1 first practice your eyes.

Huang Tingjian, a calligrapher in the Song Dynasty, said: "The ancients learned to write, not all of them copied. They often hang ancient calligraphy works on the wall, watch them intently, and decide to start writing. " The more posts you read, the higher your horizon, and you will know how to write.

There is an idiom called "eyes are superior but eyes are inferior". I think: eye height is the premise of hand height. If you can't find beauty, you don't know what beauty is, let alone create it. Many students think that scribbling is the so-called running script, and the reason why ugliness is beautiful is because "the eyes are superior and the eyes are inferior."

2. Secondly, practice your mind.

On the basis of careful observation, we should keep well-written model figures firmly in mind and engrave their glyphs deeply in our minds. Whenever the word is mentioned, we can immediately guess the shape of the word on the copybook. Do it with confidence and words in your heart.

3. Third, we should practice our hands.

Practice your eyes and brain to find out how to write words. You can think of the best effect of words in your mind, but it may not be written in your hand, because your brain may not be able to command your hand, and your hand may not be able to command your pen. Hand training is to achieve the consistency of heart and hand and handwriting, so hand training is also very important.

Hand training mainly refers to strength, wrist strength and hand feeling. If you write for a long time, you will feel sore fingers, sore wrists, hands that don't work, and exercise more. This phenomenon will disappear. Students who often help teachers copy questions on the blackboard and students who run blackboard newspapers often write quickly and well. This is how their finger strength and wrist strength are trained.

Also pay attention to practice the sense of touch, let the brain command the hand, and feel that the pen has become a part of the hand and an extension of the hand. Hands can easily command the pen, think fast, think slow, think light, think heavy, and write whatever effect you want.

4. Fourth, practice the structure.

Because the key to practicing calligraphy is to master the structure of calligraphy. The structure of a word refers to the proportion of stroke length and the relationship between strokes. The song "China People" sings: "The favorite character is the square character taught by Mr. Wang, and the square character should be like him". "Square character" summarizes the structural characteristics of Chinese characters.

I have mastered the structure of Chinese characters, and I have written square and beautiful bold characters. With a little change of strokes, I can write Chinese characters in various fonts, such as Song Ti, Wei Ti, Kai Ti, Imitation Song Ti, Pang Ti, Sima Ti and Li Shu. If you can't master the structure of Chinese characters, no matter how the strokes of Chinese characters are decorated and beautified, they are ugly.

5. Fifth, practice strokes.

Many students have practiced calligraphy. Since they began to practice regular script, they have forgotten many writing rules and only remember pens. As a result, the words written are very cumbersome, like ghost symbols. Start in bold, grasp the font, and cancel the strokes.

Extended data

Pay attention to the following points when learning running script:

First, get rid of the rule of regular script.

When practicing regular script, I told you to hide the pen, change the press at the turning point, pick out the checked strokes first, and so on. These essentials should be tried to get rid of and forget when writing running script. For example, comparing regular script to martial arts routines, then running script is Sanda, and you can't start from scratch for every move and every style, so you should pay attention to fluency.

Second, serious plagiarism.

To learn running script well, we must go through a special training period and master its brushwork and writing rules. Find yourself a good copybook when copying. Zhao Meng _' s Danba tablet is a good copybook, which can be used to practice brush calligraphy or reduced to practice hard pen calligraphy. Hard-pen calligraphers such as Lu Zhongnan, Ding Yongkang and Wu Yusheng can write copybooks temporarily.

Third, read the post.

There are only two ways to practice calligraphy: temporary posting and post reading, and it is particularly important to practice calligraphy and post reading. Tian, the plaque writer of our painting and calligraphy class, is my good friend and has similar hobbies. His method of practicing calligraphy is to read posts, rarely stick posts, and his handwriting is flowing in one go. Originally written in official script, but the running script is also very good.

Fourth, be diligent in practice.

Running script has an adaptation stage at the beginning. If you feel embarrassed if you write badly, it doesn't matter. You can practice in your notebook, or you can practice writing with lines for yourself when you are writing a diary. Practice makes perfect. From a word to a paragraph, from a few words to a word, I gradually mastered the rules of running script and gradually formed my own running script style.

Refer to Baidu Encyclopedia-Running Script

How to write a running script font?

Running script technology

Running script has the characteristics of both regular script and cursive script, but it is by no means good to write regular script.

