1. Beautiful verses

Li Qingzhao

1. Drunk Flower Yin

The mist is thick and the clouds are sad and the day is endless, Rui Nao The gold-eliminating beast. It's the Double Ninth Festival and it's the Double Ninth Festival. The jade pillow and gauze cupboard are cool in the middle of the night.

After dusk when I drink wine in Dongli, there is a faint fragrance filling my sleeves. There is no doubt that I am in ecstasy, the west wind blows behind the curtain, and people are thinner than yellow flowers.

2.

Dielianhua

The warm sun and clear wind have just broken through the frost, the willow eyes and plum blossom cheeks are already feeling the heartbeat of spring. Who has sex with the drunkenness and poetry? The tears melt into the remaining pink flowers.

When I first try to clip the gold thread seam on my shirt, I lean on the mountain pillow, and the hairpin head phoenix is ??damaged by the pillow. Holding oneself in one's arms is full of sorrow and no good dreams, and the night is still filled with lanterns and flowers.

3.

A cut of plum blossoms

The fragrance of red lotus root lingers in the autumn jade mat. He undressed Luo Shang lightly and boarded the orchid boat alone. Who in the clouds sent brocade books? When the wild goose returns, the moon is full on the west tower.

The flowers float and the water flows. One kind of lovesickness, two places of idle sorrow. There is no way to eliminate this feeling, so I just frown, but it is in my heart.

4.

Magpie Bridge Immortal

Author: Qin Guan

The clouds make tricks, the flying stars spread hatred, and the silver and Han are far away in darkness . Once the golden wind and jade dew meet, they will win over countless others in the world.

Tenderness is like water, good times are like dreams, and I can’t bear to look at the magpie bridge on my way back. If the love between two people lasts for a long time, how can it last day and night? 2. What are the poems that embody the aesthetic conception?

I am drunk in the wind

Silently moved by the desolation of the sky

Once upon a time

Every drop drops silently

This life is elegant

There will be another life

Come and touch the sigh of the wind

It is the soul of heaven

Come and bring life

I am so confused that I cannot see

The traces of clouds

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I am the raindrops

You are the sky

Thousands of life and death

Life hangs by a thread

I just want to be with you< /p>

Hiding in the stars

***Together we create the beauty of heaven

From now on I

will no longer hide my tears

I just want to throw him into the soil

Silently wetting the flowers

Blooming into the next spring

Flowing through my body

Just to be able to shine

The sky of freedom

Chasing the miracle of the rainbow

I believe that there is no secret in heaven

He can take me Collection of sadness

All sorrow

Courage will wander in the wind and rain 3. 10 explanations of aesthetic terms and 10 aesthetic quotes

1. Baum Garton

Baumgarten is not only the founder of the discipline of aesthetics, but also raised a series of noteworthy aesthetic issues in the history of aesthetics. Baumgarten's proposal to establish the discipline of aesthetics was not out of blind passion for innovation, but the result of his profound reflection on the rationalist philosophy of Leibniz and Wolff and the entire knowledge system of all mankind. It has the epistemology of rationalist aesthetics. significance. Baumgarten's aesthetic thoughts also have certain implications for the construction of contemporary practical aesthetics.

2. Principle of vivid charm

Vivid charm means that the works and the images depicted in the works have a vivid grace and charm, which appear to be full of vitality. In Xie He's era, Qiyun was used as a criterion for evaluation and creation. It mainly looked at how well the work represented the demeanor and charm of the object, and then gradually included more factors of subjective expression. Qiyun refers to the image as the integration of subject and object. the overall intrinsic qualities of the form. Being able to express the vivid charm of the unity of things and myself is still one of the highest goals of painting and the entire plastic arts.

3. Expressive portrayal

. "Expressive portrayal" is a proposition put forward by Gu Kaizhi in terms of painting. He emphasized the need

to break through the limitations of external appearances. The image is vivid, this theory is the promotion of "the theory of getting carried away". Poetry, painting, music, and calligraphy are the soul of Chinese art, and among these souls, the most dazzling and consistent one is The aesthetic proposition of expressive portrayal. The aesthetic thoughts and connotations expressed by expressive portrayal

are extremely profound. It covers more than just the aesthetic principles of figure painting. It is a traditional Chinese literature and art

An elaboration point that can completely become the soul feature of Chinese classical literary aesthetics

4. Aesthetics

Aesthetics is a humanities discipline about human aesthetic value.

