1. What are the four-character idioms in calligraphy?
The clouds startle the dragon, the three-pointer into the wood, the facial muscles and willow bones, as strong as a startled dragon, the luan floats and the phoenix sits, the dragon and the snake fly, the power penetrates the back of the paper , iron painting and silver hook, flowing clouds and flowing water, flying dragon, snake and flying phoenix in the brush 1. Dragon and snake in the brush [ bǐ zǒu lóng shé ] Basic explanation: describes the calligraphy as vivid and powerful.
2. Silkworm head swallow tail [cán tóu yàn wěi] Basic explanation: describes calligraphy that starts with a dignified stroke and finishes with a light stroke. 3. Fengjinduoli [fēng jīn duō lì] Basic explanation: Feng: plump, plump; Jin: tendons or ligaments on bones; Duo: redundant.
Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
4. Jiao Ruo Jinglong [jiǎo ruò jīng lóng] Basic explanation: Jiao: vigorous. It is often used to describe vigorous calligraphy strokes or graceful dancing postures.
5. Lipen paper back [ lì tòu zhǐ bèi ] Basic explanation: penetrating: passing through. The calligraphy is described as strong and powerful, with the strokes almost reaching the back of the paper.
It also describes poems with profound ideas and concise words. 6. Enter the wood three-thirds [ rù mù sān fēn ] Basic explanation: According to legend, Wang Xizhi was writing on a wooden board. When he was carving, he found that the writing penetrated three-thirds of the wood.
Describes calligraphy as extremely powerful. The problem of multi-metaphor analysis is very profound.
7. Iron painting silver hook [ tiě huà yín gōu ] Basic explanation: painting: strokes; hook: hook. Describe calligraphy as strong and soft. 2. Four-character idiom calligraphy to appreciate and promote traditional art
Four-character idiom calligraphy "Aim high":
"If a worker wants to do his job well, he must first sharpen his tools." Those who want to achieve great things Must aim high. Aiming high means pursuing lofty ideals, career ambitions, and pursuing excellence. There is also the artistic conception of "hanging clouds and sails directly across the sea". For example, the fastest warship in the Beiyang Navy was named "Zhiyuan", which specifically means riding the wind and waves, being unstoppable, and running towards the distance.
Four-character idiom calligraphy "Quietness reaches far":
Since ancient times, many literati have believed in the famous saying "Tranquility leads to distance, indifference leads to clear ambition", which shows a kind of Confucianism. style. This sentence can lay down a person's basic view of everything in the world throughout his life. It is also the highest state of self-cultivation in traditional Chinese culture. Only by being indifferent and tranquil can one have insight into the world. Only by being pure and restrained can one be far-sighted. 3. Four-character idioms are suitable for calligraphy works
yuán yuǎn liú cháng
Explain that the source is far away and the water flow is long. Metaphor has a long history.
Source from "The Epitaph of Li's Wife, Mrs. Pei Jun, the Governor of Haizhou" by Bai Juyi of the Tang Dynasty: "The one with a long history has a long history, and the one with deep roots has a luxuriant branch."
Structural joint type.
Usage has a positive connotation. It is mostly used for the origin and origin of historical things. Generally used as predicates and attributives.
The correct sound is long; it cannot be pronounced as "zhǎnɡ".
Identify the source of form; cannot write "original".
Synonyms: endless, steady, steady stream
Antonyms: tree without roots, water without source
Example: China has a history of five thousand years ;Chinese culture can be described as~. 4. Appreciate the four-character words of cursive calligraphy
Dragon and phoenix dancing
The close meaning is free and unrestrained
The interpretation originally described the winding and majestic mountains, and later also described calligraphy. The writing style is strong and flexible.
Source: Song Dynasty Su Shi's "Biao Zhongguan Stele": "On the mountain of Tianmu, the sweet water flows out, and the dragons and phoenixes dance, gathering in Lin'an."
Example: Look up and see the hanging on the north wall Four large screens, written in cursive script, are amazing. (Chapter 9 of "Lao Can's Travels" by Liu E of the Qing Dynasty)
The pen moves like a dragon and a snake
The literal meaning is a flying dragon and a dancing phoenix, the word moves about like a dragon and a snake
The definition describes the vividness of calligraphy And there is momentum.
Source from Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Use case The scholar Xiao Wangbin has a brocade hidden in his chest. ~. (Ming Dynasty Ling Shuchu's "Surprise at the First Carving" Volume 20) 5. Four-character idioms to describe calligraphy works
Hello, I have written a few four-character idioms for calligraphy works for you. , you should go and take a look
Sweeping thousands of troops describes poetry, calligraphy, etc. that are grand and powerful
Bi Zonglong Snake describes calligraphy as vivid and powerful.
Silkworm head and swallow tail describes calligraphy that starts with a dignified stroke and ends with a light stroke.
Fengjinduoli means that the font structure is solid and plump, and the writing power is strong.
As powerful as a frightening dragon is often used to describe the vigorous calligraphy strokes, or the graceful dancing posture.
