1. Baoyu broke the feudal hierarchical concept. For example, he has no boundary between master and slave to strictness. Baoyu never puts on airs as a son, whether to his brothers, sisters or maids. Xinger talked about Baoyu's usual scene: "Sometimes when we meet, we can't get up or down if we like it. Let's play for a while;" I don't like walking apart, and he ignores people. We sat and lay down, we ignored him, and he didn't blame us. So no one is afraid of him, just go and get by. " Xinger didn't talk nonsense casually. All kinds of scenes he said can be seen at any time in Jia Baoyu's life. On the 26th time, Yan Ming received orders from Xue Pan, saying that his master called him. Similarly, in front of the maids, they are often served; And rejected by them, I don't think so.
In fact, Baoyu's words and deeds are not only inappropriate, but also a rebellious aristocratic youth. Many of his words and deeds are incompatible with the demands and hopes of feudal aristocratic parents.
His association with Liu Xianglian and actress Guan Qi. Baoyu has no nostalgia for the rich life envied by many people and the house of Houmen House. He said to Liu Xianglian, "I just hate being at home every day, and I can't do it at all. As soon as I act, someone will know that it is either this stop or that advice. I can say it or not. " Although I have money, I don't make money. "(back to the 47th) he envied the life of an official's family, yearned for the world outside the Grand View Garden, and yearned for a free life without" management ". Jia Zheng suspected that he neglected his studies, humiliated his mother and servant, and was afraid of being victimized by "running away from home". He also hated his "no generosity at all" and "wandering around the world" behavior, which led to his severe whipping.
B: He doesn't want to read the Four Books and Five Classics, and he doesn't want to take the road of official career economy in the imperial examination. Under the Confucian concept, men should cultivate their minds and cultivate their nature and govern the country with integrity. Jia Jia's greatest hope is that he can honor his ancestors and move up in his career. Jia Baoyu, on the other hand, is willing to despise his lifelong achievements and hate the so-called "career economy". This kind of "no progress" is contrary to the orthodox education of feudal rule. If someone suggested that he should pursue an economic career, he would be denounced as an "asshole". When Shi Xiangyun heard Jia Baoyu say that he didn't want to see Jia Yucun, he advised, "Let's not change this feeling. Now that I'm old, I just don't want to study for a scholar. You should also meet with these officials and butchers often, talk about the knowledge of economic undertakings, communicate with the world more in the future, and have one more friend in the future. " Unexpectedly, Baoyu showed no face at all, saying, "Miss, please sit in another sister's room. I have carefully polluted your knowledge of economics here. " (back to 32)
C: Boldly pursue freedom of love and marital autonomy. The love story between Baoyu and Daiyu in A Dream of Red Mansions is the most touching chapter. Their love is based on the common interests and ideas of childhood friends. They don't lack love, but "parents' orders and matchmakers' words", which is against the traditional feudal marriage system at that time and is not recognized. Regardless of the "rules" of "parents' orders and matchmakers' words", they love each other with their persistence and firmness, pursue the freedom of love, and practice the frontier of wood and stone. In particular, Baoyu shouted, "What kind of marriage is good? I prefer the marriage of wood and stone! " (36th) expressed his firmness and determination. The "alliance of wood and stone" is free love, and the "golden jade and good marriage" is a secular arrangement. Baodai's unforgettable love is the pursuit of beauty and freedom; Baoyu's abandonment of "golden marriage" is a betrayal of the feudal marriage system in secular society.
Q:
Brother, I want to 19 back 28 times!
Answer:
Respect for women:
1. Baoyu is very opposed to the feudal concept of "men are superior to women" and boldly put forward the slogan of "women are pure and men are turbid". Baoyu's most famous "quotation" in A Dream of Red Mansions is: "Daughters are made of water and men are made of mud". The words "women are pure and men are turbid" sound ridiculous and puzzling. But if you know that in the era when Jia Baoyu lived, in a society dominated by men, women were always in a subordinate position and in an oppressed position, and as the youngest son of a feudal aristocratic family, he expressed deep sympathy for the fate of women (mainly daughters), expressed sincere respect and love for his daughter, and described men as filthy and smelly, which undoubtedly subverted the "men are superior to women" for thousands of years. This is of course a rebellion against the feudal patriarchal clan system.
2. In Baoyu's idea, "daughter" and "woman" are completely different. Baoyu thinks that an unmarried daughter is a gem, pure and flawless, and a married woman becomes a dull dead pearl or even a fisheye. Seventy-seven times, when the Grand View Garden was inspected, something happened to Siqi, a beautiful girl in Yingchun. A bunch of women and daughters-in-law in Zhou Rui's family all want to take Siqi away. Siqi cried for Baoyu, but was reprimanded by Zhou Rui's family and others. Helpless Baoyu was very angry and said, "Strange, strange, how can these people get married and smell like men, so they can be killed more than men." It turns out that the important difference between "daughter" and "woman" is whether it is "stained with the smell of men" or whether it is poisoned by that stench. The so-called "masculinity" refers to the dirty social atmosphere. Baoyu's criticism is aimed at the feudal patriarchal clan system. This is his unique "daughter worship theory".
3. The transformation between "inside the threshold" and "outside the threshold": In fact, the relationship between Baoyu and Miaoyu has metaphysical significance in the theme and literary structure of A Dream of Red Mansions. Miao Yu calls herself an "outsider", which means that she has been transcendent and detached from the outside world. Baoyu, on the other hand, is "trapped in his wife" and still indulges in the world. But the result backfired, Baoyu finally came out and made a positive result, but Miaoyu got stuck in the mud and was finally robbed. The relationship between Baoyu and Miaoyu is the intermodulation of identity, the transformation between outside and inside the threshold, and an ironic "Buddha's fate". Miaoyu is supercilious and withdrawn, even the grandmother in the village can't tolerate it, and Buddhism is difficult to enter. Baoyu is compassionate and loves all beings, so he can finally become a Buddha.