5 Free creation

Refers to activities in which people proactively transform the world on the basis of understanding objective inevitability and regularity to achieve human goals and requirements. Beauty is the image of free creation, and free creation is the unity of purpose and regularity.

6 Artistic beauty

Refers to the beauty of works of art, which is the artist’s active reflection of the aesthetic characteristics of life and natural things. Artistic beauty is the unity of objectivity and subjectivity, reproduction and expression.

7 Art typical

Refers to the artistic image created by the artist that is both general and can reveal a certain essence of life, and has specific and perceptible distinctive personality characteristics. Engels said, "Everyone is a model, but at the same time he is a certain individual." This passage reveals a universal rule of artistic models, that is, artistic models should be the organic unity of personality and personality.

8 Artistic conception

Is an important category in our country’s aesthetic thought. Artistic conception is an artistic realm and a beautiful realm formed on the basis of the blending of scenes. It is the product of the melting of objective and subjective, and the crystallization of emotion and scenery.

9 Expressiveness

Is an important category in our country’s aesthetic thought. It refers to expressing the inner spirit of the object through its external characteristics in art, and integrating the essential characteristics of the object with the artist's thoughts and feelings. It is a beautiful realm in art.

10 Social beauty

Refers to the beauty in social life, which is often expressed in various positive and affirmative images of life. Social beauty includes the beauty of people, the beauty of labor products, the beauty of labor environment and living environment. The characteristics of social beauty are practicality, social utility, goodness as the premise, and emphasis on content.

11 The beauty of labor products

It is the materialized form of human creation, wisdom and strength. It is a universal form that affirms human nature in the object world created by human beings. The beauty of labor products includes the overall beauty, functional beauty, shape beauty, material beauty, color beauty, etc. of the product.

12 Natural beauty

Refers to the beauty of natural things, which is the unity of sociality and nature. Sociality means that natural beauty is rooted in the practice of human social life, and naturalness means that certain attributes and characteristics of natural things are necessary conditions for the formation of natural beauty.

All beautiful light comes from the source of the soul; without the reflection of the soul, there is no beauty.

——Zong Baihua, esthetician

A sensitive person can find elements of beauty even in the most painful times.

——Anixter, literary historian of the former Soviet Union

Beauty is the feeling when people like something. The happiness brought by beauty is a kind of uninterested and free happiness.

——Vasilev, Bulgarian writer and dramatist

Where there is beauty, there is love. The creations of nature always complement each other. It gives you beauty, and you are more beautiful. Can get love.

——Heath, Swiss anatomist

Beauty and goodness are inseparable, because both are based on form; therefore, people usually praise good things as well For beauty.

——Aquinas, Italian scholastic philosopher

Finding beauty from beautiful things is the task of aesthetic education.

——Schiller, German poet and playwright

Beauty is everywhere. For our eyes, it is not a lack of beauty, but a lack of discovery.

——Luo Dan 4. Looking for poems and famous quotes related to "beauty"

Wang Anshi's "Yellow River" sends out the Kunlun five-color stream, and a yellow and turbid stream runs through Zhongzhou.

Wandering thousands of miles on the sand, I turn around and find nowhere to turn to. Meng Haoran's "Passing an Old Friend's Village": An old friend brought chicken and millet and invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside. Open a pavilion and a garden, talk about mulberry and hemp over wine.

On the Double Ninth Festival, I will still come to see chrysanthemums. Du Fu's "Quequatrains": Late in the day, the mountains and rivers are beautiful, and the spring breeze is fragrant with flowers and plants.

The swallows fly when the mud melts, and the mandarin ducks sleep in the warm sand. Liu Yuxi's "Lang Tao Sha" The Yellow River has nine bends and thousands of miles of sand, and the waves and wind are blowing from the end of the world.

Now we go straight up the Milky Way to the home of the Morning Glory and the Weaver Girl. Du Fu's "Quequatrains" Two orioles sing in the green willows, and a row of egrets ascends to the blue sky.

The window contains the snow of Qianqiu in Xiling, and the door is docked with a ship thousands of miles away from Dongwu. Wang Wei's Landscape Idyll Farewell I dismounted from my horse and drank your wine, and asked you where you were.

You are dissatisfied with your words and return to the south mountain frontier. But don’t ask again, the white clouds are endless.