As an independent style, running script has its own characteristics in its development.

To learn running script well, we must go through special copying training and master its brushwork and writing rules.

We introduce the technical characteristics of running scripts from two aspects:

In terms of brushwork:

Take advantage of the trend to write: running script is no longer like regular script, which requires going backwards and forwards, hiding the head and protecting the tail. but

When you put pen to paper, you go with the wind, and when you put pen to paper, the center swims. When you receive a pen, you usually take it out with the wind, or participate in writing or hook it up.

Choose the front. Never go back to the front. So many strokes have been changed. The following pages.

Most of these strokes are exposed. The brush gesture is obviously smooth. It also makes more songs in the running script.

Pens and strokes should not be too straight, so as to increase the sense of stippling and make it not stagnant. These paintings

Change will naturally speed up writing.

Pointing echo: It is formed because the running script is no longer a pen tip, but mostly a pen tip.

The hook and guide of stippling means that it is convenient to take it off at the end of the last stroke, and the next stroke will be taken over naturally, so that stippling can be carried out.

Although seemingly connected, the pen is disconnected from the meaning, resulting in an obvious relationship of looking around and echoing.

Obviously, these condescension and echoes make the font more vivid and interesting.

Tie the thread and lead the tape: the cross-drawing between stippling and painting makes it look around and produce an echo, sometimes this echo is written through the pen tip.

Travel silk, connected to form two or more strokes, is written continuously in one go, making the words appear coherent.

Very handsome. For example:

Generally speaking, the inherent strokes of each character are heavier, and the connection between the two paintings is lighter, but it is not.

You can jump completely, otherwise it will be dull and boring. The effect of binding strings is one of the main features of running scripts, but

But used properly. Blindly involved in winding, when intermittent, but self-defeating, forming a weak float.

This disease is a taboo in running script writing. A calligrapher once said, "Connection and disconnection have different effects. It is easy to connect but difficult to disconnect.

So, you know, break. "Therefore, in order to distinguish their different functions, we should separate the tie from the stippling echo.

This is another important feature of running script.

Abbreviation and ellipsis: As mentioned earlier, Lian can write two or more strokes together, which has actually played a role.

In order to simplify, the writing speed is accelerated, but the original strokes are not reduced, only between strokes.

They are related, but they don't exist in isolation. In the running script, there is a simpler situation, that is, simple combination.

The original stippling has formed a unique writing style in the running script. such as

Among them, the middle four vertical points and the lower four vertical points of the word "Wu" are replaced by a set of connected vertical strokes, which not only keeps

The face of the original word has been simplified. The rest of the words are written in this way.

Law. Sometimes for the convenience of calligraphy, you can even change the original stroke order when writing calligraphy.

For example:

The change of collection and interpretation: compared with regular and rigorous fonts such as regular script, official script and seal script, there is a kind of running script that is the same as cursive script.

The characteristics of. That is, it can adjust its font and stroke shape at any time according to the needs of composition and the characteristics of a word.

State. For example, the words in Wang Xizhi's Preface to Lanting Collection, such as:

Can restrain, can indulge, can expand and contract at will, and can do it for longer.

Made as follows:

Flat:

This is the characteristic that running scripts can be collected and released.

Away from the square to avoid the circle: regular script has many circles and many folds are square, that is, books based on Zhao Meng's circle turn.

It is undoubtedly necessary to express one's intention when writing, which also adds some strength to the writing. The running script follows the trend.

Turning point, endless changes, Fiona Fang, flexible and vivid. For example:

Therefore, notice the changes in Fiona Fang, make it blend naturally, and make the effect of writing have the power of Fang Bi.

Strength, and the fluency and agility of the round pen. If you fold the square blindly, it will become dull and stiff. If you simply turn it around, it will

Slippery and weak. In short, we should observe more in our study and think more in our creation.

Press it again and mention it gently: some strokes of regular script, such as returning to the front of the pen and reversing the pen, have been used in running script.

Now it is not used or rarely used, but more used is the use of homeopathic lifting and pressing. Where the sun is shining, there is a need for sunshine.

Pick up the pen gently, so it's faster. And the heavy place needs to press the pen again, and the speed is a little slower. Of course, a stroke

The alternation of light and heavy thickness should have a reasonable ups and downs process, and it should not be ups and downs, so it should be self-contained

However. Almost everywhere in the running script, you can see the change of lifting and pressing within one word, such as the preface to the selected works of Saint Education.

