"Being alive" is full of power in our China language. His strength does not come from shouting or attacking.

It is to endure, endure the responsibilities entrusted to us by life, endure the happiness and pain, boredom and mediocrity that are displayed to us.

Being alive, as a work, tells the friendship between a person and his destiny, which is the most touching friendship because

They are grateful to each other and hate each other at the same time; None of them can abandon each other, and at the same time, no one has any reason to complain about each other. male

Children walk together on dusty roads when they are alive, but when they die, they turn into rain and mud.

Fu Gui, a once prosperous rich young master, ruined himself when he was young because of his reckless nonsense and arbitrariness.

And the happiness of family life.

He finally woke up in poverty, maybe it was not too late. But the shadow of bad luck has been followed in his footsteps and taken away cruelly.

Everyone connected with him has no sympathy for his life. His parents died one after another after falling down in his family's fortunes, and the pain has not yet subsided.

His wife, who shared joys and sorrows, also left him. In the end, even his only grandson did not escape the clutches of death, leaving him alone.

Living alone.

Fu Gui personally buried six close relatives. I don't know if this is a special favor of fate or another punishment, but he survived.

Come down. After so many unimaginable hardships, he learned to endure and endure the weight of life. He's just very

Simply living is to live.

I remember a sentence:

Life is a field of life, and every suffering sown will grow into a hope. They are our hands. no matter

Whatever you have on you, no matter what's around your neck or what's on your shoulder. ...

Just like a ship bumping in the sea, it will always rise and fall in the waves and valleys and move forward on the road of writing.

There is no doubt that the creative state of economists cannot be stable. Yu Hua is no exception. If you analyze it carefully, you will find it in 1995.

Before and after, that is, in the early stage of the article "Living", Yu Hua's literary creation entered a very delicate period.

First of all, we go beyond the speculation and speculation about the process and reasons, and look directly at 1997, and we will find that.

That year, Hua made a decision that was bad news for China's avant-garde literary world: giving up the avant-garde experiment. Then we'll

Look back behind you. At this time, you will find that it is already doomed at 1995. This year, the other two

Su Tong and Mo Yan, two famous young writers, also made similar decisions. Yu Hua's declaration of farewell to avant-garde novels is: "I am now

Now he is a writer who pays attention to reality. It is after Living that he wrote another novel, Xu Sanguan Selling.

The story of blood was finished not long ago. Then let's pay a little attention to this latter work which the author calls "paying attention to reality". solid

Internationally, it has quite obvious changes from Yu Hua's early works. In other words, we will be surprised to find that this article is related to Yu Hua.

The early "shouting in the drizzle" was completely different.

Then we turn our eyes back to 1995, and we will find Yu Hua's only realistic literature and avant-garde novels.

Featured works, is a sensational "alive". In this way, living should be a creation of Yu Hua.

Cross.

From this perspective, Living is what the author seeks when the pioneering text innovation is exhausted.

A way out. But I'm afraid the author himself disagrees with this view. From the work itself, especially the first half of the work.

It can be seen from the great randomness that "Living" is not a work that began to be created after the concept was fully mature.

Yu Hua may write a beginning like a child doodling. Before carving this work, the author may not call it.

Writing. When Yu Hua's writing was in the doldrums, writing was actually just a habit. Alive is a later article.

For readers and authors, a novel completed with heart, like all good works, is an accidental pick-up, or a piece of luck.

To be alive is a novel that makes people feel heavy to read. The kind of dull unhappiness that you only feel when you close the book is not.

Caused by the cruelty of the story provided by the work. After all, the death of a family, a wife, a daughter, and a white-haired man sending a black-haired man are all like this.

This story is not sensational. At the same time, Yu Hua is not a writer with strong incitement ability. In fact, he exaggerated this point.

Yu Hua's expression has always been disdainful. Yu Hua advocates narration, telling some abnormal stories in an almost cold style. It is in this narrative process that all emotions quietly invade the reader's reading. In this way, Living completes the philosophical inquiry of the meaning of life with an incisive expression. Just as a skilled surgeon slowly separates the cruel nature of life from the false kindness, living has shattered one illusion after another that people may have a good direction in a very calm and even slow way. In this way, there will be an ending: people will be impressed by this book. Because reading is a psychological fear experience. This actually implies another fact of China literature: realism with realism as its slogan is actually the most afraid to face reality. For example, in essence, life itself has no meaning except living. Then if we must give meaning, then the only thing that can be counted as meaning is probably life itself. The great feeling of "being alive" may come from this.

It is precisely because of this that "Living" clarifies a content. Living is a process in general understanding, but living is actually a static state.

Yu Hua wants to tell readers that there is no happiness or misfortune in life, life is just living, living quietly, and a little loneliness. "Living" is to endure, endure the responsibilities entrusted to us by life, endure the happiness and pain entrusted to us by reality, and endure boredom and mediocrity.

south of the old

During the winter vacation, I read three books, among which Lin's Old Things in the South impressed me the most. I like it because it is easy to read. This book tells the story that Lin lived in the south of Beijing when he was a child.

The main content of this book is that Lin is a six-year-old girl who lives in an alley in the south of Beijing. She met Xiuzhen, a "crazy" woman, in this alley. After learning that her child "Xiaoguizi" was left at the foot of the city and her life and death were uncertain, she decided to help Xiuzhen find the child. Coincidentally, the little friend "Niu" wants to find his parents and has a birthmark under his neck. Niu Niu took Xiuzhen to find her father, but the mother and son died tragically under the train. Later, Eiko moved to the "New Lotus Seed Hutong" and met a young man who stole things for his younger brother's school, but later, the young man was arrested by the police. Later, Ma Song's husband came. He told Ma Song that his son fell into the river and drowned two years ago, and his daughter was sold to others by her husband. Ruth was very sad. Finally, Eiko's father died of lung cancer, and Ma Song was picked up by her husband. Eiko left her childhood with many doubts. ...

Everything in this book is so natural and kind. Like a ray of sunshine, soft and warm, and like a ray of water, it is endless. Scenery, people and things have become so innocent and lovely through Eiko's childish eyes. Emotions and sorrows are deeply embedded in Eiko's memory, which also deeply touched me!

This book has no flowery language and embellished words, but it reflects the characters' thoughts, describes their actions and language, and brings us into her childhood and the beautiful places in southern Beijing. ...

There are a few words in "Old Things in the South of the City". . .