Calligrapher's Famous Words (Classic Edition)
1) if the quality is straight, the diameter is quite steep, and if it is just right, it will be dug hard without embellishment; People who pity and converge are too arrogant; Suspicious people, addicted to stagnation; Those who are late and heavy will eventually be dull; Those who lock lightly are vulgar and corrupt. The Book Score of Don Sun Guo Ting
2) It is very important for a calligrapher to write, so it is also important to save the disease of the cockroach. But blindly light and spicy, but also because of the attack of medicine, can make the color as iron and tender as gold, only with the pen. Clear. Wu Dexuan's Essay on Loushu at the Beginning of the Month.
3) Books should have both yin and yang. Generally, it is calm and depressed, and yin is also; Seven or eight Hao Da, Yang Ye. Clear. Liu Xizai's Art Outline
4) be strong and avoid wildness, and be strong and avoid thinness. Liang Qing presented "Pingshu Sticker"
5) The storyteller is pale, heroic and beautiful, and the rest is more beneficial? Deep? Words. Those who are pale and involved in old age and baldness, those who lose their simplicity in men, and those who are beautiful and frivolous are not deep. Clear. Liu Xizai's Art Outline
6) The so-called old man, with precise structure, simple style, rugged rocks and green peaks, is also a standard array. The so-called few people, full of gas, elegant and elegant, all kinds of tastes, thousands of romantic feelings are also. Ancient and numerous, although Gu Zhuo is magnificent, it is fresh, rich and beautiful. Young but not old, although graceful and elegant, it lacks heavy canon.
7) It is always the power of books, but less the endowment of books. Elegant characters in Ming Xiangmu's calligraphy
8) Wandering and pitching, tolerance and romance. It's just an iron painting, as charming as a silver hook, as beautiful as leaning on it. On Don Ou Yangxun's Use of Pen.
9) It is difficult to cover with a pen, but it is difficult to be vigorous. And vigorous is not the name of qi and wood, but the strength of the whole body, but the ability to bear. Ming Dong Qichang's Essays on Painting Zen Rooms
10) the left narrative is integrated by the disputants, supplemented by the lonely, lived by the upright, restrained by the vulgar and destroyed by the withered; Cut the edge, be prepared. Clear. Liu Xizai's Art Outline
1 1) six. Arrangement of composition correction
12) The density of knots must be multiplied by each other and then divided, so it is neither too sparse nor too dense.
13) fonts are neat and uneven. Neat, get the right answer; Uneven, take it as it should be. Clear. Liu Xizai's Art Outline
Sparsity is Shen Feng, and secrecy is out of date. When it is not sparse, it becomes cold begging; Dense is thin. Song. Jiang Kui's Continued Book Score
15) is written bit by bit, word by word and arranged from top to bottom. The font size of ancient stickers varies greatly, such as the old man carrying his young grandson, whose length is uneven, but his affection is sincere and painful. Clear. Bao's "Art Boat Double"
16), there are several reasons, some are big, some are big, some are high on the left and some are high on the right. They take different tracks, they are all on the same line. Ming Mason Lee's Eighty-four Rules on the Structure of Chinese Characters
17) There are eight ways to write with a pen. Between words, the long and short complement each other, lean against each other, mix fat and thin, and seek to be charming after adulthood. Song. Jiang Kui's Continued Book Score
18) If you want to learn a book, put up a shelf first, then go up and down, but you can adapt yourself. Ming Dong Qichang's Essays on Painting Zen Rooms
19) the people who turn to the back, such as those who look around and point to the painting, are all opposite. What starts from the left should be on the right, and what starts from the top should fall down. Between the bigger point and the painting, the setting is reasonable. Seek the ancients, but Wang Youjun is the best. Song. Jiang Kui's Continued Book Score
20) The word is a city, big but not empty, small but not lonely. On the Essence of Pen by Yu Shinan
Calligrapher's Famous Words (Latest Edition)
1) A book will not become a book if it contains God, Qi, bone, blood and flesh. Northern Song Dynasty. Su Shi's On Books
2) Beginners should start with the bones and muscles, and the bones and muscles are not standing, and the meat is attached. Don Xu Hao's book.
