The theme is to love the great rivers and mountains of the motherland, love the flesh and blood compatriots of the motherland, and love the excellent culture of the motherland.
Instead of loving a certain noun created by literati and having an orgasm about it, loving a certain period of history written by emperors and generals, loving the so-called honor created by certain prime ministers and generals at a specific point in time, or Love a certain dynasty and country.
It is to truly love this land and everyone on this land, love their thoughts, love their dreams, and regard them as inseparable flesh and blood of the body** *Affection. It is also the real feeling of your feet on the ground when you are rushing to and from get off work or school. It does not need to be cultivated deliberately, to be proved or satisfied by fighting against some cents and public knowledge, it is naturally conceived in each of us.
It is to live, to live hard and tenaciously, and to live worthy of one's own conscience and the education received.
It’s rare that a movie can make everyone in the audience cry and laugh together. The children don’t quarrel and the aunt doesn’t make a fuss. It’s just as harmonious as the intimacy and atmosphere of open-air cinemas in rural China decades ago. The feeling has laid a solid foundation for the film's high ratings.
Many people went there for the comedy effect of this movie, and it can be said that "My Hometown and Me" completely captured the audience's laughter.
The plot layout of unit drama-style movies is actually not unfamiliar. It already won applause in last year’s National Day gift film "My Motherland and Me". This time this movie continues the same method, even the actors There is also some overlap with the director, so I won’t mention it for now.
There are actually several most touching points in "My Hometown and Me". In "Beijing Good Man", Uncle Ge used the money from selling the car to treat his cousin's illness, "The Road Back Home" Deng Chao leads the villagers to plant apple trees, and the shocking rice field painting at the end of "Ma Liang"?
But the most touching thing is undoubtedly the old teacher walking through the bustling countryside in "The Last Lesson" At the market, the heavy rain of that year kept replaying in my mind. In the small shabby village back then, the muddy stone road was slippery and difficult to walk; but now the beautiful countryside has been built into a broad avenue. The scenes of the two time and space alternated back and forth at a rapid speed, and finally settled in the colorful 's primary school.