Chinese: There should also be light and heavy points in a painting, such as:

As for the light and heavy layout in the article according to the needs of composition, it also appears repeatedly in running script works.

Very rare. Calligraphers of all ages have their own experiences about this, and we can understand it by carefully tasting the works of later generations.

Wonderful use in running script writing.

The wrist is just right: "The beauty of calligraphy is at the end of the pen." Today, it seems that some people think that this theory of predecessors

It is biased. Others, such as composition and ink painting, are also important. But calligraphy is the plastic art of lines.

Improving the expressive force of lines is often the lifelong pursuit of calligraphers. Composition and ink painting are also inseparable.

Open lines to complete the performance, and the expressive force of lines lies in using a pen. Therefore, the previous statement can be

Yes, we can't ignore it.

When it comes to using a pen, you can't help but mention your wrist. The two are inseparable. At this time, beginners of calligraphy often

Easily overlooked or unclear.

As mentioned above, the movements of the pen can combine different styles of works, such as beauty, strength, simplicity and childishness.

Pin, what is the key to using a pen? Of course, it's the brain, but the idea of the brain is to rely on fingers, wrists,

The reasonable coordination of arms means too thin and delicate, but overall it is not enough.

No one can write complete Chinese characters. The arm is too thick, and writing a list may not be satisfactory, but it is necessary.

Perfect but not satisfactory. Then only the wrist is in the middle, which can play two roles. special

The agility and exquisiteness of running script is sometimes accomplished entirely by wrist movement.

Wrist movement means that in the process of writing, the wrist should consciously command the brush to swing left and right, and slowly press it to make it

Change the illusion. So that the writing effect is smart and smooth. For example, when writing a hundred words, if a hundred strokes fall on the paper, you will leave your wrist.

Tilt the pen to the right, and immediately turn your wrist to the right at the end of the cross, take the pen and press it inward into a small vertical fold.

Lift the front end to the right, so that the rotating belt can be put down and the pen can be lifted inward for some collection. This series of actions is pushing the wrist.

Moving and rotating, if you move only by your arm, it is obviously difficult to make the pen write the light and heavy changes accurately.

Lines, some dexterity is more difficult to show accurately, and it is effortless to write words within half a foot.

Please. Of course, if you write Berberis, you need the help of your arm, and the control pen is done by your wrist.

Therefore, wrist movement is a crucial exercise course in cursive writing practice. Of course, the coordination of wrists, arms and fingers is also true.

Can't be ignored.

Select Articles and Copy

Some friends practice calligraphy and like to write freely and express freely, which is understandable in terms of creation.

But writing should not be like this. Because practicing calligraphy should be to learn the good words of predecessors and master them.

It, turning it into your own skill and overcoming your own shortcomings, is also what you should take when studying any subject.

Attitude. Why practice? I must be aware of my own shortcomings, but I don't pay attention to methods when practicing.

Still can't reach the goal. I often see some friends holding a post for a long time, and the words haven't changed much.

The reason is nothing more than a temporary learning method. It is common sense to write on the spot. Pro is a comparative word.

The font on the post will know its writing method and law, and collect some words with thin paper to copy if necessary.

Memorize it and apply it to a pen, so as to change your writing habits instead of just copying posts.

Some comrades came again and again, wasted a lot of time and energy, and finally returned.

Just the way I was, without any progress. I'm afraid this is not caused by copying books.

In posting practice, for beginners or comrades who don't have a deep understanding of the original post, appropriately enlarge the number of words.

This can better understand and analyze the brushwork and structure of the original post words. I have mastered some basic knowledge.

For those who learn methods, it is better to use the original whole article, because for them, brushwork and word formation are no longer there.

It is more important to understand the charm, composition, spirit and style of the original post.

For beginners, learn the appearance, size, convergence, divergence, correctness and brushwork of the original post font in clinic.

The elevation, retraction, length, angle, Fiona Fang and echo of a painting should be carefully observed, analyzed and experienced.

Yes My experience is to select some words with representative structure and strokes first, and proceed according to the above aspects.

Analysis, with the impression, you can write a lesson, and then compare it with the original words and find it is not.

