It's a great achievement to become famous later than Liang Yusheng, but far more famous than the other three.

1, the novel absorbs the essence of many classical cultures and some ideas and schools of western novels; His greatest contribution to the martial arts novels is to integrate the classical culture of China into the martial arts novels completely, the most prominent of which is the martial arts tricks created by Mr. Jin Yong. Before Jin Yong, the names of martial arts were monotonous and repetitive, but under Jin Yong, they changed the old style and even created things like Qin (the legendary swordsman), chess (the carefree son of Tian Bu), books (the legend of condor heroes) and paintings (Dan of the legendary swordsman).

2. The storyline is out of touch, and wonderful pens emerge one after another. Often Jin Yong's novels seem ordinary at the beginning, and the more complicated they are, the more unpredictable the plot is, and they can't bear to be released. The representative works are nothing more than shooting sculptures and the trilogy of Tianlong Ba Bu.

3. The description of emotion and psychology reached its peak. There are many ancient poems in Jin Yong's novels, some of which were written by Jin Yong himself. These auxiliary applications play a finishing touch on the description and contrast of emotions, and the word "what is the love in the world" in sculpture is also widely circulated because of Jin Yong's novels. If you pay attention, you should go and see the forty articles of Tianlong Babu. Jin Yong's love writing is as old and insidious as anyone else.

4, constant innovation and change, many people are quite positive and appreciative of Gu Long and Wen Ruian's innovation and change, and regard it as the greatest contribution to Wushu. Actually, I don't think so. Jin Yong is the one who really contributes the most to the innovation and reform of martial arts novels. You should know that Gu Long and Wen Ruian are just talking about the innovation and change of martial arts, and they have not made much substantive contribution to the theme of martial arts. This can be seen from the similarities between the characters in the two novels. Now, the innovation and change of Wushu really starts from the word Wushu itself, and it is getting better and better. If we browse Jin Yong's works from beginning to end, we should have the impression that from the plot of the opposition between good and evil in the early Sword Book, Chen Jialuo, a representative of the Han nationality, is the main line, and Xiao Feng of the Qidan nationality in the middle period is the object of praise and praise. In the later period, Wei Xiaobao, a hybrid of Duke Lushan and a peerless hero, played the leading role, and Jin Yong constantly abandoned his narrow national outlook. From the Jianghu feud in The Legend of the Flying Fox to the national struggle in The Condor Heroes, Jin Yong constantly interprets and revises the concept and scope of the word "what is martial arts", and these two points are the greatest charm of this book. In some early martial arts novels, the definition of martial arts is the fighting between Chou He and Jianghu, and Jin Yong shows us that the martial arts world is not only bloody fighting, but also some elements that make us excited and moved.

5. Regarding the positioning of martial arts stories, there are always several routines about the hero's martial arts in early martial arts novels, either by mistake taking Ganoderma lucidum for a thousand years, or by stepping down from the rivers and lakes and suddenly despising the Wulin freak, many beautiful women threw themselves at each other, and finally avenged themselves, and the beautiful women were hugged, which was cool. The words "a few Jiazi's skills" and "handsome" appear most frequently in this kind of novels, but in Jin Yong's Liang Yusheng era.

② Gu Long:

Although my love for Gu Long is far less than my love for Jin Yong, according to the four martial arts masters, Gu Long has always ranked second in my mind. The contribution of Gu Long's works to martial arts should be nothing more than his excellent reference to the ideas of western detective novels and the stream of consciousness of some martial arts novels (if you are interested, you can read a martial arts novel Musashi Miyamoto, in which you can find many similarities with Gu Long's writing). The description of martial arts is unique. Gu Long is not good at describing the process of martial arts, but he skillfully uses a Gu Long-style martial arts scene and achieves a new peak. Gu Long wrote martial arts scenes in a few ways, but he vividly portrayed the environment before the martial arts, the psychological descriptions of both sides, the external descriptions of both sides, the strong wind in shanghai dawn, and the dark clouds overwhelming the city. When it comes to martial arts, Gu Long created a famous saying: This technique pushed martial arts to another peak, represented by Xiao Li's flying knife, Ximen Chuixue's sword, Lu Xiaofeng's finger and Chu Liuxiang's flying knife. .....

