"However, since several people have come up, you can't say that there is no hope of destroying this iron house."
I had many dreams when I was young, but I forgot most of them later, but I don't think it's a pity myself. The so-called memories can make people happy, but sometimes they can't help being lonely. What's the point of letting the spiritual line still hold the lonely time that has passed away? However, I can't forget it all. I can't forget this part completely and it has become the source of screaming.
Scream is Lu Xun's first collection of novels. 19 18, the new culture movement is at its peak. Lu Xun wrote his first vernacular novel Diary of a Madman because of a conversation with his old friend Jin (Qian) about the "iron house". By 1922, the May 4th spring tide was gradually ebbing. At the invitation of Chen Duxiu, Lu Xun published a collection of his previous novels, aiming at "shouting" for the New Culture Movement, comforting those "Mercedes-Benz fighters" in the struggle and making them fearless.
The theme of Scream is mainly aimed at the "iron house" style in ancient China that has been lingering in the modern world. Diary of a Madman gives a panoramic description of this ancient China and draws the conclusion that "traditional cannibalism". In his works such as Medicine, Tomorrow, Storm, Hometown, The True Story of Ah Q, Lu Xun described the mental state of the uneducated common people at the bottom of China ancient society in detail, revealing the root of the tragedy of the common people at the bottom implicitly and profoundly. In Kong Yiji, Dragon Boat Festival, White Light and other works, Lu Xun's brushwork focuses on the intellectuals trained in ancient China and depicts their spiritual personality distorted and hurt by feudal autocratic culture. A little thing, a duck comedy, rabbits and cats, social drama, etc. Contradictions and conflicts are not so intense and the content is relatively relaxed. It seems that it has little to do with The Scream, and its style and theme are far from other novels in the collection, but it also runs through the same point, that is, calling for human dignity, dignity of life and value of life.
Li Dazhao said with emotion after reading it: This is the best novel in China.
Mao Dun said: In China's new literary world, Mr. Lu Xun is often a pioneer in creating "new forms". Almost one of the more than ten novels of Scream has a new form, and these new forms have a great influence on young authors, and most people will inevitably follow suit and try; The title, genre, style and even ideas in Scream are extremely novel, and it is a new world.
Kenzaburo Oe recalled: When I was twelve years old, I got Selected Works of Lu Xun from my mother. After that, until I was twenty years old, I seemed to have read Lu Xun's works several times, especially those short, sharp and heavy short stories included in Scream and Hesitation.
Mr Chen Danqing has been fond of screaming since he was a teenager. He said: The novel that fascinates me most is Lu Xun. Just reading the title of the book is amazing: "Shouting" and "Wandering". God, I want to scream at the top of my voice-I don't know my name, but why-and wander around the alley bored every day.