Seek the life stories, famous sayings and evaluations of the following characters.

Life:

Kawabata Yasunari was born in Osaka Prefecture near Kyoto. His ancestors are famous for their wealth in the local area. After his family declined, he moved to Tokyo. His father is a medical student. He lost his father at the age of 2 and his mother at the age of 3. When he was young, his parents died and he was raised by his grandparents. Grandfather brought him back to Osaka Prefecture for raising, and his only sister was fostered by another relative. Due to his weak body, Kawabata Yasunari's childhood was closed and there was almost no contact with the outside world. This excessive protection did not improve his health, but created his melancholy and distorted personality. This kind of life has changed after school, but unfortunately, it has also followed. At the age of 8, my grandmother died, my sister died 12 years old, and my grandfather died 16 years old. Finally, I was raised by my grandfather. The orphan's experience made his childhood miserable and had a great influence on his later literary creation.

His parents, grandmother, sister and grandfather died one after another, and this death experience left him with lifelong fear. Lonely Kawabata Yasunari, while rejecting the heat of reality, drew the heat of imagination in the world of words. At that time, he began to read The Tale of Genji, which was another great influence in his life. It is inevitable to evaluate the Tale of Genji. In middle school, Yasunari Kawabata knew little about the source of this work, but as far as he could feel, he began to try to write by himself.

/kloc-when he was 0/6 years old, Kawabata Yasunari had a premonition that his grandfather was about to die, so he decided to record his dying scene. So he wrote the Diary of Sixteen. This is not only the sketch of the author's painful reality, but also the poetry permeated in the cold reality, which also reveals the clue of Kang Cheng's creative talent here. It can be seen that this unfortunate experience made him feel the fragility and loneliness of life. When he was still in middle school, he admired Japanese classical novels and essays such as The Tale of Genji, which had a great influence on his later creation. In the third grade of middle school, I bound the poems and manuscripts I wrote in the past into a book. It can be seen that Kang Cheng, a teenager, began to have a sense of literati, and his initial desire for writing has sprouted.

In middle school, he made countless contributions, and began to doubt his creative talent and seriously consider whether his talent could become a writer. 19 16, as a fourth-grade middle school student, he published a practice novel "Lift the Teacher's Coffin" in Tuanluan magazine, and he often wrote essays and novels for the article world. Article World held a poll to elect "Twelve Scholars", and Yasunari Kawabata ranked 1 1. For teenagers who are determined to become writers, this is a great encouragement and a memorable year. There were many aspiring writers among his classmates before college. They talked about literature together, discussed the current situation of the literary world, and discussed the Russian literature that was very popular in Japan at that time, which made him from the countryside suddenly enlightened and benefited a lot. During this period, he published his exercise "Thousand Generations" in the school's alumni association magazine. He described his love story with three girls of the same name with a touch of brush strokes.

1920 joined the English Department of Tokyo University in September and transferred to the Chinese Department the following year. During my college years, I was enthusiastic about literature, reformed and updated literature and art, reissued the Sixth New Trend of Thought, and published the first novel "Soul Sacrifice Scene" in the first issue of the magazine, which successfully described the tragic life of circus actresses and was praised by literary predecessors. Kawabata Yasunari's name first appeared in the Yearbook of Literature and Art, marking the official entry of literary youth into the literary world.

After Kawabata Yasunari published "The Scene of the Soul Festival", his fiancee Ito Kazuo broke off her engagement because of frustration in love. He is disillusioned with happiness, and often goes to Izutang Island with melancholy feelings, and writes down the unfinished Memories of Tangdao. After that, in order to tell and vent his depression, he wrote short stories "Melancholy in Lin Jinhua" and "Celebrities Attending Funeral" for the magazine with his own pen. At the same time, under the interweaving of love and hate, he wrote a series of novels, such as Extraordinary, Fire in the South and The First Work. Some of them are written directly based on his love affairs, and some are fictional. To sum up, Kawabata Yasunari's creation at this stage mainly describes the life of orphans, shows his deep nostalgia and grief for his deceased relatives, describes his own love twists and turns, and describes his frustrated troubles and sorrows. These novels constitute a remarkable feature of Kawabata Yasunari's early works. The sentimental tone of these works, as well as the difficult loneliness and melancholy, runs through his whole creative career and becomes the main tone of his works. Kawabata Yasunari himself said: "The orphan's sorrow has become the undercurrent of my first novel", "Maybe it is the undercurrent of all my works and the whole career."

1924 After graduating from university, Yasunari Kawabata stepped into the society and began his literary creation life. Together with Heng Guangli and others, he actively launched the literary movement of the New Sensation School, published famous papers, expounded the new tendency of new writers, and created a few works with some characteristics of the New Sensation School, such as Emotional Decoration, Spring Scenery, Asakusa Red Bunch and so on. , and didn't make much achievements. He is even called "a heresy in the new sensation school". Later, he publicly stated that he didn't want to be their fellow traveler and was determined to take his own unique literary road. His representative works "Dancer of Izu" and "Snow Country" were born under such circumstances.

