One of the most important characteristics of ballet is that the toes of the actors point to the ground during the performance, so it is also called toe dance. The following is a complete collection of professional terms of ballet compiled by me, and you are welcome to consult it.
Ballet terminology 1 1, the general term for bat slatted leg movements.
2, Batmang Tang corrected Battentendu to wipe the floor.
3. Demipley is also half squatting.
4. Jean de Prigo is also squatting in Grand Prix.
5. Batmantang revised the small kick method of Japanese Battement tendu jete.
6. Let de Xiang Bo Rond de jembe turn around with his legs.
7. Behind the ground
8, Bart mans wind correction batman Fengdu one leg squat.
9. The urn is also the main action foot at the ankle.
10, battery frappe, Batmang Frappe, small rebound
Adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio adagio.
12, angler's nest airline
13, Gejean de Bart Mang gave Big Bart Montjett a big kick.
14, I'm afraid of rising Releve, with more fingers and toes moving.
15, the front of En face.
16. Head and shoulder movements of Epuluman device
17，Crossay Croise Cross
18, erasure is on.
19, Alabesp, Ala Beske, spread your wings and dance in the wind.
20.Egard (frontal) Ecarte climbing style
2 1, Egarde (rear) Ecarte overlooking type
22. Vertical dance of posture crane
Tempslie also shifted his focus in the soup.
24. Balancy's balanced swing dance steps
25, tiptoe rotation tiptoe rotation.
26. Two people walk out.
27. Aung Party Deng Dedan is introverted.
28, soudai stir-fry small jump
29. Shahiman made a five-foot jump.
30.eshabe Echappe displacement jump
3 1, Glissade in Gorisha, a connection-assisted action.
Assange is not tired. Assembly double ups and downs.
33. Pasjet, Bajidai, double jump, single jump.
34.Sissnne fermee jumps with her legs apart.
35.Sissonne ouverte controls Sisson Ouverte's leg jump.
36.Coupe kicks the ground, mostly as an auxiliary action of jumping.
37. Grande Assange is not tired. Crossay Grand assemble croise has big double jump and double jump.
38. Grande Assan Breil joined the group and eckart jumped aside.
39, Bashasai Paschasai caught up.
40. Turn around on the way.
4 1, pointing to the ground.
42. Grande had to let the thigh of Grande Lande Jebejet slip.
43.Petit battement refers to the pendulum movement of the calf to the side.
44.Bobatri Pour batterie is an auxiliary exercise of middle hitting, which is only completed in the armrest.
45, wave bra hand and waist exercises
46, vestments withered and swaying
47.Tu Anglair swims in the nest and idles (male)
48. It refers to volley, and Grande takes a leap.
49. A robot jumps from one foot to another.
50. I dare not stand on one foot (stand on tiptoe) on the day of Basset.
5 1, Su Yiwei Suivi steps
Ballet term 2 1, Adagio [Italy] [Adaro]
Adagio is slow and calm. The terms used by teachers in Italy, the United States and the Soviet Union refer to: ① Some combinations of holding hands or doing in the middle of classroom teaching-composed of slow, elegant and coherent movements, used to train the ability of control, balance and stability, the coordination of legs, feet, arms and torso, and beautiful dance. (2) The second part of the classical pentathlon is often lyrical. With the help of the male partner, the female partner moves slowly, showing elegant lines and balanced posture, or completes some complicated movements and dances that cannot be completed without the help of the male partner.
2. Ala Beske [France]
One of the basic dances. The name comes from a leaf-like continuous Moore pattern. The dance posture is that one leg squats or stands upright, the other leg is straight back, at right angles to the supporting leg, and the arms are in a corresponding and harmonious posture, so as to form a straight line as long as possible from the fingertips to the toes. You can do it on tiptoe, or you can stay the same during flying (jumping) or turning around. This is one of the most beautiful dances in classical ballet.
Czekaj Brothers System:
(1) The first Allah Beske style-one leg is supported upright, the other leg is straight back, at right angles to the supporting leg, the upper body leans forward slightly, the chest and waist are bent backward, the back is forcibly straightened, and the shoulders are in the same straight line. Don't twist your shoulders, don't lift your hips, face your upper body forward and don't lift your shoulders. One arm on the same side as the support leg extends forward, the other arm is backward, slightly lower than the forearm, above the hind leg, and the palms of both hands are downward. The arm looking forward, the fingertip is on the extension line of the midpoint between the eyes.
