But people who are really familiar with Er Yuan know that in fact, many works are not as miserable as others say, and some works are wonderful, which brings us as much touching and thinking as movies and TV dramas on the screen. Like the Death Note broadcast in 2006, the content is compact, the plot is profound and the connotation is full, which is enough to ruin people's three views.
Death note
In fact, prejudice mainly comes from these aspects: 1. Naive; 2. Non-mainstream; 3. fictional.
First, childish.
Many people don't like the second element mainly because they think the second element works are naive.
For these people, I just want to say that their thoughts are too TM stubborn, and their views on the second dimension still remain in the last century. At that time, the development of the second element had just started, and many works were mainly aimed at young children, and the content was indeed a bit naive, such as "Big Man (bi) Lao Zi (Wang)" and so on.
A good neighbor, whose surname is Wang, can hide in the cupboard under the bed. )
Those things are really for little friends, but times have changed. Now the second dimension is completely different from before, and some works are even so profound that people doubt life.
For example, Sayanouta in 2003.
Isn't this girl cute? I won't let her go out. )
This is a galgame, which is a second dimension, but it is not an animation, because it cannot be adapted into an animation. Its content is too shocking and subversive, even if there is an extremely large-scale animation censorship mechanism in Japan, it is probably difficult to pass the censorship. This work is one of the second works that have the deepest influence on me. I feel that after reading it, I feel that the whole person is going to collapse, and the three views are broken. I have been trying to put my three views back bit by bit for the next few days.
The main idea of the story is that a man and a girl are in love, but the girl is not human, but an alien creature who likes to eat people's internal organs. The reason why a man falls in love with this monster is that his cognitive ability has changed because of that accident. His cognition is completely opposite to that of ordinary people. In his eyes, humans look like monsters, and monsters look like humans.
The world in the hero's eyes is just the opposite of ordinary people.
The man fell in love with the monster. In order to be with this monster, he abandoned almost all human ethics. For example, he killed his neighbors to protect monsters, and even killed friends who came to care about himself to cover up secrets. Then he knew the true face of the monster, but he didn't care whether she was a monster or not. He just wants to be with her, even eating people's guts with her.
It is often said that true love is to give everything for the person you love, so this work is simply the extreme embodiment of love, because the hero gave up everything, he gave up friendship, affection, morality, and even gave up his human identity in the end. Many people say that the story is full of flesh and blood, mucus, decay and strange smell when evaluating this work, but the love in it is too pure. The couple are both terrible monsters, but their love is spotless.
Gen Urobuchi, the screenwriter of this work, is simply a godlike person. He likes to put people in various extreme situations to torture human nature. His consistent style can also be seen in his subsequent works. For example, in his novel Zero Destiny published in 2006, he created another extreme figure, Emiya Kiritsugu.
(Emiya Kiritsugu)
Emiya Kiritsugu and Yuji Sakamoto, the hero of Sayanouta, are completely opposite.
Emiya Kiritsugu is the supremacy of reason, and he pursues justice. He can sacrifice the lives of a few people for the survival of most people, but his reason is distorted, because those few people will not hesitate even if they have their own close relatives.
Young Emiya Kiritsugu shot his biological father himself to prevent his father from causing more disasters. )
Sakamoto Yuji is emotional first. He lives only for Ye Sha, and can give up other things for Ye Sha, but his sensibility is also distorted, because he really gave up everything else.
Sakamoto Yuji can give up everything for the Isaiah dress.
The two extreme manifestations of sensibility and rationality are the torture of human nature. I believe this torture is deep enough to subvert some people's three views. Are these works childish?
No, the secondary content is not naive at all. It's just that those biased people have too little knowledge and haven't seen deep-seated secondary works.
Moreover, if the second element is naive, isn't the film and television in real life also naive? As before, all kinds of anti-Japanese dramas are flying everywhere, and there are all kinds of brain-dead lines and fragments everywhere. I really think the IQ of writers and directors should be recharged.
This line is worth savoring.
And this.
(predicting the arrival of the emperor)
These clips are simply a good medicine for depression. Laugh once at a time, and the effect is particularly good.
To sum up, there are enough profound contents to reshape the three views in the secondary works, and there are also childish and funny fragments in the live-action movies.
Therefore, don't unilaterally think that the secondary works are naive, it is only a genre and has nothing to do with the content.
Second, non-mainstream
Some people's prejudice against the second element stems from their belief that the second element is a non-mainstream culture.
