The play focuses on how to realize personal growth in the process of pursuing justice and seeking law. While depicting the growth and extraordinary of an ordinary rural girl, we should carry forward the spirit of the rule of law and promote the whole society to respect, learn, abide by and use the law. In the story of happiness, the concept of harmonious coexistence between man and nature is constantly mentioned, and the concept of "clear water and lush mountains are priceless wealth" is practiced through the story of He Happiness's active sewage treatment.

The drama focuses on the process of Wanjiazhuang from material civilization to spiritual civilization, shows the great changes in the new socialist countryside with ups and downs and vivid characters, and rings the voice of the times for rural revitalization. (Beiqing. com Review)

In the nuanced group images, let the audience experience that the balance between love and law in traditional society is not easy, and the simplicity and kindness of the vast rural areas are more real. "Demanding realistic logic" and "ordinary people like to watch" have always been the performance indicators insisted by director Zheng Xiaolong.

Spring Rain Film and Television insists on touching people not through slogans, but through stories, plots and characters, which is also an important reason why the stories of happy dramas can be widely told. (Beiqing. com Review)

People's Daily commented on the happy story like this:

As a realistic TV series, while building a well-off society in an all-round way, it further strengthens the construction of rural spiritual civilization, the rule of law and the inspirational growth of women, which is different from many previous "big women" dramas. She is neither arrogant nor impetuous, killing all sides. With the driving force of "being reasonable in everything" and the determination to keep learning and making progress, she has contributed to the development of herself, people around her, rural spirit and material things.

The play is very real, but also faces and reflects the reality, focusing on shaping and excavating characters. A drama that is too real is not necessarily a cool drama, but as long as you watch it, the audience will be moved by these realities. (People's Daily Review)