In modern society, everyone likes to listen to songs, and you can sing all kinds of Chinese good voices and I will appear. In fact, a long time ago, our poets were all masters of singing. They don't need someone to compose music. As long as you open your mouth and sing, it is a masterpiece that will be told through the ages. Awesome!

? The ancient people's killing skill in singing was chanting.

? The ancients said "the sound of reading in the wind and rain", and the sound of "reading" heard in the ear is the sound of chanting!

? Recitation is a good way to express the changes of poetry's phonology. Reciting can make the flat sound form cadence musical beauty. Liu Xie, a famous literary critic in ancient China, said that "between reciting, the sound of pearls and jade is exhaled".

? Recitation is not only a way of reading in ancient times, but also a way of poetry creation.

China has been singing before writing since ancient times. Du Fu's "New Poems Should Be Changed into Long Poems" and Su Shi's "Why Not Sing Slow". There are 100,000 poets in Qian Qian in such a big building. They have a benevolent spirit and an open-minded attitude towards life, and they all recite first.

? "Preface to Poetry" says: "Poets are also determined. Heart is ambition, words are poetry, feelings are in the heart, and form is in words. Not enough, so I lament. Lamenting is not enough, so sing. Therefore, the lack of singing skills is unknown. "

The poet's inner joys and sorrows are not written on paper first, but sigh first and then sing, and feel whether the voice can convey emotions. Lamenting is not enough, so sing. When a poet is depressed and happy, he always sings first, and then shouts to be happy.

The reason why the ancients could sing without composing music is because we in China have our own musical characteristics. One, two, three and four tones, a poem composed of these four tones, can change the level.

? If we want to know the secret of ancient singing, we need to know the difference between ancient Chinese and modern Chinese.

? Compared with ancient Chinese, the tone of modern Chinese has changed greatly. There are four tones in ancient Chinese: Ping, Shang, Qu and Ru. The first and second sounds of modern Chinese can roughly correspond to the flat tones of ancient Chinese, and the third and fourth sounds correspond to the rising and falling tones of ancient Chinese respectively. Rusheng has disappeared in Putonghua, but it is still very important for understanding ancient poetry. We can remember the method of judging grades and levels by formulas: divide yin and yang equally, but only get up and down.

When the ancients recited, they should read in a flat voice for a long time and read in a low voice for a short time.

We know that every sentence of poetry is flat and there are some flat and even. In addition, the digits of the same couplet are relative, and the digits of two adjacent antithetical sentences and even sentences are sticky.

The antithesis and adhesion of metrical poems are mainly aimed at even numbers. The so-called "13 (5) doesn't matter, and 24 (6) is clear. The rule of flat and parallel lines is not that every flat and parallel line is elongated, only even-numbered flat and parallel lines and the rhyme at the end of the sentence are elongated. Keep your voice short.

The poem is flat and oblique, and the sound is long and short. The alternation of flat and oblique tones accords with the aesthetic view of the ancients who pursued melody changes. The tonal changes of China's poems formed the ups and downs of melodic beauty, which showed the wisdom of the ancients.

People in China also notice the ups and downs of their voices when naming names. For example, Mr Jin Yong named his heroines, such as Mu and Zhou Zhiruo.

? The length and duration appear alternately, forming a rugged musical beauty. We have to admire the wisdom of our ancestors. It turns out that we can sing in Chinese.

Today, we see a poem that says. If we don't know that the ancients chanted scriptures in a way similar to singing, we can't understand the building blocks in their chests well. Why do they sing Long song and cry? Why do they write poems and cry?

We are all familiar with Yue Fei's "Man Jiang Hong" and can recite it from childhood. Can you feel Yue Fei's grief and indignation? You can't tell with your eyes. We must use the unique chanting method of the ancients to experience it.

Angry, leaning on the railing, resting in the rain. Looking up, screaming in the sky, strong and fierce.

? Thirty fame, dust and earth, eight thousand miles of clouds and the moon. Don't be idle, white and sad!

? Jingkang shame, still not snow; When will courtiers hate it? Drive a long car and break through the shortcomings of Helan Mountain!

? Eat pork when you are hungry, and drink Hun blood when you are thirsty. Stay from the beginning, clean up the old mountains and rivers, and go to the sky!

Breath, intensity, moon, pulse, snow, despair, fatigue, blood and queer are all entered words, all of which are muffled short readings. Rusheng words generally express decisive and painful feelings. Here, chanting in a short tone shows that Yue Fei can't be calm and rational, and his patriotic feelings of grief and indignation can't be suppressed in his chest, so he must be sprayed out quickly.

The ancients liked to shake their heads and read books. Do you think they are preventing cervical spondylosis? No, they shook their heads because they were happy and intoxicated. If they don't talk enough, they will sing. The disadvantage of singing is that you don't know how to dance with your hands. Singing ancient poems, while the body also follows the rhythm, so high.