(2) The second Allah Beske is the same as the first Allah Beske, but the two arms are switched, with one arm on the same side as the support leg backward and the other arm forward; Raise your head slightly and turn to the audience slightly.
(3) The third Allah Beske is the same as the first Allah Beske, but the two arms are horizontally lifted forward, slightly higher than the arm on the same side of the support leg, so that the fingertips are on the extension line of the application point between the eyes.
(4) The fourth Allah Beske-the same as the first Allah Beske, but with legs close to the audience as support legs, half squatting; Straighten your back hard and tilt your upper body to the audience; One arm on the same side as the raised leg extends forward, the other arm moves backward, and the two arms are slightly bent.
⑤ The fifth Allah Beske is similar to the third Allah Beske, but the arm far away from the audience is lifted upward, higher than the other arm, and the support leg closer to the audience is used, and the upper body leans towards the audience. The fourth and fifth Allah Beske, with the left leg as the supporting leg, faces the right front of the platform and the right leg as the supporting leg, faces the left front of the platform.
French schools:
(1) Open Beske—— The leg far away from the audience is supported upright, the other leg extends at right angles to the supporting leg, the upper body leans forward slightly, the arm on the same side as the supporting leg is lifted forward, and the other arm extends backward, parallel to the rear leg. Various gestures can be added to the stage performance.
(2) Beske Cross-Same as above, but with the leg close to the audience as the support leg, the arm on the same side of the support leg is lifted forward and the other arm is extended backward.
Russian schools:
(1) The first Ala Beske-two legs far away from the audience stand upright, the other leg is straight back, at right angles (or more than right angles) to the supporting leg, and the upper body is forced to stand straight with low fE incense, and the arm on the same side of the supporting leg extends forward, and the other arm is open to the side, with the palm down.
(2) The second Ala Beske-the same as the first Ala Beske, but on the same side as the supporting leg, with one arm as far back as possible and the other arm stretched forward, with its head turned to the audience, and its back straight and slightly arched.
(3) The third Allah Beske-the leg close to the audience supports the other leg upright and then lifts it 90. The upper body leans forward, the second bud on the same side of the leg opens backward, and the other arm extends forward.
(4) The fourth Ala Beske is the same as the third Ala Beske, but the arm on the same side as the supporting leg stretches forward, and the other arm is behind the trunk, with the back forcibly straightened and the waist twisted, and the upper body rotates 25 degrees away from the audience. Turn your head to the audience.
3. Attitude [France] [Artide]
The original meaning is posture, posture. One of the basic ballet dances. The supporting leg can stand upright or squat slightly, or stand on tiptoe or half tiptoe, and the other leg can be bent forward or backward and lifted. It is said that it was designed by Italian dancer karlo BoLatsis with reference to Giovanni de Pologna's work-the statue of Mercury, the ancient Roman god of commerce. According to the different angles between the actors and the audience, it can be divided into cross type, straight type and 45-degree artificial type.
4. Balance [France] [Balancy]
Swing dance steps. Change the center of gravity alternately with your fingers, swinging from one foot to the other, much like a waltz. Stand five times and put your right foot forward. Half squat, wipe your right foot sideways, while your left leg jumps gently; The right foot falls to the ground and squats, and when the foot is finished, the head and upper body lean to the right. Then the left foot falls on the back half toe, the right leg is slightly raised to form a forward flexion, and the upper body remains upright. Immediately, his right foot fell in front, half squatting, and his left foot became sur le cou-de-pied, and his upper body was tilted. Then make a symmetrical movement to the left. If you add arm movements, you can make the swinging movement more obvious.