Non-mainstream culture means that on the one hand, its popularity is not high, and it is not as well-known as mainstream culture.
For example, if you randomly interview people around you, at least 80% of them know the names of Zhang Wuji, Chu Liuxiang and Lu Xiaofeng, but if you ask Lu, King Conqueror and Allen (these names are not small, they are all representative figures in famous works), I believe quite a few people don't know.
The conquering king is very famous in the second circle, but it is estimated that most ordinary people don't know him.
On the other hand, the secondary culture has not been recognized by the upper class.
Most successful people in the upper class rarely touch the second element. They don't like or care about the content of the second element. For example, have you seen many business leaders or industry elites get together to talk about the second element out of personal interests? (Especially out of interest, because the second element is slowly industrialized, many industry leaders will talk about the second element culture for some business needs, but how many people really like the second element? )
Because most successful people don't care about or talk about the second element, the second element culture will not be valued by the mainstream society.
The audience is small and neglected, so it is not difficult to understand that most people are biased against the second element.
Just, is this prejudice meaningful? If this prejudice is aimed at the content itself, it is easy to say, but as mentioned earlier, the secondary content itself is not bad, so why is there such prejudice? Four words, the factor of the times.
Like the influential elites in the society now, most of them are over 40 years old, and they are usually born around the 1970s. At that time, the secondary culture had just started, mainly some young content. They might like it when they were young, but they won't watch it when they grow up, and their understanding of the secondary culture stayed at that time.
Now, although the secondary development is in full swing and high-quality works emerge one after another, those upper-class people are old and rigid, and they don't like to accept new things and become a group of stubborn people.
For example, Douglas, the author of The Hitchhiker's Guide to the Galaxy? Adams put forward three laws of science and technology:
Any technology that existed when I was born was part of the primitive order of the ordinary world.
Any technology born between the ages of 15-35 is a revolutionary product and will change the world.
Any technology born after I was 35 years old is against the laws of nature and will be condemned by God.
These three laws are ostensibly talking about science and technology, but in fact they are all talking about human nature.
When people get old, they like to stick to their original living habits and instinctively reject new things, whether they are new technologies, new cultures or new ideas. Anyway, most of the older generation just don't like it (of course, there are a few awesome people who can overcome their instincts and accept new things when they are old, but such people are really too few). Therefore, even if the current secondary content has long been out of the scope of children, those who have social influence but are already elderly still refuse to accept it.
Therefore, thanks to these people, the current secondary culture is still a non-mainstream culture and is not recognized by the mainstream society.
However, it is now. With the development of the times, the younger generation growing up with the second element will gradually replace the social status of the older generation. When people who like the second element master the right to speak in society, the second element culture will become the mainstream culture.
Don't believe it? Just look at Jin Yong's culture now. Nowadays, Jin Yong's culture is a well-deserved mainstream culture, and Jin Yong's father's novels have been remake in various ways, almost destroyed. Nowadays, many celebrities also regard Jin Yong as an idol, and the most typical one is Ma Yun, a person who is often forced to recognize his father in the corner.
Third, fiction.
There are still some people who don't like the second element because they think that the second element is a fiction, fantasy and story that doesn't exist in this world. These things are meaningless.
Indeed, the second element describes fictional content, and there are many places where the brain is wide open and the imagination is endless. For example, in the 63rd sentence of "Knight of Sydney", the hero Gu Feng's long Dao and the alien creature Bai whose height is 17m? Confirmed the relationship.
This story is really big and pure fiction, but fiction? Although the content is fictional, the emotion it conveys to us is real. What are we looking for, whether watching the second dimension or watching a live-action movie? Mainly emotional touch. As long as the emotions conveyed to us can really move us, is it necessary to care whether it is true or not?
I am a semi-foodie, take food as an example, such as Su Zhai in Shaolin Temple. The vegetarian diet in Shaolin Temple is quite famous. It is famous mainly because its vegetarian diet can be confused with the real one, just like this vegetarian chicken wing.
Does it look like chicken wings? )
This dish not only looks like chicken wings, but also tastes and smells alike (except that it has no bones), but it is actually carefully made with dried tofu.
Look at it this way. )
This dish is full of color, flavor and flavor. When we eat, we mainly enjoy its taste, taste and fragrance. When all these can satisfy us, is it really necessary to care whether it is real chicken wings or fake chicken wings?
Moreover, even if the secondary content does not exist in this world, are live-action movies all stories that exist in our world?