Compare the original post with the temporary one, repeat it several times, gradually get close to or similar to the original post, and then move away.

Original post, recite it again

How to write a good running script? What are the skills?

First of all, how to determine the standard of "good-looking"

"Good-looking" is a matter of different opinions, and there is no quantitative standard in principle. Moreover, this problem is also closely related to the personal interests and aesthetic orientation of the appreciator. A calligraphy work, some people think it looks good, some people may think it doesn't look good.

At present, for some so-called ugly books and strange books, the reason why there are so many books in love is largely a matter of aesthetic orientation. If you insist that those ugly books are not good-looking, people will laugh at your poor handwriting or poor taste. And those ancient books with pavilions are really in line with the golden mean of China people's love for beauty, but many people say that calligraphy is not good-looking.

Therefore, as a person who advocates the tradition of the ancients and is keen on the beauty of the golden mean, it is certain that the development direction of your calligraphy is based on traditional calligraphy, so if you want to write well, you must learn ancient calligraphy and lay a good foundation.

Secondly, start from the post in a down-to-earth manner and lay a solid foundation.

Learning running script, like any other calligraphy style, must have solid basic skills, and it is impossible and impossible to become a calligrapher overnight.

To write a good running script, it is suggested to start with regular script, because regular script appeared earlier than running script, and running script developed on the basis of regular script and cursive script. Compared with cursive script, regular script is more complete in brushwork and structure, and it is easier to master basic techniques when laying the foundation. After regular script has a certain foundation, or after the basic brushwork is mature, start learning running script and then turn to running script. It's best to specialize in one subject, don't be greedy, and you can't learn well.

It is suggested that learning running script should start with Wang Xizhi's running script, such as the Preface to Saint Education in a set of words, and then learn his Preface to Lanting and Seventeen Posts. You can also start with Zhao Meng's calligraphy. His regular script itself means running script. If you want to learn regular script, you can also learn Zhi Yong's A Thousand Words True Book.

No matter which school you attend, you need to settle down and stick to your post in a down-to-earth manner. Only on the basis of similarity can we achieve the spirit likeness, and then we can write a beautiful running script that conforms to the public aesthetics.

How to practice running script well

How to practice running script well

To practice running script, you must first practice regular script, and then you can start to learn running script.

The basic skills of running script are: words should be scattered but not scattered, writing speed should be appropriate, and reality should be appropriate.

How to practice calligraphy well

1, copy combination

Copying is the most basic way to learn calligraphy, not only for beginners, but also after a certain foundation. Learning regular script requires copying, while learning seal script, official script, running script and cursive script still requires copying. Calligraphers spend their whole lives copying, learning, thinking and creating in copying.

Copying is to cover the copybook with thin paper, and then follow the shadow with a pen and write according to the exposed handwriting, which is also called "imitation" or delay writing. Another method of copying is called "tracing red", which is to fill in the words printed with red lines with double hooks.

The method of copying posts: the first step is to draw red. That is, select clear and complete words from posts and cover them with transparent and ink-tight tissue paper, such as typing paper, glossy paper and tracing paper. , and according to the outline of the word with a very thin line hook into a hollow word, known as the "double hook". Then use the marked words as red books, fill them in red ink, then fill them in blue ink, and finally fill them in ink. This writing can not only deepen memory, but also save paper.

When copying a post, you should pay attention to the pen that follows it, and never go out of shape. You should look at the ins and outs of strokes and try to figure out its brushwork and structure. Copying posts means "writing", and the strokes are full and accurate. Don't fill in the gourd painting.

Sticking a post is to have a basic understanding of the rules of using a pen and writing on the basis of copying a post, and then you can write a post. There are three ways to post: face to face, face to face and back.

Face to face, that is, put the copybook on the opposite shelf and write according to it. This is the most convenient and commonly used face-to-face method.

Gridline, that is, make a good grid-like temporary writing with transparent paper. Mainly used to master the structure of the post.

Back-to-back is to put away the post and write the words in the post by memory, seeking both its shape and its spirit. After the recitation, you can define the words as couplets or articles, and then enter the creative stage.