The power of penetrating the back of the paper is used to describe the strong and powerful calligraphy, and the tip of the brush almost penetrates to the back of the paper.
Penetrating into the wood describes calligraphy with great power. The problem of multi-metaphor analysis is very profound.
Iron painting and silver hook describe calligraphy as strong and soft.
Fairy Pearl describes the calligraphy as elegant and round. 6. A collection of four-character calligraphy idioms
The dragon and snake at the bottom of the pen still means the dragon and snake at the bottom of the pen. Calligraphy is described as vivid and powerful.
Source: Chapter 31 of "Jin Ping Mei Ci Hua" written by Lanling Xiaoxiaosheng of the Ming Dynasty: "Wen Gong is erudite and has extensive records, and his writings are about dragons and snakes. He is a true genius."
The pen moves like a dragon and a snake describes calligraphy as vivid and powerful.
Source: Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."
Silkworm head and swallow tail describe the dignified start of calligraphy. The writing is mild.
Source: Song Dynasty Zhao Ji's "Xuanhe Painting Book·Yan Zhenqing" "But he is loyal to the day and has knowledge of the world, so his spirit can be seen in the expression of calligraphy and ink, which is unique and inclusive. ... Later secular studies , I am looking for the end of its shape, so I call it a silkworm head and a swallow tail, and I just got it. "
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Volume 1 of "Yao Lu" of the Southern Dynasties and Song Dynasty quoted Yang Xin's "Able to Write People's Names from Ancient Times": "The emperor of Wu people can make grass like an elephant, and he is known as calm and happy."
Calm, happy, strong and fluent, vigorous and hearty. Describe poetry and calligraphy as vigorous and fluent.
Source: Song Dynasty Yan Yu's "Canglang Poetry Talk·Poetry Debate": "There are probably two types of them, namely, leisurely travel without urgency, and calm and joyful travel."
Feng Jin Duo Lifeng : plump, plump; tendons: tendons or ligaments on bones; many: redundant. Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.
Source: "Xuanhe Shupu" by Anonymous of the Song Dynasty: "At the beginning of the Three Kingdoms, calligraphy was not taught at all, so Yao became a family method, and some commentators said that it had abundant muscles and strength, and was able to travel in the clouds and rain. Sudden trend. ”
Feng Boluan drifts, moored: drifting with the current. It originally described the calligraphy style as free and elegant, but later it was used as a metaphor for a couple being separated or a writer being frustrated.
Source: Tang Dynasty Han Yu's poem "Xunji Mountain": "Ke Douquan's body is covered with sage, and the luan is floating on the phoenix and holding the tiger and chi."
The phoenix dances and the dragon flies to describe calligraphy The writing style is strong and flexible.
Source: Chapter 10 of "The Biography of Heroes of Sons and Daughters": "This calligraphy can also be written in such a way that the phoenix dances and the dragon flies. It is really admirable."
Feng Zhuluan returns to Zhu. : Goofy. It is a metaphor for the flying and stretching of calligraphy strokes.
Source: "Fu Yun Fu" by Lu Ji of Jin Dynasty: "Luans soar and phoenixes fly, cranes fly in fear, whale salamanders trace the waves, sharks and crocodiles rush along the road."
Ancient and modern times The different styles of calligraphy are metaphorical.
Source: Volume 2 of "Calligraphy Essentials" by Zhang Yuanyan of the Tang Dynasty: "Impermanence is called fat in ancient times, and Zijing is called barren today. The ancient and the present are different, but fat and thin are quite opposite."
Crane's knees and wasp's waist ① This refers to two of the eight diseases of poetry's rhythm. Generally refers to the mistakes made in the rhythm of poetry. ②Two kinds of diseased pens in calligraphy.
Source: Song Dynasty Wei Qingzhi's "Poet's Jade Chips·Poetry Diseases·Eight Diseases of Poetry": "The third is called wasp's waist, the second word must not sound the same as the fifth word...the fourth is called crane's knees, the fourth is called "Crane's Knees" The five characters must not have the same sound as the fifteenth character. "
Hu Fei Zhong Shou Hu: Hu Zhao during the Three Kingdoms period; Zhong: Zhong Yao during the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Each person is good at describing calligraphy in its own way.
Source: Tang Dynasty Zhang Yanyuan's "Book of Laws": "Liu Desheng in the Wei Dynasty of the Three Kingdoms was named Junsi, and he was famous for his running script. Hu Zhao and Zhong Yao also learned from his method. The Hu style was fat, and the Zhong style was Thin, each has its own beauty."
The calligrapher's method of painting with sand seal clay is a metaphor.
Source: "On Calligraphy" by Chu Suiliang of the Tang Dynasty: "The pen should be like a cone to draw sand, like sand and clay."
Painting worm graffiti describes poor calligraphy or writing. Often used as a word of modesty.
Source: Ming Dynasty Song Lian's "Preface to Han Bo in Kuaiji": "Gu Yu is not sensitive and practices useless learning. He only writes empty words to meet the needs of the times, draws graffiti, and has no time to give.
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