Xin Qiji
Throughout the ages, heroes are nowhere to be found, and Sun Zhongmou is among them.
Pavilions and pavilions, singing and dancing, the wind always blows away.
Grass trees in the sunset, ordinary alleys, humanitarian slaves who once lived.
Back in those days, Jin Ge was an iron horse, devouring Wan Li.
Yuan Jia Cao Cao blocked the wolf, lived in Xu Xu, and won a hasty retreat.
Forty-three years, I still remember that in the hope, I was on fire in Yangzhou Road.
Looking back, there is a crow club drum under the beaver temple.
Who will ask, Lian Po is too old to eat?
This is one of Jia's outstanding patriotic chapters. His ideological content includes two aspects: first, the writer's great ambition to resist the enemy and save the country; Second, the writer restores the vision of the great cause and the loyalty of serving the country.
In the third year of Jiatai in Song Ningzong (1203), when Xin Qiji was sixty-four, he was called to know Shaoxing Prefecture as a peace envoy in eastern Zhejiang. Prior to this, Xin Qiji had been forced to retire to rural Jiangxi for more than ten years. Han Biaozhou, who is in power, is in power. Because Mongolia had risen behind the Jin regime at that time, the Jin regime was declining and civil strife appeared. Han Biaozhou wants to make great achievements to consolidate his position. So Xin Qiji was used as a banner calling for the Northern Expedition. In the second year (1204), he was appointed as the magistrate of Zhenjiang. Zhenjiang was on the edge of the front line of the Anti-Japanese War. Xin Qiji arrived in Zhenjiang and worked hard to prepare for the Northern Expedition. He clearly asserted that the Jin regime would be in chaos and would surely perish. He also believes that in order to win the war against Jin in the Southern Song Dynasty, he must be fully prepared. He had put forward these opinions to Song Ningzong and Han Biaozhou. It is suggested that the important event of competing for gold be entrusted to the elders. This undoubtedly includes Xin Qiji. However, Han Shuzhou and his party not only failed to adopt it, but were suspicious and dissatisfied. They demoted him on the pretext of trifles. In the first year of Casey (1205), he was simply transferred from Zhenjiang and was not allowed to participate in the Northern Expedition. Xin Qiji went south from Shandong uprising at the age of 23, with a passion to serve the country. First rejected by the capitulators, and now hit by Han Biaozhou and his gang, the desire to display their talents and contribute to the great cause of recovery has once again failed. This is the background of Xin Qiji's writing this word.
The title of this poem is "Nostalgia at Jingkou Gubeiting", so I will start with the historical figures of Zhenjiang-Sun Quan and Liu Yu. Sun Quan was the emperor of Wu during the Three Kingdoms period. He founded Nanjing, defeated the army of Cao Cao, an invader from the north, and defended the country. When Xin Qiji boarded Gu Beiting in "Looking Back at the Past at Jingkou", the first thing that came to mind was Sun Zhongmou, a hero of the Three Kingdoms. It's just that there's nowhere to find it now "Romance is always blown away by wind and rain", which means that the romantic aftertaste of Sun Zhongmou's heroic career is gone forever. "Send Slaves" is the fine print of Emperor Wudi of the Southern Song Dynasty. Emperor Wu of song rose up in Jingkou, crusaded against Huan Xuan and put down the rebellion. Three sentences of "Think about the past and think about the future" praise Emperor Wu of song for leading troops to strengthen the Northern Expeditionary Army in Mazhuang, galloping the Central Plains and annexing Land Rover. The author borrowed these words from Jingkou.
The next movie "Yuan Jia Cao Cao, Feng Wolf Xu Xu" is also based on historical facts. "Yuanjia" is the title of Wendi in the Southern Song Dynasty. Song Wendi Liu Yilong is the son of Emperor Wu of Song. He was overjoyed that he could not inherit his father's footsteps. He listened to the king's northern expedition and fought an unprepared battle, which resulted in a heavy defeat. Xu Xushan (now Inner Mongolia Autonomous Region) was defeated by Huo Qubing in the Han Dynasty. He said to his men, "I listened to Wang, which made people feel that the wolf was in a bad mood." Xin Qiji used the historical fact that Song Wendi's "sloppy" (sloppy meaning) Northern Expedition finally failed as a profound warning that gold mining should be fully prepared at that time and should not be carried out rashly. "Looking north in a panic" means seeing the enemy chased by the north lose face. When Song Wendi was defeated, there were "tears of communication between the north"
The phrase "forty-three years" has the feeling of "beauty dying". In the thirty-second year of Shaoxing (1 162), Xin Qiji led many people to the south, and in the first year of Casey, he wrote the word "eternal joy" in Jingkou, which happened to be forty-three. The sentence "Look in the middle of the road" means that he is in Beijing. I remember forty-three years ago, I was taking part in the anti-gold struggle in the war-torn northern Yangzhou. ("Road" is the administrative domain name of the Song Dynasty, and Yangzhou belongs to Huainan East Road. ) Later, he crossed Huainan and returned to China. I wanted to rely on my national strength to restore the Central Plains. Unexpectedly, the Southern Song Dynasty court was groggy and powerless, which made his hero useless. Now, 43 years later, I have become an old man, but my ambition is still hard to go down the drain. Xin Qiji's recollection of the past is overwhelming.
Xin Qiji was stunned by the words "under the Beaver Temple". There is a beaver temple on Guabu Mountain on the north bank of the Yangtze River, which is a historical relic left by Emperor Tuoba Tao of the Northern Wei Dynasty. Tuoba Tao's fine print beaver belongs to Xianbei nationality. After defeating Wang's army, he led his troops to Guabu Mountain on the north bank of the Yangtze River and built a palace on the mountain, which became the Beaver Temple. The local people live under the beaver temple every year. The "social drum" is a drum dedicated to the gods. Xin Qiji wrote three sentences "under the Buddhist temple" to express his hidden worry: Now all parts of Jiangbei have been occupied for a long time, and if they don't seek to recover quickly, the folk customs will settle down under foreign rule and forget that they are subjects of the Song Dynasty. This is exactly the same as Lu You's poem "Looking North", saying: "The Central Plains is full of dust, and looking north is a wild year."
Xin Qiji's words ended with Lian Po, which is a proof of the author's old patriotism. Although Lian Po is old, he still wants to be used by the prince of Zhao. He ate a bucket of rice and ten pounds of meat in front of the angel of the prince of Zhao, and put on armor, which shows that he is still more courageous. Xin Qiji compares himself to Lian Po at the end of this word, which also shows that he is not old and hopes to serve his country faithfully.
Xin Qiji's writing method is obviously different from his previous poets, that is, he used many allusions. For example, this poem uses many historical stories. Some people say that his ci has a shortcoming of "dropping the book bag". Yue Fei's grandson York wrote history, saying that "using too much" is the wrong word, which is an inaccurate criticism. Be specific: but this poem is not like this. The stories it uses, except the last incident in Lian Po, are all historical facts about Zhenjiang, while the scenery in front of it is the proper content of the topic of "nostalgia for the past in Beijing", which is different from the allusions used by ordinary poets. Moreover, his use of these stories is closely related to the thoughts and feelings of this word. In terms of artistic techniques, he used many historical events around the ideological content of his works to strengthen the persuasiveness and appeal of his works, which is the case in Song Ci.