A man is dying of illness downstairs, and the family in the next room is singing on the gramophone; opposite is the nanny. There were two people upstairs laughing wildly; there was also the sound of playing cards. There is a woman on a boat in the river crying for her dead mother. Human beings' joys and sorrows are not connected. I just think they are noisy. ——Lu Xun

After reading "Parasite", this passage was the first thing that came to my mind.

Have you ever thought about what would happen if the fates of everyone in this passage were intertwined?

Yes, the central idea of ????this movie was really said by Mr. Lu Xun this time.

The film roughly talks about this theme: human beings' joys and sorrows are not the same.

What I see is not what you see. Can we really see each other? Can we really perceive others?

It’s very sad to think about it.

In the poster of "Parasite", all the characters in the play, the parasitic poor and the parasitized rich, have expressionless faces, and their eyes are covered by black barcodes, making them look more like a horror movie. film poster.

In fact, the most terrifying thing is not the simple confrontation between the rich and the poor, but the blind spots of each class, forming a "mutually invisible" society.

"Parasite" materializes this "disconnection" and "invisibility" with countless intentions and ingenious structures.

Another name of the film is "Parasite on the Upper Class". The basic framework of the story concretely separates the upper class and the lower class society through a living space and an underground passage.

At the beginning of the story, the upper class live in famous designer mansions and enjoy the luxurious sunshine.

The lower class live in semi-basements in slums, enduring the urination of drunkards in front of the windows.

It is difficult for the two classes to find intersection in the sun. How can they see each other without sunshine?

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