The orphan's temperament distorts Kawabata Yasunari's temperament, and his heart is full of suffocating melancholy. On a trip to Izu, he met a touring artist and a young dancer, who was treated equally for the first time. He said that he was a good man, and he suddenly developed a pure friendship with her. Similarly, the discriminated and humiliated dancers meet such friendly middle school students and treat them as equals, which naturally arouses emotional waves. They established a sincere and frank friendship with each other, and they also showed a little love for each other. Kawabata Yasunari turned this experience into art, that is, the novel Dancer of Izu presented to readers.

1926, in addition to the publication of Izu Dancer, Kawabata Yasunari's only play Crazy Page was also made into a movie. The widely acclaimed Yasunari Kawabata did not stop. His writing style once again felt neo-mentalism, and then moved towards the stream of consciousness, taking the needle, glass and fog of 193 1 year as the theme.

1934, Kawabata Yasunari began to write a series of Snow Country. Three years later, he published his personal book and won the prize of the third literary talk.

1936, Kawabata Yasunari announced that he would no longer write literary criticism articles because of the Anti-Japanese War, and took part in related activities extensively in the following years.

1940, Kawabata Yasunari participated in the establishment of the Japanese Literature Society.

194 1 year, invited by kwantung army, visited China, Manchuria and other places. After the visit, he stayed in China at his own expense and went to China with his wife. They went to Beijing and returned to Japan before the Pacific War broke out. The following year, Kawabata Yasunari edited Selected Works of Manchu.

1944 won the last Kikuchi Kuan Award in Japan before the war for articles such as Hometown.

1947, finalized by Xueguo in 13.

1949, another important novel of Yasunari Kawabata began to be serialized. 1952, this novel was adapted into kabuki.

196 1 year, Yasunari Kawabata went to Kyoto to write "Ancient Capital" and won a literary medal in the same year.

19681June 17, and won Nobel Prize in Literature with Snow Country, Thousand Cranes and Ancient Capital. He is the first Japanese to win this honor in history, and the third oriental to win this honor after Tagore and Shimur Joseph Agnon. When receiving the prize at the Swedish Academy of Sciences, he recited the paper "Me in Beautiful Japan" (Mei しぃの Japan). In this paper, Kawabata Yasunari quoted several poems of ancient Japanese monks to express his aesthetic experience of Japan and Japan.

1970 Yukio Mishima committed suicide by caesarean section, many writers rushed to the scene, only Kawabata Yasunari was allowed to enter. Kawabata Yasunari was very stimulated and said to the students, "I should be the one who was beheaded."

After Mishima committed suicide1April 9721June1July, Yasunari Kawabata also committed suicide with a gas pipe, leaving no suicide note. The two men committed suicide one after another, leaving countless questions for future generations. But as early as 1962, he said: "It is best not to leave a suicide note. Silent death is infinitely alive. "

Evaluation: Japanese neo-sensualist writer and famous novelist. Born in Osaka. My parents died when I was very young, and so did my grandparents and sister. Loneliness and melancholy accompanied him all his life, which was reflected in his creation. When I was studying Chinese at the University of Tokyo, I participated in the second issue of New Trend of Thought magazine (the sixth time). 1924 graduated. In the same year, he founded Literature Times magazine with Yoko Hiroshi, and later became one of the central figures of the new sensation school born from it. After the decline of Neo-sensualism, he joined the Art Nouveau and the New Psychological Literature Movement, and wrote more than 100 novels in his life, with more short stories than long ones. His works are lyrical and pursue the lofty beauty of life, which is deeply influenced by Buddhist thought and nihilism. In the early days, many lower-class women were the protagonists of novels, writing about their purity and misfortune. Later, some works wrote about the abnormal love psychology between close relatives and even the elderly, showing a decadent side.

The famous novel Dancer of Izu (1926) describes the miserable life of a high school student and a tramp. The representative work Snow Country (1935 ~ 1937) describes the physical and mental purity and beauty of women at the bottom of the snow country, as well as the writer's deep sense of nothingness. Other works include Asakusa Red Ball (1929 ~ 1930), Crystal Fantasy (193 1) and Thousand Crane (1949 ~ 195 1). Yasunari Kawabata served as the vice president of the International PEN and the president of the Japanese PEN. 1957 was elected as a member of the Japanese Academy of Arts. He was awarded the Cultural Medal of the Japanese Government and the Cultural and Art Medal of the French Government. 1968 Nobel Prize in Literature. 1972 committed suicide in the studio. Many works have been translated and published in China.

Famous saying:

It seems that I only have two feet to leave reality and travel in the sky! Kawabata

I was born in the East. Kawabata

Suicide without a suicide note is the best Silent death is infinitely alive.

In the past days, people have been disappearing.

Beauty, once expressed in this world, will not die. -"Immortal Beauty"

Elegance is to discover the beauty of existence and feel the beauty of being discovered. -"Beauty is in Discovery"

All art is nothing more than the road to maturity. -Naive voice

The empty echo of the pony hitting the wall, the island village sounds like snowflakes falling in my heart.

To die is to refuse all understanding.

Beauty lies in discovery, encounter and opportunity. Kawabata

A flower is more beautiful than a hundred flowers.