Send Zhang Wu back to the mountain. I will send you away from your sorrow. Who will I send you back to? We hold hands together for several days, and we brush off our clothes once in a while.

There is a thatched hut in Dongshan, which is fortunate to be used to sweep away the thorns. When you go to thank the official, it will go against your heart.

Du Fu's "Two Poems on the Yellow River" The Haixi Army on the north bank of the Yellow River is heard all over the world. The iron horses roared endlessly, and the barbarians moved in groups with their high noses.

On the west bank of the Yellow River is Shu. If you want to supply your family, there is no millet. I would like to drive the common people to wear the king, and throw away gold and jade with a cart full of books.

Passing the Guanhua Temple and Tanxing Master Shanyuan, holding a bamboo stick at dusk, they were waiting for each other at Huxitou. The guests are urged to hear the sound of the mountains and return to their houses to chase the water.

The wild flowers are blooming, and the valley birds are singing quietly. Sitting in the empty forest at night (Yizuo Village), it is quiet, the pines and the wind are as straight as autumn.

Wang Wei's "Dwelling in the Mountains in the Dark Autumn" After the new rain in the empty mountains, autumn comes late.

The bright moon shines among the pines, and the clear spring flows over the rocks.

The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat. The spring fragrance rests at will, and the king and grandson can stay.

Hu Zeng's "Epic Ode to the Yellow River" Bowang is buried and can no longer spin, and the Yellow River is still empty. Along the stream, people wanted to read the Cowherd's words, but they had no choice but to send the coffin to heaven.

Zhongnan Bieye I was quite good at Taoism in my middle age, and in my later years I came to the southern border of Nanshan. Every time you go alone when you are happy, success will be in vain (only one thing).

Walk to a water-poor place and sit down to watch the clouds rise. Occasionally, I visited Lin Sou, chatting and laughing for a long time.

Du Fu's "Wang Yue" How about Dai Zongfu? Qilu is still young. The clock of creation is beautiful, and the yin and yang are cut off at dusk.

Stratus clouds grow in the chest, and returning birds enter the canthus. You will be at the top of the mountain, and you will have a panoramic view of the mountains.

Xie Lingyun's "Taishan Ode" Tai Zong Xiu Weiyue, Cui Xi stabbed the sky. Qi'ai is so swaying that it often moves when it touches the rocks.

Climb the altar of worship, descend to Zen and hide in awe. Shi Wen He Ton Ai, Mingtang Secret Spirit Chapter.

Li Bai's "Looking at Tianmen Mountain" The Tianmen interrupts the opening of the Chu River, and the clear water flows eastwards to this point. The green mountains on both sides of the strait stand out from each other, and the lone sail comes from the sun.

Li Bai's "Early Departure from Baidi City" Bai Di left early among the colorful clouds, and returned to the tombs thousands of miles away in one day. The apes on both sides of the bank can't stop crying, and the boat has passed the Ten Thousand Mountains.

Li Bai's "Yellow Crane Tower Farewell to Meng Haoran in Guangling" The old friend bid farewell to the Yellow Crane Tower in the west, and fireworks descended from Yangzhou in March. The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky.

Bai Juyi's "Inscription on Tianzhu Peak" The Taiwei Star Dou Gong Qiongtai, Sheng Zulin Palace Town Jiugai. One peak of the Tianzhu holds the sun and the moon, and the cave door locks in the clouds and thunder.

The jade light and white oranges compete with each other, and the golden and green lotus stamens bloom. When I visited the hermitage of Zuo Cigao, I saw the purple and clear crane coming to recognize its nest.

"Looking at the Dongting" by Liu Yuxi The lake and the moon meet each other in autumn, and there is no windshield on the lake surface that has not been polished. Looking at the green mountains and rivers of Dongting in the distance, there is a green snail in the silver plate.

Wang Wei's "The Envoy to the Fortress" The bicycle wants to ask about the side, but the country is too far away. Zheng Peng left Hansai, returned to Yan and entered Hutian.

The desert is solitary and the smoke is straight, and the sun is setting over the long river. When Xiao Guan is waiting to ride, he will always protect Yan Ran.

Su Shi's "Inscription on the West Forest Wall" When viewed from the side, it looks like a ridge and a peak on the side, with different heights from near to far. I don’t know the true face of Mount Lu, just because I am in this mountain.

Wang Zhihuan's "Climbing the Stork Tower" The sun sets over the mountains and the Yellow River flows into the sea. If you want to see a thousand miles away, go to the next level.

