It is not a day or two since Degang Guo and his companions were rejected by Degang Guo himself. Almost all of them have been rejected to varying degrees in his cross talk life. The only good time was from his apprenticeship to Hou's death. He increased his contacts with many colleagues and made some friends in the industry. On the contrary, his relationship with other actors is average, which shows that Degang Guo is not a big problem in his life, but really a dispute of interests, and outsiders are insignificant.

The most important thing is that his works and behaviors do not conform to the mainstream values of contemporary society. He himself is very wise, and he reduced himself to a non-mainstream force. Different ways, no common goal, no common goal, naturally can't come together. In order to carry forward the crosstalk in new China, the crosstalk performers of Hou and other generations carried out a great reform and promotion, eliminated and abandoned a large number of vulgar and ugly contents and performance forms in crosstalk, sublimated crosstalk from the original stall juggling to an art, and at the same time, the status of crosstalk artists was improved and respected. Hou himself was also recognized as the master of crosstalk art in China.

The mainstream crosstalk performers in Degang Guo's mouth inherited and developed the artistic ideas of the older generation crosstalk artists, and passed on crosstalk as an art.

Degang Guo is completely different. Because he failed to successfully integrate into the mainstream cross talk team, he found another way to restore cross talk to the form before liberation and return it from an art to a craft that can support the family and even make a lot of money. Crosstalk has returned to the essence of business, and crosstalk performers have also become crosstalk artists.

Therefore, in fact, our concept of crosstalk is completely different from that handed down by later generations. The essence of art comes from life, but it is higher than life. It pays attention to ideological artistic interest and should play a guiding role in cross talk audience. The essence of commodities is to make money. As long as it is loved by the audience and willing to pay for tickets, even if it is successful, what he has to do is mainly to cater to the audience.

Conclusion It is precisely because Degang Guo's artistic concept does not conform to the mainstream ideology that it is difficult for him to enter the mainstream stage. This is a very normal thing. However, for the sake of hype, Degang Guo insisted that someone was suppressing and crowding him out, which was somewhat unnatural. If someone really wants to suppress xenophobia, how can they have today's achievements? Isn't this obvious? I don't know why so many people are obsessed for a long time.