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What are the tricks of copying calligraphy? Or the method?
First of all. I am also a calligraphy lover, and I think copying is the basis of calligraphy. Personally, I began to learn copying from seal script, then to official script, regular script and finally to cursive script (this is my learning order) because this is the development order of characters (calligraphy style). From easy to difficult. Here are some copying skills, I hope I can help you. Copying is an indispensable way to learn calligraphy. "A journey of a thousand miles begins with a single step", and the "beginning" of calligraphy is copying, which no one can do. Generally speaking, beginners should focus on accurate simulation and accurate scoring. At this stage, the main purpose of learning first is to master various skills skillfully. Each copybook embodies the life-long efforts of the ancients and contains extremely rich artistic connotations. It is unreasonable to despise it. If you haven't mastered the skill of marking with a brush, you should look down on the ancients proudly and think it is useless to follow them step by step. Actually, you are joking with yourself. People who have this idea must pay attention. At this stage, copying should be the main task. Learners' eyes and hands will have a great gap with the ink on the post because of the first contact, so it is difficult to grasp the artistic essence of the post, which requires forcing themselves to adapt to the style of the post. Judging from the teaching practice, this early learning stage should not be delayed for too long. Improving efficiency and wandering repeatedly on the surface or edge of copybook copying will not be of great benefit to future study. Copying is an excellent and efficient method, and it is also the most basic method to master the copybook style as soon as possible. It can help master the necessary skills for further development. This is called the starting point of "attack" After the first goal is achieved, it's time to throw away the crutches. The first stage of work is temporary posting, "face to face". Face-to-face instruction is a general skill training. Through my own writing practice, I want to master the basic characteristics of pen use and word spacing, as well as the characteristics of composition (there is also a composition problem in choosing words), so as to meet the requirements at this stage. With the guidance of experienced teachers, about two years of training time (about one to two hours a day) is more than enough. Of course, adults and teenagers require different time, because their understanding ability is different, but a primary school student can achieve his goal in three years at most as long as he can study as required. In particular, this unit is the most difficult unit in the process of copying: from copying to approaching, it is a qualitative change from the perspective of learning psychology. The third stage faces the back. Students often worry about the distance between books. Indeed, the change from pro-book to self-book is another qualitative change. If there is no transition, I find it difficult to adapt. In my experience, the transition layer is facing the back. When copying, there is always a psychological distance between me and the post. I am the host and the post is the guest. The purpose of back is to eliminate this psychological distance, so that the subject and object can be integrated and things can be integrated. Those who learn Yan style should try their best in Ji Yan, while those who learn European style should try their best in Europe. Only by doing this can we truly master the style and skills of the post. Of course, to achieve the integration of subject and object, we should not only pay attention to the skills of posting, but also consider charm, style, interest and spirit. At the same time, the greater significance of facing back is to exercise keen and meticulous observation and memory, and try to be vivid. The fourth stage is coming. With the above basic skills, you will enter the kingdom of calligraphy to a certain extent. Based on this, don't stay in one position, but try to broaden your horizons and look for opportunities in various positions with different styles and skills. Some great calligraphers are close to the same position, unlike. Beginners often feel that they don't understand, but they don't like it. What were you doing when you were near it? I didn't know it was called "meaning". Readers' thinking about posts is not rote, but it is not as good as others. This "take" point should be considered in line with your own personality, habits and basic style. Wu Chang is really close to Shigu, He Ji Shao and Lanting, and the distance is far away, but it is in line with the spirit of the original post at a certain point. "However, I feel the harmonious heartbeat of the sacred unicorn." Care for a moment, don't cover everything, but focus on one point. Why and how to choose this "point" depends on learners' correct evaluation of themselves. This choice can often show learners' accomplishment. It can also be called "learning from others", but it should be noted that it is not impossible to learn from others. It is impossible to pretend to "learn from foreigners" without even mastering the basic copying skills of iron. In addition to this advanced learning stage, in other stages, teachers should also be reminded that when introducing calligraphy theory, we should focus on the study of techniques, and there is no need to introduce some theories close to metaphysics too early, such as "similarity", "taking its charm", "imitating nature" and "making things out of nothing". These theories must be understood from a specific angle to be meaningful. Beginners know nothing about these slogans, on the contrary. According to my experience, I still need to distinguish the stages of learning, and I should emphasize the teaching goal of skill-based when I first post it.