Wang Zhihuan's "Liangzhou Ci" Far above the Yellow River among the white clouds, there is an isolated city in Wanren Mountain. Why should the Qiang flute blame the willows? The spring breeze does not pass through Yumen Pass.

Du Fu's "Ascend the High" The wind is strong, the apes high in the sky whistle in mourning, and the white birds fly back from the clear sand in Zhugong. The endless falling trees rustled, and the endless Yangtze River rolled in.

Wanli is always a guest in the sad autumn, but he has been sick for hundreds of years and only appears on the stage. Difficulty and bitterness hate the frost on the temples, and the wine glass is stained by the new stop.

Li Bai's "Looking at the Lushan Waterfall" The incense burner produces purple smoke in the sunshine, and the waterfall hangs in front of the river. The flying stream falls three thousand feet, and it is suspected that the Milky Way has fallen into the sky. 5. Poems about the image of women

1. There is a beautiful woman in the north, peerless and independent.

First look at the Qingren city, then look at the Qingren country.

2. The clouds are like clothes, the flowers are like faces, and the spring breeze blows the threshold and the dew is thick.

If we hadn’t met at the top of Qunyu Mountain, we would have met under the moonlight at Yaotai.

3. Who is similar to the Han Palace? Poor Feiyan relies on her new makeup.

4. A famous flower brings joy to the whole country, and the king often makes him smile.

Explanation: The spring breeze is infinitely hateful, and the agarwood pavilion leans against the railing in the north.

5. The beauty rolled up the beaded curtain and sat deeply with her eyebrows furrowed, but when she saw wet tears, she didn’t know who she hated.

6. She was more than thirteen years old, and her head was full of cardamom. Spring breeze in early February. Ten miles of Yangzhou Road, it is better to roll up the bead curtain

7. A generation fell in love chasing the waves, and Wu Gong recalled his family in the sky. Follow the example of the girl next door in the east, her hair is white and her gauze is still hanging by the stream.

8. The charming eyes are closed shyly, and the red lips are smiling. The wind blows in the grape belt, and the sun shines on the pomegranate skirt.

7. Two eyebrows that look like frowning but not frowning, and a pair of eyes that look like happiness but not joy.

The state of mind is filled with worries about both sides of the body, and the whole body suffers from coquettishness. Tears a little, panting slightly.

Quietness is like a delicate flower shining on the water, action is like a weak willow supporting the wind.

The heart has one more hole than the stem, and the disease is like Xizi, which is three points better.

8. Hibiscus comes out of clear water, and the carvings are naturally removed.

9. Look back and smile with all the charm, the sixth palace is colorless.

10. A branch of pear blossom brings rain in spring

11. If the West Lake is compared to the West, it is always appropriate to wear heavy makeup and light makeup.

12. The hands are like catkins, the skin is like gelatin, the collar is like a cricket grub, the teeth are like gourds and rhinoceros, the head is like a moth and the eyebrows are moth-like, the smile is beautiful, and the eyes are beautiful.

13. A small fan of white orchids, a slender jade belt dancing with the sky veil. It is suspected that a fairy has come down to earth, looking back with a smile as bright as the stars.

14. Beautiful eyebrows and eyes, looking forward Shenfei, the essence of literary talent, forgets the vulgarity after seeing it.

15. There is a beautiful female demon, Pei returns to the Xiang River and the Mekong River. Water, Meilan, Du Fang, who will I send it to?

The rhinoceros has white hair, white teeth, and a pair of eyebrows.

A red face is like a blooming lotus, and a plain skin is like condensed fat.

Graceful and elegant, light and unsustainable. Taste the unparalleled beauty, and rely on the allure of the city.

16. His cheeks are filled with fresh lychees, his nose is greasy with goose fat, he is gentle and silent, and he is approachable.

17. There is a peerless beauty who lives in a secluded valley. 6. Poems and famous quotes about the character's image

The body is majestic and the appearance is majestic. A pair of eyes shot cold stars, and the two curved eyebrows were as thick as paint. His chest is broad and majestic, and he is invincible to anyone.

His words are high-spirited and his ambition is soaring to the sky. He is ambitious and bold, like a lion descending from the clouds. The bones are strong and the muscles are strong, like a brave man sitting on the seat shaking the ground.

Like a devil descending from the sky, he is really the Tai Sui God on earth.

