write out my thoughts, and I can sort out my thoughts slowly. Maybe I will understand something.

Let's not talk about the main plot, but focus on several important conversations between them.

First, Han Chufeng met for the first time after returning to Ding Yuanying.

1, said Zheng Jianshi's immoral mobile phone ticket.

At first, I misunderstood Zheng tou because ding withdrew from private equity funds (other foreigners also voted for immoral mobile tickets because their good fortune was broken and they were unhappy) ), Dante's later words show that Zheng voted because he was reasonable. In Zheng's eyes, he is a small rich man without losing his virtue. Once it exceeds a certain amount, it is unfair to help foreigners roll money in the China stock market (exaggerated point is murder for money). However, Ding Yuanying pointed out that Zheng Jianshi's Buddha is a Buddha with positive results in the afterlife. Buddha root has only one melting point, and the melting point only stays on the surface. Although the intention is good, it is a bit dogmatic. It is trapped by the Buddhist scriptures on paper, and has not yet moved closer to enlightenment, and has not done its own thing.

2. A preliminary study of cultural attributes

The complete dialogue of the original text is wonderful and clear, and readers will understand it after reading it for a short time. Of course, I think the author's views expressed by Ding Yuanying are somewhat straightforward and explicit, but there is no doubt that his views are full of insight, and I think my mind is always full of these shining words. In a word, Ding Yuanying interpreted the traditional culture of China as the culture of looking forward to the savior, which had a far-reaching influence and penetrated into the bones of the nation. This is also the original intention of Ding Yuanying to help the poor in Wang Miao village. In order to make farmers realize that they can't rely on the savior, there is no savior in the world, and they can only get rid of poverty by themselves.

Second, the debate between Feng Shijie and Ding Yuanying about Song of the Tramp.

1, heart in sight

My question: heart is desire, God is realm, what does God mean?

My answer: God here should refer to a state in which the performance ability is enough to reflect the spirit that the composer wants to convey, and it is the corresponding "hand". Therefore, Mutt's heart hasn't arrived yet, saying that Mutt has a desire to perform well, but because she is born as a woman, she has a feminine and sad attribute, so the interpretation of the song is more sad and sad. There may be some misunderstanding here. I think heart and hand can't be distinguished independently, including Ding's evaluation of the stray songs played by these three people in the play, nor can they be simply divided into heart and hand. If Heifetz is willing but unable, just because he is ungodly doesn't mean he doesn't have enough desire to play well. In addition, Baidu evaluates the composition of the next three people, but insiders have a higher evaluation of Heifetz. Of course, people have different opinions. The author also expressed his views through the mouth of Ding Yuanying.

In a word, in my personal understanding, the heart and hand should influence each other. A sincere heart will stimulate your playing skills and enter the experience of flow. More perfect and skilled playing skills will also promote your understanding of the spirit of composition and make your heart closer to the theme that the work wants to express.

Third, the conversation between Ray Xiaodan and Ding Yuanying.

1, phase

There is an answer in Zhihu that explains it very well. You can have a look, www.zhihu.com/question/46845773..

Wang Xiaobo said that human suffering is essentially anger at their incompetence. The incompetence here is that we can't get rid of the distress of seeking pleasure, and what people pursue and reject is also an inner feeling. Phase, that is, the appearance of the outside world, people react to the external phase through six elements, which means to stay and bind, and the phase is bound in the framework of the appearance of things. Because of people's inertia, because of the emotional priming effect, people's likes and dislikes are accumulated in their brains as information at the beginning of contact with something, and the emotional priming effect will be subconsciously turned on the next time they face the same thing.

