Ding Yongkang, courtesy name Jiangdong, is a famous calligrapher. He joined the Chinese Calligraphers Association in 1986 and is currently the vice chairman of the China Financial Calligraphers Association and the secretary-general of the China Insurance Calligraphy and Painting Art Research Association. What I bring to you below is an appreciation of Ding Yongkang’s hard-pen calligraphy works. I hope you like it. Appreciation of Ding Yongkang’s hard-tipped calligraphy works

Appreciation pictures of Ding Yongkang’s hard-tipped calligraphy works 1

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Appreciation pictures of Ding Yongkang’s hard-tipped calligraphy works 3

Appreciation pictures of Ding Yongkang’s hard-pen calligraphy works 4

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Introduction to Ding Yongkang

Ding Yongkang Zi Jiangdong, born in August 1956, from Huaiyin, Jiangsu. Graduated from Capital Normal University, majoring in calligraphy, joined the Chinese Calligraphers Association in 1986, and is currently the vice chairman of the China Financial Calligraphers Association and the secretary-general of the China Insurance Calligraphy and Painting Art Research Association. He is good at regular script, Xing script, Cao script and Li script. His regular script is good at European style, his running script is based on the calligraphy styles of Wang Xizhi and Zhao Mengfu, and his cursive script starts from "Seventeen Posts" and "Book Book". After years of copying, he has reached a certain level and height, elegant, light, elegant and unrestrained. It is full of bookish atmosphere, giving people a pleasing feeling while scrolling freely. Since 1981, his works have won many awards in major domestic calligraphy competitions, and many of his works have been collected by museums at home and abroad. His hard-pen calligraphy has achieved outstanding results, and he has won seven awards in major national competitions, including People's Education Press, Golden Shield Press, Shanghai Jiao Tong University Press, Tianjin People's Press, Cultural Relics Press, Taiwan Commercial Press, China Bookstore, etc. Ten publishing houses have published more than 100 copybooks and two VCDs of "Calligraphy Lectures" with more than 10 million copies in circulation. Two writing teaching achievements have obtained national patents. Using his teaching method to practice calligraphy is intuitive, accurate and easy to grasp. Thousands of calligraphy practitioners have benefited from it in the past 20 years. At present, he has compiled "New Techniques of Fountain Pen Writing", "Three Hundred Tang Poems in Hard-Bi Regular Script", "Quotations of Ancient Sages in Hard-Bi Regular Script", "The Analects of Confucius? Hand-Copied Interpretation" (thread-bound edition), "Easy Calligraphy" (People's Education More than 20 copybooks (for grades 1-9) are on sale in bookstores. Mr. Shen Peng, the former chairman of the Chinese Calligraphers Association, Mr. Li Duo, the consultant, and Mr. Zhang Hai, the chairman of the Chinese Calligraphers Association, respectively inscribed the title of the copybook published by Ding Yongkang.

Calligraphy - Eternal Melody

Chinese calligraphy is a unique art. It is not poetry but has the charm of poetry; it is not painting but the agility of painting; it is not dance but The dance is elegant; it is not the song but the melodiousness of the song. Chinese calligraphy can most vividly embody the essence of Chinese culture.

Characters are originally a tool for writing, but once words become calligraphy, they turn into pupae and become butterflies, and butterflies turn into immortals, achieving a life of beauty and glory. I don’t know who compared the writing brush to a candle, and chanted softly: I give you a wolf hair, and the unlit candle will never be extinguished. Yes! The brush and the unlit candle illuminate calligraphy and the history of Chinese culture brilliantly.

Gently turning over the works of admirable calligraphers, a feeling awakens. Calligraphers of past dynasties are like pearls scattered in the long history of the Chinese nation, exuding dazzling light.

Wang Xizhi’s works are so superb and wonderful that no words of praise can be used to describe their depth and beauty. Xiao Yan, Emperor Wu of Liang Dynasty, once commented on Wang Xizhi's calligraphy: "A group of harems play in the sea, and a dancing crane travels in the sky." ?How many people have worked hard and followed it all their lives, but in the end they all fell behind.

Yan Zhenqing’s works are thick, simple and vigorous, like a thousand-year-old ancient clock. Every texture is a story, every stroke and painting is a song; looking at each independent individual, you will have a sense of wonder. The deep and deep squeaking sound.

Zhao Mengfu’s calligraphy is graceful, graceful and stretched, containing all kinds of charm and charm.

Calligraphy is not only about the external beauty, but also about the feelings created by the wonderful strokes. ?Use the pen to the heart, and the heart will be straight and the pen will be straight? This not only reflects a state of calligraphy, but also the author's understanding of the various aspects of life and his noble moral integrity. This idea has been passed down to later generations and has become a required course for calligraphy learners who are new to learning calligraphy, and has become a model of their behavior.

There are endless beautiful mountains and rivers, spring flowers and autumn moons, endless nostalgia for travel, thoughts and regrets about separation, and endless feelings about the country, the country, the country, and the country. Mountains are beautiful because of calligraphy, stones are emotional because of calligraphy, and water is full of charm because of calligraphy. Only the two colors of black and white are the most distinct between heaven and earth. Black and white are light and elegant, simple and straightforward, and worthy of consideration. After thousands of years of condensation and precipitation, the fragrance becomes more and more fragrant with time.

Calligraphy is an eternal melody, the beauty of which can only be understood by those who understand it.