Copy a pen with a shadow, and we will write like the ancients did. Size, length, width, thickness, Fiona Fang and skew should be written according to the post requirements, and there are certain norms and constraints. The characteristic of copywriting is that it is easy to learn the structural position of the ancients, but because the norms are too dead, they lose the brushwork of the ancients, and the pen is rigid and inflexible, which makes people feel unbearable. Pro-posts or pro-posts, or pro-posts, or pro-posts, or pro-posts, plus many writers' own personality characteristics, it is easy to get the brushwork of the ancients and lose the structural position. Writing freely and casually, pursuing individuality, but gaining little.

Therefore, in copying, it is necessary to copy and combine, copy first and then present, which not only obtains the ancient brushwork, but also obtains the ancient construction method. When practicing, you can copy first, then copy in turn and then copy later. Or use the "double hook" method to study the structural law. Imitation and interpenetration, learn from each other's strong points, have excellent results. Read more, think more, ponder more, and then write. Writing must be accurate, similar first, and then similar, in order to have both form and spirit. After copying, we should repeatedly check and compare, sum up experience and lessons, improve in negation and mature in lessons.

2. First in and last out

Copying is the most basic and effective way to learn calligraphy. Copying is inheritance, that is, learning from the ancients, learning the beautiful brushwork, beautiful words, beautiful composition, beautiful charm and momentum in the excellent inscriptions of predecessors. However, there is another key problem with replication. If you don't enter the post, you can't write it, or if it doesn't look like it, you can't talk to the ancients and learn the beauty of ancient calligraphy. But if you don't post it, you can't get out if you go in. Too much like the ancients, you have become a book slave of the ancients, and you have no personality at all. Writing like this will eventually become your own book style.

3, I began to understand after reading the post.

The important thing is the reading method, that is, to learn books and be good at understanding, that is, to understand from the reading method, and some excellent calligraphy posts of the ancients do not have to come. As long as you read it carefully and appreciate it repeatedly, you will naturally integrate it into your own calligraphy creation.

Reading a tablet is not reading the contents of the tablet aloud. The so-called reading post is a special term for calligraphy, that is, the calligrapher carefully analyzes, studies and ponders the strokes and structure of each word of the inscription and the composition, momentum and charm of the whole work before copying it, or in his usual work. When reading them, they often can't help but draw with their fingers and copy with their hands excitedly.

The ancients read the posts carefully. Cao Cao is not only a famous politician and strategist, but also a famous poet and calligrapher. There is a "Rolling Snow" official script inscribed for him in Hanzhong Museum, Shaanxi Province. According to legend, he likes Liang Hu's calligraphy, so he hangs Liang Hu's words on his account. He never gives up reading posts when he has time to study. According to legend, Zhong You, a great calligrapher of the Wei Dynasty in the Three Kingdoms, paid a living and tasted the land. He studies very hard, paying special attention to reading and memorizing famous posts. Ou Yangxun, a calligrapher in Tang Dynasty, once found an inscription written by Suo Jing, a calligrapher in Jin Dynasty. He turned to finish reading, and his legs hurt, so he just sat down and watched. Reluctantly left for three days in a row.

Read posts or talk to the ancients, make friends, and achieve thoughts and feelings. Read the post from a little painting, carefully study and ponder the beauty of the ancients' pen, word, composition, momentum and charm. Through reading, we can see God with our eyes, so as to deepen our understanding, exercise our visual memory, and enrich, preserve and improve our artistic appreciation. Attach a book and read a hundred books. Reading posts is not limited to one or two books. The practical experience of many calligraphers in ancient and modern times proves that it is better to read posts than to copy them. We don't have to get close to some inscriptions, but we can read them, deeply understand the three flavors in ancient calligraphy works, and gradually absorb and digest them, so that we can rush to the bottom of our wrists and enrich them on paper, and our hands will naturally follow the height of our eyes, making them smart. Eye-catching, heart-catching, hand-catching, heart-to-hand correspondence, get twice the result with half the effort.

calligraphy

Calligraphy is an artistic form of writing expression in the world, including China calligraphy, Mongolian calligraphy, Arabic calligraphy and English calligraphy. Among them, "China Calligraphy" is a unique traditional Chinese character art in China. Calligraphy in a broad sense refers to the writing rules of characters and symbols. In other words, calligraphy refers to writing with its brushwork, structure and composition according to the characteristics and significance of words, making it a beautiful work of art. China's calligraphy is an original performance art of the Han nationality, which is known as: poetry without words, wireless dance; Painless paintings, silent music.