What should I do if I take a picture? The corresponding thing is to leave the phase, face things with a normal heart, be aware and aware of your own phase, and dispel the addictive inertia thinking through this continuous awareness practice at the moment, but you can't ask or imply that you are using this set against another set, then you will fall into the trap of phase again, just being aware. I feel like I'm making a mistake when I say it. This thing is really easier said than done. )

2. Re-cultural attributes.

This time, the discussion about cultural attributes is more clear. Obviously, Ding believes that any kind of fate is ultimately the product of cultural attributes. A strong culture makes a strong person, whereas a weak person makes a weak person. This is an objective law. The culture of the strong obeys the laws of things, and the weak look forward to the savior. The key point is how to recognize the law of development for us, and then you have the opportunity to adapt to this law and become strong. At present, the savior culture of society is slowly disappearing, and more and more people are approaching the culture of the strong. Cultural attribute is the value choice behavior (that is, values) that dominates everything. The closer your values are to the laws of things, the closer you are to the culture of the strong.

3. You don't know you, so you are you; If you know you, then you are not you.

This is a story that Ding Yuanying told Rui Xiao Dan, which is hard to understand. According to Rui Xiaodan's understanding, if you know it, you are not, and that is unknowable. According to my understanding, if you don't really know yourself as a person, you are still on the surface. You are a famous person, not a virtual person. If you really know you, then you will get rid of the virtual reality, and you will no longer be a virtual reality, but an existence close to reality.

4. About Rui Xiao Dan's occupation

To sum up, Rui Xiaodan chose to return to China to be a policeman, although the conditions of others in Germany seem to be superior. For Ray Xiao Dan, the police are the symbol of a mainstream society. For those who have never been abroad, there is no shortage of the motherland, and even more money. After all, Ray Xiao Dan is just incompatible with other people's values, so he is morbid to outsiders. Ray Xiao Dan thought of and did this, which is touching and admirable. She acted on her own, and she didn't know the state of cause and effect. Ding Yuanying himself lamented that the book was not as good as the original.

Third, the dialogue between Wang Mingyang and Rui Xiao Dan

The complete dialogue of the original text is long, and I intercepted part of it. First of all, Ray Xiao Dan tells the logic of Wang Mingyang's crime as a robber, which is essentially an exceptional acquisition of the weak culture. Then, the two sides began to discuss the Bible. Both sides agree that they are not qualified to comment on the Bible from the perspective of human beings, and only talk about the social value of the Bible. Wang Mingyang questioned that the moral requirements of the Bible for believers were to coax and frighten children, while Richmond explained it with the agreement between Christianity and human beings, that is, to establish eternal life and death, and God told the world to enter the narrow door. The point is, what is a narrow door? Into the narrow door, God will show that he does not exist, and God is yourself. This did not achieve the ultimate goal. Furthermore, God is the Tao and Tao is the nature.

Narrow doors are a realm. The realm of causality in heaven and hell is not bound. Once we reach a narrow realm, we will realize that there is no God, only objective laws and natural laws, and only Tao exists.

Fourth, the trip to Wutai Mountain.

The journey to find Buddha in Wutai Mountain is a classic dialogue in this book. Ding Yuanying's poverty alleviation plan in Wang Miao Village is based on killing the rich and helping the poor. For peace of mind, he and Han Chufeng came to Wutai Mountain to meet a master. After trying to make an appointment with Qian, Ding sent a poem he wrote to meet him.

5. Ray Xiao Dan and her father talk about love in heaven.

Influenced by Taoist thought, Rui and her father also have this thought when talking about what is the love of heaven, which is not difficult to understand. Rui's father thinks that Tiannv is the gentlest and kindest woman, and Tiannv's love is the most romantic and unattainable love. Rui Xiaodan retorted that since the heavenly girl here is from the perspective of her father and screenwriter, from the experience of her father and screenwriter, the real heavenly girl should have no gender distinction, no beauty, goodness and ugliness, and realize the existence of the realm of heaven.

6. Dialogue between Lin Yufeng and Ding Yuanying

Lin Yufeng's greed and ignorance are too heavy. Ding Yuanying knows people like Lin Yufeng too well, which can be seen from the slogan of Le Sheng (only spear, no shield, attack, attack). He doesn't lack a reason to kill Ding Yuanying, but a reason to kill him without affecting his self-evaluation. Lin Yufeng finally committed suicide because he was too obsessed with his face to let it go. In the struggle between Le Sheng and metrical poetry, whenever Lin Yufeng is a little more tolerant, it is not for eating metrical poetry, and it will not be defeated in the end.