5. Develop [France] [Develop]
The original meaning is stretching. Name of basic action. The action leg slides along the support leg from the fifth position, passes through the suction leg-toe, reaches the knee, and slowly opens forward, sideways or backward to a certain air position and stops in the air. After reaching the highest point, it fell to five places. It is used to train the balance in hand-held exercises, so that the legs can stop at any angle and keep it for a period of time. When leaving the handle, it can be in the position of crose, efface, Allah Beske, etc. The two spans should be horizontal and at right angles to the direction that the actors face. In Czekaj's younger brother system, when the action leg stretches and sucks the leg, the toe stretch points to the inside of the knee of the support leg; Russian refers to the front or back of the knee.
6. Fueter
It was supposed to be whipped. Lift one leg with one finger and make a quick circle in the air. It can pass in front of or behind the supporting leg, or it can turn from one orientation to another with the trunk as the axis. There are big ones and small ones: the small Vervet swings back and forth, can do it on the ground, stand on tiptoe and jump; The big black face can jump, stand on tiptoe or do it in turn. According to legend, it was created by Italian dancer Lenny Yanni in the 1980s of 18. At first, only 14 was made, and later it was developed to 32. Australian Rowena Jacobson set the world record of 12 1 in Melbourne with 1940.
7. Grisard [France]
Slide. A sliding action in which one foot slides from five positions to a specified position and the other foot closes at the same position. The heel of the slippery foot must land before the heel of the closed foot. Usually used to link other actions. Five and a half squats, the action leg slides out one step to the side or back and forth, the body jumps slightly, the center of gravity shifts to the action leg, and the other leg is straightened and rubbed back into five and a half squats. According to the position and sliding direction of the foot at the starting point and the end point, it can be divided into six types: forward, backward, backward, forward, forward and backward. You can change your feet or not, or stand on tiptoe.
8. Spin on tiptoe [France]
Spin in place. A complete rotation with one foot on tiptoe or half tiptoe as the fulcrum. Its power comes from the combination of squatting and arm movements, which requires the actor to have balance ability. When moving, the feet of the supporting legs must be pressed on the ground to increase the supporting area and help the body to be stable. The "starting method" relies on the strength of the arms, not the twitching of the body or shoulders, with the open arm leading and the other arm connected to supplement the strength; Stare at a certain point in the rotation. It can be rotated outward or inward several times until the supporting legs and feet land. When turning inward, the action leg usually ends in five places and then supports the leg; When you turn out, it is behind the supporting leg coupe. The action leg elevation is sur le cou-de-pied, which is advocated by the French school to be lower than the calf and the Italian school to be higher than the calf. Big spin (grand-), lift one leg to a big position and rotate outward. Every time you turn around, you should squat your leg. In a series of rotation applications, the action leg can also be gradually reduced from grade two to grade four.
9. Air travel
Turn in the air. Jump directly from the semi-squat, turn around once or twice at the same time, and exchange positions between the front and rear feet to complete five and a half squats. Use your arms to help you jump when you jump, and keep your head fixed at a certain point when you turn around. You can end up in different positions, such as sophomore position or one leg crisp, or you can do several somersaults in succession.
Extended content
Some Terms of China Classical Dance and Classical Ballet Dance
[main part]
This is a special term in dance training. Also called "leg support". As the name implies, dancing is the leg that supports the center of the body.
[power leg]
It is also a special term in dance training. Also known as "action legs". Dance poems move the legs, and generally do not serve as the task of supporting the body center.
[Text] [Face]
The tidal direction on the front of the body is the "body direction". In China's dance movements, the body often faces in one direction, while the face (face) turns to the other direction, that is, the face. For example, "body" and "face" at 8 o'clock. If "orientation" and "body orientation" are consistent, just say "body orientation".
[body rhyme]
(a term of China classical dance) is called posture and rhythm. "Body posture" belongs to the category of external techniques, "rhythm" belongs to artistic connotation, and the combination of exterior and interior constitutes "body rhyme", which is a part with strong performance characteristics in China classical dance and can also be said to be the artistic soul of China classical dance.
[opinion]
(a term of China classical dance) is the line of sight of the eyes. It is an important part of China dance. It highlights the charm of dance with "hands, eyes, body, method and steps" and is a window to convey feelings and feelings.
[eyesight]
(a term of China classical dance), that is, the direction of the eyes. In the "body rhyme" of China's dance, when the eyes look in a certain direction, the head (face) is also slightly driven in the direction seen by the eyes, and the "essence, spirit and qi" of the movements are strengthened at one time.