Looks like Pan An

The jade tree is in the wind, suave, handsome, talented and looks like Pan An. He is known as a pear blossom weighing down a begonia, and is nicknamed the Jade-faced Little Flying Dragon

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Dignified appearance, suit and leather shoes, tall and burly, handsome eyebrows, handsome appearance, graceful and handsome in the wind

"Mo Shang Sang": He is clean and fair, and has a beard. Yingying Gong's mansion is full of news, and Ran Ran's mansion is trending. 7. Appreciation of Romantic Ancient Poems from an Aesthetic Perspective

Water Dragon Yin Dengjian Kang Shangxin Pavilion Xin Qiji The Chu sky is thousands of miles away and the autumn is clear, and the water goes with the sky and the autumn is boundless.

The eyes are far away, offering sorrow and hatred, jade hairpin and snail bun. The setting sun above the building, in the sound of broken bells, wanderers from the south of the Yangtze River.

I looked at Wu Gou and patted the railings all over, but no one knew what I wanted to do. Don't say that the perch is worthy of praise. When the west wind blows, the eagle will return in season? Asking for fields and houses, I am afraid that I will be embarrassed to see you, because Liu Lang is talented.

It is a pity that the passing of time, the sorrow of wind and rain, the tree is still like this! Who calls Qian? Red scarf and green sleeves, Hero's tears! Water Dragon Yin Appreciation by Xin Qiji This poem was written during the fourth to sixth years of Qiandao (1168-1170) when Tong Fan was appointed as the official in Jiankang. At this time, the author had been returning to the South for eight or nine years, but he was idle and working on a Jiankang general judge, but he could not fulfill his wish to serve the country.

Occasionally, when I visit Zhoukan, I express my deep sorrow and indignation. Jiankang (now Nanjing, Jiangsu Province) was the capital of six dynasties: Dongwu, Eastern Jin, Song, Qi, Liang and Chen.

The Shangxin Pavilion is a pavilion on Jiankang City in the Southern Song Dynasty. According to "Jing Ding Jian Kang Zhi" records: "The heart-appreciating pavilion is on the Xiashuimen City (in the west of the city), with Qinhuai below. It is a great place to watch."

In this poem, a large section of the first film describes the scene: From water to mountains, from ruthless scenery to sentimental scenery, it is very layered. The first two sentences, "The sky is thousands of miles away and the autumn is clear, and the water follows the sky and the autumn is boundless" are the scenery the author saw on the Pavilion.

The Chu sky is thousands of miles away, the vastness is vast, and the autumn colors are boundless. The river flows to the horizon, and I don't know where it ends.

In the distant sky, the sky and water merge, the atmosphere is vast, and the writing is powerful. The "Chu" land in "Chutian" generally refers to the middle and lower reaches of the Yangtze River, which once belonged to the Chu State during the Warring States Period.

The "water" in "water goes with the sky" refers to the mighty Yangtze River that never ceases to flow. "Qingqiu Qingqiu" and "Autumn is boundless" show broad momentum and describe the characteristics of autumn in the south of the Yangtze River.

The south is rainy and foggy all year round. Only in autumn, when the sky is high and the air is clear, can you look far into the distance and see the river flowing to the endless horizon. Spectacular scenery.

The following three sentences, "The distant cens and distant eyes offer sorrow and hatred, jade hairpins and snails in buns" are written about mountains. "Yaocen" means distant mountains.

Looking into the distance, the layers and stacks of distant mountains, some look like the hostas on the heads of beauties, and some look like the spiral-shaped buns on the heads of beauties. The scenery is quite breathtaking. Beautiful scenery, but it can only arouse sadness and resentment in the poet. Pi Rixiu's poem "Piaomiao Peak": "It's like scattering green snails in a bun in the bright moon". Han Yu's poem "Farewell to Dr. Yan in Guizhou" has the sentence "Mountains are like jasper" (i.e. hairpin), which is where this sentence comes from .

People have sorrow and hatred in their hearts. Although they see the magnificent distant mountains, their sorrow only increases, as if the distant mountains are "offering sorrow and hatred." This is a transference technique.

This makes the poem vivid. As for the cause of sorrow and hatred, there is no direct explanation in the poem, but it can be understood based on the scene at the time of landing.

