According to the standard of traffic drama, Ningmin Town can be regarded as "fishing dregs from the soil". Thousands of ravines and valleys, flying sand in Gobi, adobe houses, earth nests and the "plateau red" on everyone's face show the poverty and hardship of the "barren land" in northwest China 30 years ago. We didn't add a "filter" to the times, didn't exaggerate the character "Gao Daquan", and didn't avoid all kinds of contradictions in the process of poverty alleviation by immigrants and the complex mentality of ordinary individuals. It is this kind of "life without slogans" and "suffering from hard work" that brings former witnesses and countless young people who grew up in affluent times to the historical scene to witness a history of struggle to create the future.

Good people bless good people, and strugglers cherish strugglers. Such works are popular, which shows the success of realistic creation. The Real Human Miracle by Xi Gu Hai shows the texture of the times, conveys the voice of the times, and shows the group image of generations who have worked hard and sacrificed bravely. And many of them, many things, are unfamiliar to the public in the past, and past film and television dramas are rarely presented in the original ecology.

Love to watch after 00! Why does the poverty alleviation drama Ningmin Town become the "king of drama"

In recent years, the film and television culture industry is highly prosperous, and the works are vast, but the impetuous wind divorced from reality is also quite obvious. Crossing dramas and fantasy dramas get together, selling some overhead net texts and making them up; Some works under the banner of reality, many of which are top-heavy and empty, only regard reality as "the compilation of the present"

There is no record of stormy years, and there is no concern about the struggle to change the world. Long song doesn't describe the joys and sorrows of ordinary people, but posts them in batches "air-to-air" to make them "fake". How can people not play, and how can the audience not comment badly? The alienation from realistic creation is not only a kind of laziness, but also a gift of this era.

With the acceleration of the audience voting with their feet, the creation of realistic themes has returned. From in the name of people and Crossing the Yalu River to Big Rivers and Small Towns in Ning Min, word of mouth and popularity are both fruitful, which is a positive signal. Works with bones and muscles and temperature have no market and no audience. "If this is the case, I really want to know how we came to this era through TV dramas." The voice of the audience is also the voice of the times.