[debut]
Originated from China's classical dance performance, it is a unique technique, that is, according to emotional needs, it is the last movement of a certain dance paragraph and becomes a "dance" to strengthen the sense of rhythm. This kind of "dancing" makes the expression more prominent and clear through instantaneous actions such as stumbling, reaching the position, shaking your head and staring. This kind of modeling is called "appearance" or "appearance action". It can be divided into "hard appearance" and "soft appearance".
[flat circle]
A circular route parallel to the ground is a "flat circle". If there is a disaster head, draw a "flat circle" clockwise: that is, draw a circle to the left and then to the right with your right hand above your head.
[vertical circle]
The movement route of a circle perpendicular to the ground is called "vertical circle", which is also called "vertical circle". For example, the right arm draws a circle through the right position, the upper position, the left position and the lower position.
[Keep your head and shake your head]
When "turning" or turning in circles, the head still keeps the original direction when the body starts to turn, which is called "leaving the head". Turning your head quickly from one direction to another is called "shaking your head".
[control]
There are two purposes to "control" once in dance; First stop the movement in a certain "dance posture" to train the strength and function of a certain part of the limb, that is, "control the movement" exercise. Second, according to the movement route, rhythm, specifications and other requirements, accurately control the limbs in place to achieve the perfection of "dance" or "technique", that is, the "control" ability of dance operation.
[Basic training]
Refers to the training of dancers or students' basic skills. Such as developing the ability of muscles in various parts of the body, training the flexibility of joints, controlling the ability of physical activities, flexibility and stability, and various skills such as jumping, turning and turning. Make students' body movements more in line with the requirements of dance rules to meet the needs of various types of movements and difficult skills; At the same time, the preparation and basic training of playing various dance images at any time is also beneficial to the physical strength of actors and students.
[From Pan Er]
It is a dance proverb, which refers to the preparation posture before the action. The preparatory action before skill is called "getting up" or "getting up".
[method]
It refers to whether the dance is correct, that is, whether the action conforms to the law and whether it has charm. When judging whether a dancer's movements are correct, there are often "hair" and "hair" to praise or criticize.
[rhythm]
It refers to the rhythm formed by the priority of audio activities, and the strength and length of the beat appear alternately, which conforms to certain laws. Rhythm is the backbone of music melody and the basic element of music structure. Rhythm is also one of the basic elements of dance movements, and all dance movements are carried out according to a certain rhythm.
[rhythm]
It refers to the natural law of human movement in dance movements, which produces the dialectical law of wanting to be left first and then right, wanting to be vertical first, moving and static, going up and down, height and length, and forms the rhythm of dance movements. Rhythm plays an important role in dance, and it is a difficult action factor to master.
[figure]
Refers to the body movements of actors in various dances during stage performance or training. From the simplest gestures to complex martial arts skills, such as sitting, lying, walking, walking, swinging sleeves and appearing in the mirror, they are all called posture.
[Form]
Refers to the figure of an actor. Generality is often used in drama, especially in drama and movies. The physical training and dance training of drama and film actors are called "physical training", and this course is called "physical class".
[modeling]
It is one of the artistic means to shape the external image of characters. In dance, people call the sculptural gesture "modeling".
[Dancing]
It refers to the refined and beautified rhythmic and regular human movements, which are the main means of expression of dance art. Most of them come from working life and are related to the struggle life, customs, natural conditions, aesthetic concepts and traditional arts of the nation.
[dance language]
Dance language mainly expresses themes and emotions through dance movements. Dance language is also an alias of dance movements, which is composed of single or several dance movements and has certain significance. Dance language contains not only simple dance movements with certain significance, but also long action combinations.
[Dance combination]
Is a common language in dance. It means that more than two dance movements are organized and combined into a new movement, which is called combination. It includes not only the simplest pure action connection, but also the most complex action combination with different attributes. It is used to achieve a certain training purpose or to express the ideological content of a dance.
[dance vocabulary]
It refers to a collection of different dance movements, which serves to express the theme of dance works and is the general name of all dance languages, such as literary vocabulary.
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