1. "Li Sao" is a poem written by Qu Yuan, a poet during the Warring States Period in China. It is the longest lyric poem in ancient China. This poem centers on the poet's self-narration of his life experience, experiences, and aspirations. The first half of the chapter repeatedly expresses the poet's concern for the fate of Chu State and people's lives, expresses his desire to reform politics, and his will to adhere to his ideals and never compromise with evil forces despite disasters.

The second half of the chapter reflects the poet's thoughts and feelings of loving the country and the people through his wanderings in the heavens, pursuing the realization of his ideals, and his desire to die after failure. The whole poem uses the metaphor of beauty and vanilla, a large number of myths and legends, and rich imagination to form a splendid literary style and a magnificent structure, showing a positive romantic spirit, and creating a "Sao style" poetry form in the history of Chinese literature, which has a great impact on later generations. Had a profound impact.

2. "Nine Songs" is the title of "Songs of Chu". It was originally the name of an ancient song in Chinese myths and legends. Qu Yuan, a native of Chu during the Warring States Period, adapted it on the basis of folk songs for worshiping gods in Chu. Processed, a large number of images of gods are created in the poems, most of which are love songs between humans and gods. Chapter 11 of "Nine Songs": "Donghuang Taiyi", "Yunzhongjun", "Xiangjun", "Mrs. Xiang", "Da Siming", "Shao Siming", "Dongjun", "He Bo", "Mountain Ghost", "National Sorrow", "Rite Soul".

3. "Heavenly Questions" is a long poem written by Qu Yuan, a poet during the Warring States Period in China. This poem ranges from natural phenomena such as the separation of heaven and earth, the changes of yin and yang, the sun, moon and stars, to myths and legends and even historical stories such as the fierceness of sages and the rise and fall of chaos. It shows the author's bold doubts about certain traditional concepts and his pursuit of truth. The spirit of exploration has a strong Taoist flavor.

4. "The Fisherman"

"The Fisherman" comes from "The Songs of Chu". Wang Yi, a writer of the Eastern Han Dynasty, believes: "The author of "The Fisherman" was written by Qu Yuan." It was a work created by Qu Yuan after he was exiled, was politically persecuted, encountered a kind of difficulty in his personal life, and was in a difficult situation.

Mao Dun's "Chu Ci and Chinese Mythology" and Guo Moruo's "Research on Qu Yuan" believe that it was not Qu Yuan's work, but was written by Qu Yuan's student Song Yu or someone from the Chu State during the Warring States Period. Cai Jingquan's "History of Chu Literature" also cited the above point of view. There are different opinions, but they seem not to be convincing enough. There are also people who believe that "The Fisherman" and "Divination Ju" were written by Qu Yuan, such as Zhu Xi, Hong Xingzu, Wang Euzhi, etc.

5. "Yuanyou"

"Yuanyou" is a poem by Qu Yuan, a poet of the Chu State at the end of the Warring States Period. This poem mainly writes about an imaginary journey to heaven, expressing the author's ideal pursuit of the real world. The whole poem revolves around the main line of "far journey". It first explains the protagonist's motivation for the far journey, then introduces the preparations before the far journey, and finally writes about the process of the far journey.

There are a large number of fairy and strange things in the poem, which are confusing and confusing, reflecting the imaginative characteristics of Chu culture, showing the poet's artistic vision of absorbing folk literature and art materials for poetry creation, and manipulating opening and closing. Use your creative abilities freely.

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