Looking north is the front line of the Jianghuai River, and there is no way to be effective; further away, it is the old frontier of the Central Plains, and there is no day to recover it. Looking south, although the mountains and rivers are good, only half of them remain; the imperial court is in charge of peace, and people with lofty ideals are not in their positions. Even if they want to make progress, they can't stretch their strength.

All of the above are symptoms of deep hatred and great sorrow. By referring to the offering of sacrifices in the distant mountains, I describe my inner burden, which is always contained in the three words "meaning to ascend" at the end of the film.

The first two sentences are purely descriptions of scenes, and the three sentences of "offering sorrow and hatred" have gone a step further and point out the words "sorrow" and "hate". From the pure description of scenes, we begin to express emotions. Objective and subjective, emotions also gradually become stronger from dull. Everything is deepened and sublimated in progress.

The meaning of the six lines of "Sunset Tower" is that the sunset is about to set in the west, and the cry of lonely geese is heard from time to time on the viewing pavilion, which further arouses the author's longing for his hometown far in the north.

He looked at the empty sword he wore at his waist and slapped the railing of the pavilion angrily, but who could understand his mood at this time? Here are three sentences: "The sun sets above the building, in the sound of the broken red, the wanderer in the south of the Yangtze River". Although they still describe the scenery, every word is a metaphor for emotion.

The setting sun is a scene that can be seen every day. Xin Qiji used the word "setting sun" to describe the decline of the Southern Song Dynasty. "Duanhong" refers to a lonely goose that has lost its flock, which is a metaphor for his wandering life experience and lonely state of mind as a "Jiangnan wanderer".

Xin Qiji crossed the Yangtze and Huaihe Rivers and returned to the Southern Song Dynasty. He originally regarded the Song Dynasty as his homeland and Jiangnan as his hometown. However, the Tongye Group of the Southern Song Dynasty had no intention of going north to regain the lost territory, and it did not regard Xin Qiji as one of its own for people with lofty ideals like Xin Qiji, and always adopted a jealous and exclusionary attitude toward him; Xin Qiji felt that he had really become a wanderer in Jiangnan. .

The three sentences "Looking at Wu Gou and patting the railings all over, but no one understands the meaning of climbing" are direct expressions of his heart. At this time, the author's thoughts are surging and he is excited. However, the author does not directly use language to render it, but chooses typical actions to vividly express his grief and indignation of having no way to serve the country and having no way to realize his ambition.

The first action is to "look at Wu Gou" ("Wu Gou" is a hook-shaped knife made by Wu). Du Fu's poem "Later Leaving the Fortress" contains the sentence "The young man has a special gift, looking at Wu Gou with a smile".

"Wu Gou" should have killed the enemy on the battlefield, but now he is just sitting around, just for fun, and has no place to use force. This makes the author a hero although he has the ambition to perform meritorious service on the battlefield. The depression of being useless is also highlighted. The second action is "beat the railing all over".

According to Song Wang Pizhi's "Mianshui Yan Tan Lu", Liu Mengjie, who was "at odds with the world", often stood quietly on the railing, thinking about worldly affairs, saying something to himself, or clapping the railing with his hands. He once wrote a poem and said: "Studying has delayed me for forty years, and I have been drunk several times and slapped the railing dry."

I patted the railing all over my chest because I felt unspeakable depression and anguish, so I vented it by slapping the railing. Used here, the author's eagerness and indignation, which has nowhere to display his ambitions, appear in front of the reader.

In addition, "Looking at the Wu hook and photographing the railings all over", in addition to the typical description of actions, it also uses the technique of conveying secrets and sparse, embodying strong thoughts and feelings in plain words. , profound and thought-provoking. "No one knows what he means", lamenting that he has no ambition to restore the Central Plains, and no one in the ruling group of the Southern Song Dynasty is his close friend.

The feelings in the last few sentences gradually become stronger and the feelings are more intense. In the end, "no one can" can express them to their heart's content, which can be said to be "to the fullest". When readers read this, they can fully understand the author's thoughts and feelings, and every reader will be infected by this emotion.

The first film describes the scene and expresses emotions, while the second film directly expresses the ambition. The eleventh sentence in the next film is divided into four levels of meaning: "Don't say that the perch is worthy of being praised. When the west wind blows, Ji Ying has not returned yet?" An allusion is quoted here: Zhang Han (also known as Ji Ying), a native of the Jin Dynasty, served as an official in Luoyang. The autumn wind blows, and I think of the delicious seabass in my hometown of Suzhou.