3) Fengshen people have meat in their bones. Those who are old and energetic are all in their bones. People who are interested in swimming pools should distinguish them with their eyes. And Tang's "New Interpretation of Linchi"
4) first show the bones, restore the spirit, have skin and blood, and strengthen the muscles. Silk comes and goes with clear veins. Detailed explanation of calligraphy
5) The bones are preserved, but they are moist. The Book Score of Don Sun Guo Ting
6) Every book, no matter what body, should be equipped with bones and muscles, movements of bones and muscles, movements of bones, movements of blood, movements of body, feelings of pen and water. Bao Qing Chen Shi is in Wu An.
7) Shape with bones and muscles and polish with expressions. Zhang Tang Huai Guan's On Characters
8) the bone of the word, the bone of the lower phalanx; The tendon of the word, the pen also; The flesh of words, brush also. Words are born in ink, ink is born in water, and the blood of words is also in water. Yi once wrote Hanlin Yaoze.
9) People are comfortable with books, but they are neutral and fat. If the book is also short, the degree of coordination should be balanced, yin and yang should be appropriate, and rigidity and softness should be combined. Elegant characters in Ming Xiangmu's calligraphy
10) Fat characters should have bones and thin characters should have meat. Northern Song Dynasty. Huang tingjian
1 1) Bone is implanted with tendons, which are attached to the bone and twisted, and the bone is short and thin. The two are separated from each other before the start, so the function belongs to.
12) The bones and muscles are not born by a pen, but can be damaged by a pen; Blood and flesh are not born in ink, and ink can be increased or decreased.
13) The meat is delicate and full, and the tendons are moist. Thin is charming, moist is colorful. Da Zhongguang's Book Raft in Qing Dynasty
14) Fuma has more tendons than meat, and meat has more tendons, so do books. Don. Zhang Huaiguan's book review on medical stone.
15) when the book is in its bones, the seniors are ready. What else can we say? The cover is divided into four pieces and combined into one piece. In other words, the tendon comes from the arm and wrist, and the arm and wrist must rotate, which is the tendon; Bone comes from fingers, fingertips are not solid, and bones are difficult to become; Blood is ink and wash, and ink and wash must be adjusted; Meat is a fine pen, and the pen is empty and round. Blood can be colorful, but the posture inside is very awkward; But flesh and blood are born in bones and muscles, and bones and muscles are not established, and flesh and blood should not be proud. Therefore, take the bones and muscles in the book first. Zhu Qing Luzhen's Introduction to Learning Books
16), so I learned it from the beginning, but I didn't learn it in essence; Those who are too slow are stagnant without tendons, and those who are too anxious are ill without bones; Lateral tube injury is slow and fleshy; If you stand up straight, then do it, show it. Wu's "meaning"
17) Today, in the ancient books, we don't learn from the environment, but seek its strength and live in the environment. What I do, I do it first, and I can only achieve it if I have fruit. Don Li Shimin's Calligraphy Strategy
18) softness is graceful and graceful, while rigidity is elegant and graceful. Don. Zhang Huaiguan's book review on medical stone.
19) those who are covered in eagles and flying in the sky are strong and angry; Get ready for colors. People who fly at a hundred paces have more strength than meat. If seaweed is in the air, this book will be a phoenix. Song. Zhu Wenchang's Continued Book Break
20) The bones are rich and fleshy and wonderfully psychic. The true story of calligraphy Wu
Calligrapher's Famous Words (Popular Edition)
1) If you catch it, it will be weak. If you put it too little, it will be pure bone without charm, pure meat without weakness, and the ink will be light. Liang Wudi began to answer again.
2) Where there is bone, there must be meat, and where there is reality, there must be deficiency. Otherwise, it is majestic, close to sinister, and there is no ethereal trend. Clear. Master's Biography of Mount Xi
3) Calligraphy is often vigorous and powerful, which is the most taboo. Xian's Theory of Learning Books
4) The brushwork is vigorous and vigorous, not explicit or harsh. Clear. Karin's "The Secret of Nanzong"
5) People who are good at writing are skinny, but those who are not good at writing are fleshy; Skinny and fleshy are called muscle books, and fleshy ones are called ink pigs; Strength and strength are sacred, weakness and muscle deficiency are morbid. Jin weishuo's pen map
6) Do your best. As for sinking into the bone, the pen can be reconciled. Harmony is not stiff or soft, and change comes out. An old friend who knows peace, full of energy, runs away if he doesn't go straight. Clear. Wang Shu's Lun Shu and Teng Yu
7) Thin, fat and dew are not good; Thin but not obvious, fat but not showing meat, is for the upper position. Elegant characters in Ming Xiangmu's calligraphy
8) With the improvement of painting, the characters will be horizontal, the painting will be sparse, and the font will be slow; If you catch it, you will lack potential, and if you let it go, you will have less potential; Pure bones are not flattering, pure flesh is weak, less ink is floating and astringent, and more ink is stupid, all of which are the same. And Tao's book of seclusion
9) The world is full of anger, but I don't know how to be angry. Northern Song Dynasty. Miffy's Sea Yan Yueming
10) What is the essence of the book? Backbone? Two words. Those with backbone say that the hole is here, with a hole in the middle and a hole on the side. Just be broad-minded, otherwise you will be ill.
1 1) has the strength of courage and backbone; Have the power of forbearance and be stiff. Take the bone with the bone, so take the finger; Use tendons to get tendons, so take wrist suspension. Clear. Liu Xizai's Art Outline
The word "12" needs bones, meat must be covered with tendons, and tendons must hide meat. The sticker is beautiful, moist, stable in layout, not surprising, neither old nor fat. Aliens are expensive, but bitterness is not. Bitterness leads to anger, and anger leads to strangeness. Your shape is not expensive, painting into the painting, painting into the vulgar, all words are morbid. Northern Song Dynasty. Miffy's Sea Yan Yueming
13) Every character's life must be soft and wet, his death must be hard and dry, and so must the vegetation.
14) Soft is round, hard is flat. Therefore, the truth lies in temperament, but in form and quality. Roundness lies in form, but in temperament. Bao Qing Chen Shi is in Wu An.
15) Tang Taizong said: I knew my strength when I was young. Today, we come to ancient books, not to learn from them, but to ask for their strength and get their strength. The situation is spontaneous. Liang Qing Zhang Ju's Learning Characters
16) learn boxing and other books. Body posture, footwork, technique, and muscle twisting are as strong as possible from the beginning of the hand. Make the internal gas flow and the external gas come out vigorously. Therefore, the level of copying ancient posts and strokes will be more than half of that of ancient posts, which is to try our best to lead the situation and change its meaning. Learning boxing has become, the true qi is filled with oxygen, and its bones can be connected and its tendons can be straight. Although it is a strong enemy, it can point to people who have nothing to do with it. So is the calligrapher's self-transportation. Bao Qing Chen Shi is in Wu An.
17) People know the exhaustion of straight painting, but they don't know that the power of hairspring is stronger and more powerful. Da Zhongguang's Book Raft in Qing Dynasty
Word 18) is flesh and blood, full of gas. In the sixth inning of the book, the emphasis is on Qi. Bao Qing Chen Shi is in Wu An.
19) It is important to be older and make fewer mistakes, which can also be reflected. What is more expensive is that the fiber is thick, the blood is connected, the bones and muscles are strong, the wind is scattered, and the posture is prepared. You really have a true attitude, an attitude of doing things and an attitude of planting grass. You must study extensively and be proficient at the same time. Song. Jiang Kui's Continued Book Score
20) Husband, move your heart first, then move your body, move all your strength, return to your wrist, be as firm as a bent iron, and concentrate on your fingertips. Zhu Qing Luzhen's Introduction to Learning Books
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