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The most classic famous sentence in the preface of Wang Teng Pavilion.
Preface to Wang Tengting is an essay written by Wang Bo, a writer in the Tang Dynasty. The most classic sentence is: "life is like a dream, I can't sleep in Jiangju's hometown;" Fame is like a cloud, and three rescues a day. "

This sentence expresses the author's profound understanding of life and points out that life is like a short dream, and it is very important to cherish time. There is also a saying that fame and status are just floating clouds, so we should always examine our own shortcomings and constantly reflect on ourselves. The whole article reveals the author's positive attitude towards life and his pursuit of Excellence in a gorgeous, ethereal, open-minded and elegant style.

Preface to Wang Tengting is a parallel essay by Wang Bo, a writer in the Tang Dynasty. From the terrain, talents and banquets of Hongdu, the article describes the grandeur, broad vision, tight autumn and bright scenery of Wang Teng Pavilion. Then, from banquet entertainment to life experience, express the feelings of life experience; Then the writer's experience and confession should be encouraged by himself, and finally end with poetry and self-deprecating words.

The full text reveals the author's ambition and resentment. Except for a few function words, the whole article is double. Syntax consists of four sentences and six sentences, arranged neatly; Almost a whole story, more natural and appropriate, elegant and skilled.

In art, Preface to Wang Teng Pavilion has the following writing characteristics:

1, with scattered sentence patterns and clear rhythm.

The full text is mainly composed of four or six sentences, with four or six miscellaneous sentences. Seven sentences, six sentences, four sentences, three sentences, two sentences and even one sentence are used alternately according to the needs of ideographic expression, so that the rhythm is clear and the content is integrated. Generally speaking, two words are used to express feelings (there are two places in the article: "Hehe" and "Alas"). Three sentences and four sentences are used at the beginning or turning point of a topic.

A combination of six or seven sentences is a plain narrative. Four or six sentences or four or six sentences are used together as the unfolding part of narrative or lyric. There is only one word "Bo", which refers to oneself and expresses Teton. In this way, the writing of the whole article is ups and downs and natural circulation.

2. Exquisite seaweed decoration and gorgeous words.

The whole article uses antithetical sentences, which have both literal and phonological meanings. For example, "the sky is vast and the universe is infinite; I am full of sorrow and I know a lot. " "QuGuYi in changsha, not ownerless; Loud in the sea, is it lack of time? " "Sunset and lonely Qi Fei, autumn waters and sky are the same color" and so on. One sentence is flat and even, and the upper and lower sentences are flat and even. This emphasis on melody does not affect the expression of meaning, and the sentences written are cadence, musical and poetic.

This preface, such as Treasure of One Thing, Cai Jun's Insanity, Purple Electric Green Frost, Jade Bird Huanglong, Suiyuan Bamboo, Shui Ye Zhu Hua, etc., is typical of paying attention to diction. In this way, the article is colorful and pleasing to the eye.

3. The use of allusions is concise and implicit.

This preface uses many allusions to describe lyricism, some are historical stories, some are predecessors' sentences, and the techniques used are different, some are very clear, such as "Feng Tang is easy to get old, Li Guang is difficult to seal"; Some are secretly used, such as "feeling cold when greedy for springs, and being happy when dry"; Some are being used, such as "Meng has noble taste and is free to serve the country"; Some of them are used backwards, such as "Ruan Ji is rampant, how can you cry at the end of the road?" The use of allusions enhances the expressive effect of the article.