Another contribution of Gu Long to the martial arts is his style, which was later copied by a large number of imitations, leading to flooding. But Gu Long created this and gave full play to this technology in his hands. Most of Gu Long's early works are ordinary, and only Flower Bell shows its original style. Unfortunately, the ending is written in a mess by the author (so there are even two versions of Flower Bell now, one has no ending and the other has an ending). It started as a representative period in Red Flag of Iron Blood, Record of Flower Washing Sword and Lover's Arrow. Most of the protagonists in this period have plump figures and complicated stories. But in Chu Liuxiang, Gu Long's body began to show the king's demeanor and played a hearty role in Chu Liuxiang's works. (Compared with Chu Liuxiang in the later period, Lu Xiaofeng seems to have copied a lot. ) The body of Gu Long is Gu Long's contribution to martial arts novels.

However, compared with Jin Yong, the gap between Gu Long and Jin Yong is that most of his heroes are the same, wit and luck are two elements that almost all his heroes have. There is no respect for women in Gu Long's novels, and there are almost no commendable women in Gu Long's works. It is precisely because of these that a large number of novels are used and copied, and the influence of Gu Long's novels is not as long as that of Jin Yong. But for the contribution of martial arts novels, Gu Long walked behind Jin Yong and looked down on the heroes.

However, there is one thing about Gu Long that Jin Yong has never tried, that is, modern martial arts novels. Speaking of Gu Long, we can't forget the modern novel The Gunner's Pistol. Some people may say that this novel is more like a detective modern novel, but in fact, Gu Long uses martial arts elements to write modern stories in a martial arts way. If you are a fan of Gu Long, you will definitely read this novel.

Many people say that Gu Long's novels are the same, and the more you read them, the more boring they become. Indeed, Gu Long's works have gradually fallen into a pattern since Chu Liuxiang, which is the sorrow of Gu Long and the sorrow of readers. Due to the compromise between the market and Gu Long's personality, there are many similarities in later martial arts novels, but this does not mean that Gu Long gave up the transformation. What has to be mentioned is Gu Long's last novel, Falcon Gambling, which is one of Gu Long's few short martial arts novels. The novel composed of two short stories began to adopt many fresh languages. Gu Long began to modify his own style and strive to create a new writing method of martial arts novels. In fact, this novel does slowly reveal a new way of writing. In this novel, Gu Long rarely adopts the previous narrative style, but becomes dull (probably related to Gu Long's discharge from the hospital at that time). Unfortunately, at this turning point, Gu Long passed away. .........

Maybe I lost a great man, but my heart ached. I lost a new contribution to Wushu.

(3) Liang Yusheng

Liang Yusheng can use a "security" to describe his position in the Wulin. There is no denying that Liang Yusheng has made great contributions to the new martial arts. The publication of his "Jinghua in Long Hudou" began to rewrite the martial arts novels written in the era of being a landlord on the Pearl River and a poor man on the Pingjiang River, which made the characters of martial arts novels civilian and real, and influenced Jin Yong and all subsequent martial arts novelists. Liang Yusheng has made great contributions to this.

Liang Yusheng's works look pleasing to the eye in the early days, but they are not very attractive to people my age. I think the main defects are:

1. The characters in Liang Yusheng's works have a clear distinction between good and evil. No matter the name or the martial arts he is good at, you can see the good and evil of the characters at a glance.

2. The story is very long. Liang Yusheng's stories often continue and unfold in large numbers. From grandfather to father, he wrote letters from his grandson to his great-grandson. Children and grandchildren are endless. At first glance, it feels very fresh. When they saw their great-grandson, they couldn't stand it. When they saw them, they were even more angry. Most of the protagonists in Liang Yusheng's stories are written as the protagonists of the last story, which has always been a defect that Liang Yusheng's novels can never be atmospheric.

3. Historization of narrative. Similarly, using history to assist martial arts, Jin Yong always quotes history with one point true and nine points false, which makes people believe it, but Liang Yusheng quotes history with five points true and five points false, which makes people feel like reading historical novels after a long time. This is the fatal flaw in Liang Yusheng's novels.

There is too much writing outside and too little writing inside. In Liang Yusheng's novels, it is rare to see a long description of the heart, but a lot of pen and ink is devoted to the protagonist's behavior and language. You know, words that lack inner description are far less likely to infect readers than words with rich inner feelings. Compared with Jin Yong, the gap is far away. This is why although Liang Yusheng became famous before Jin Yong, his fame was far less than that of Jin Yong.

Liang Yusheng is like a warrior, and Jin Yong is like a Confucian. The difference between the two can be seen. 15 Respondents: