1. The four-character idiom in China's calligraphy is that the dragon and snake are at the bottom of the pen, and the brush and ink are wonderful. The dragon and snake use a pen, and the swallow tail uses a silkworm head, hiding the head and protecting the tail, sinking happily, calmly, learning graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragons and dancing phoenixes, full of vigor, phoenix dancing dragonflies and phoenix floating. Jiaolong, strong bones and abundant muscles, thirsty for horses to rush to the spring, thirsty for horses to be angry, thirsty for deer to rush to the spring, paper back, Lin Chixue's book, Liugu Yanjin, Dragon and Phoenix Dance, Dragon and Snake Flying, Dragon Stretching and Bending, Dragon Jumping and Tiger Lying, Tiger Shock in Rowen, Tiger Shock in Rowen. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.

2. Four-character idioms in calligraphy, complete strokes of dragon and snake, Yan Gu, iron-painted silver hook, penetrating paper back, free strokes of dragon and snake, bǐ zǒu lóng shé Interpretation: Describing calligraphy as very beautiful and skillful, Yan Gu yá n j Ρ n Interpretation: Yan: calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty.

Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.

Iron-painted silver hook tiēHuàyín güu Interpretation: Describe that calligraphy is strong and soft, and penetrates the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in conception and concise in words.

Handy Hu ē zü rú Interpretation: Describe drawing, writing, writing and writing at will.

3. Calligraphy idioms are characterized by falling rocks at the peak, changeable charm, vigorous and wrong, elegant and graceful, thunderous, combining rigidity with softness, superficial, Rowen tiger shock, repeated change of heart, elegant and delicate, dignified and elegant, unrestrained and uninhibited, concise brushwork, covering iron with cotton, smooth and orderly, and natural and delicate. Learn from others' strengths, be meaningful and handsome, simple and bold, vigorous and powerful, dancing like a dragon and dancing like a phoenix, with vivid charm, profound skill, smart and smooth, agile and shocking, magnificent, completely natural, gorgeous and natural, with thousands of miles of clouds, interesting all day long, pleasing to the eye, magnificent, graceful, graceful, dignified and smooth. Skilled brushwork, smooth charm, natural and graceful, peaceful and smooth, iron-painted silver hook, lifelike, round and smooth, simple and far-reaching, easy to write, well matched with bones and muscles, close to see, firm brushwork, moderate pen collection, smart and delicate, hearty and graceful, charming and healthy, beautiful structure, unique personality, tight and elegant.

4. Calligraphy four-character idioms, complete works of dragons and snakes at the bottom of the pen. Describe calligraphy as vivid and imposing.

Source: Xiao Xiaosheng of Ming Lanling's "Jin Ping Mei Hua Thorn" The thirty-first chapter: "Wen Gong is knowledgeable and knowledgeable, and the dragon snake at the bottom of the pen is really talented."

A long snake used a brush to describe calligraphy as vivid and magnificent.

Source: Tang Libai's "Cursive Song": "Always seeing dragons and snakes, the left side is shocked."

Silkworm head and phoenix tail describe calligraphy as dignified and light.

Source: Song Zhao's "Xuanhe Painting Spectrum Yan Zhenqing" "Only he is loyal to heaven and knows the world, so the spirit is seen in the table of calligraphy, which is unique and inclusive. ..... After the popularization of science, it is to seek the end of its shape, which is called the silkworm head dovetail, and it is just. "

Sink fast, firm and smooth, vigorous and hearty. Describe the fluency of poetry and calligraphy.

Source: The law book should be recorded. Volume one quotes an ancient cloud from Yang Xin's Who's Who: "The emperor of Wu is like grass, and the world calls it joy."

Calm, happy, strong and smooth, energetic and hearty. Describe the fluency of poetry and calligraphy.

Source: Song's Cang Shi Debate: "There are probably two things, saying that you don't want to travel far, you are calm and carefree."

Endless strength: fullness and fullness; Tendon: a ligament in a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than enough.

Source: Song Yiming's "Xuanhe Pu Shu": "At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law. Commentators said that its strength was endless and it had the potential to travel in the rain."

Lu 'an Drifting Park: Go with the flow. Calligraphy originally described elegance and elegance, and later it was compared to the separation of husband and wife or the frustration of literati.

Source: Tang Hanyu's poem "Gashen Mountain": "Ke Dou's fist cover is upside down, the phoenix floats, and the tiger flies."

Phoenix dances, dragonfly describes calligraphy as powerful and flexible.

Source: "Biography of Heroes of Children" The tenth time: "Only this calligraphy can be written like this, which is really admirable."

Phoenix flies back to Hong Kong: fly high. Metaphor calligraphy strokes flying and stretching.

Source: Jin Fu on the Floating Clouds: "Luan Xiang, Hong Fei, whales catch the waves, thrush crocodiles run."

Ancient fat is barren now, which means different calligraphy styles.

Source: Tang Yuanyan's handwritten book Volume 2: "Impermanence is called ancient fat, and amethyst is called today's barren. Different from ancient times and modern times, fat and thin are the opposite. "

Crane knee and bee waist (1) This refers to two kinds of eight diseases of poetic temperament. Generally refers to the faults made in the melody of poetry. ② Two kinds of sick pens in calligraphy.

Source: Wei Songqing's "Poet Jade Scrap, Poetry Disease, Poetry Disease has Eight": "Three words are called bee waist, and two words cannot be synchronized with five words ... four words are called crane knees, and the fifth word cannot be synchronized with the fifteenth word."

Zhong You and Hu: Bell in the Three Kingdoms Period: Bell in the Three Kingdoms Period. Zhao Hu's fonts are thick, while Zhong You's fonts are thin. Describe the beauty of calligraphy.

Source: Zhang Tang Yan Yuan's "Fa Shu": "The Three Kingdoms are famous for creating running scripts, and Zhong You learns its methods. Hu Shu is fat and thin, and each has its own advantages."

A calligrapher who paints sand and ink, figuratively speaking, uses a pen.

Source: Liang Lun Shu: "Brush the sand like a cone and print the sand like mud."

Graffiti describes poor calligraphy or writing. Used as a word of modesty.

Source: Song Minglian's Time Series of Meeting Han Bo: "Grain Rain is insensitive and it is useless to teach. He responded with empty words, doodling every day and giving it every day. "