1. Appreciation of good sentences or paragraphs from Strange Stories from a Chinese Studio

It is better to be diligent rather than lazy, and to be hasty rather than slow; if you are late for a day, it will be too late to regret! ---"Strange Stories from a Chinese Studio·Wang Cheng" If one is crazy about one's nature, one's mind will be condensed. Therefore, a bookworm must be good at writing, and an art crazy must be good at skills. Those who are in the world and fail to achieve anything, all call themselves not crazy! ---"Strange Stories from a Chinese Studio·A Bao" The official, Youyou, stood up on his hair, and the knife shook into the wood. Why not move the bed half a foot away? ---"Strange Stories from a Chinese Studio·Red Jade" If you smile and promise yourself, the world may be surprised by its stupidity; there are five hundred people in that field, how can they be all stupid! ---"Strange Stories from a Chinese Studio·Liancheng" If there is a daughter named Yurang in the family but she doesn't know about it, then she will know that her brother is her husband.

However, the behavior of the three officials, even if they are sluggish and easy to change, they will be ashamed and not flow; how about those who are prosperous and ups and downs in the world! ---"Strange Stories from a Chinese Studio·Shang Sanguan" A few people can make up for the leaks in the sky's net; the world is so vast that I hate Qi Lang Shao! ---"Strange Stories from a Chinese Studio·Tian Qilang" The vanilla sinks into the Luo, and the chest is full of blood; the dongshan is equipped with a stone, and the tears are stained with the sand. ---"Strange Stories from a Chinese Studio·Gongsun Jiuniang" With a frivolous attitude, if you give to a gentleman, you will lose your virtue; if you give to a villain, you will kill yourself.

---"Strange Stories from a Chinese Studio·Xin Shisiniang" The room was full of noise from those who congratulated, those who sat down, and those who greeted. If you have ears to hear, you can listen to Siniang; if you have eyes to see, you can see Siniang; if your mouth has the Tao, you can Tao Siniang.

---"Strange Stories from a Chinese Studio·Hu Siniang" A fox behaves unintentionally but still thinks about the reward; and for a person who has received the blessing of reincarnation, he cares about losing his voice and breaking the steamer, how despicable! ---"Strange Stories from a Chinese Studio·Xiao Cui" Those who sigh that the officials in the world are tigers and the officials are wolves, Bibi! --That is to say, the officials are not tigers, but the officials are wolves. Besides, there are those who are more fierce than tigers! ---"Strange Stories from a Chinese Studio·Dream Wolf" I can't bear to forget my dead friend, but I am grateful and think about what I have repaid. Who is the only one? ---"Strange Stories from a Chinese Studio·Xiaomei" When a scholar works, he can only win, but not lose. If he wins, everyone will be greedy for heaven's merit, but if he loses, they will fall apart and not be able to gather together. ---"Strange Stories from a Chinese Studio·Zhang Hongjian". 2. Strange Tales from a Chinese Studio, Famous Quotes

1. If you do good intentionally, you will not be rewarded even if you do good; if you do evil unintentionally, you will not be punished even if you do evil.

2. Those who are bookworms must be good at writing, and those who are art lovers must have good skills.

3. Spring is always there when there are flowers and wine, and it is self-luminous at night without candles and lights.

4. Never forget poverty and lowliness when you are in a prosperous world. This is why it is so wonderful. I'm in the car today, would you rather meet Dai Li again?

5. Love will protect you from disaster in your life, and you will not hesitate to cultivate for thousands of years.

6. The birds are happy in the morning and the lanterns are in the evening.

7. The world is like a ghost when you are greeted with fancy faces. The addiction to scabs is universal.

8. In the beginning, wisdom was expressed in naivety, and in the end, love was expressed in sadness. We know that those who are naive are the most intelligent, and those who are foolish are the most emotional.

9. When you first know something thousands of miles away, a fox can regent but dare not stay forever.

10. Sigh for the past life, mourn for the miss in this life, and wait for the love in the next life.

11. Obvious debts are paid secretly.

12. "Those who are known by others will worry about others, and those who are favored by others will be in trouble. The rich will repay others with wealth, and the poor will repay others with righteousness. Obtaining heavy bribes for no reason is ominous and may lead to death. Repay it to your son.

13. The fragrant grass is soaked in blood, and the chest is full of blood; in ancient times, there are filial sons and loyal ministers who will not forgive their father. It's unfair to bear the burden of bones, but not to let go of the resentment between the spleen and the diaphragm.

14. If a demon is sentimental, it is not evil, but if a person is ruthless, how can he be a human being?

15. If you talk nonsense and listen to it, the rain is like silk in the bean shed. Flowers are the ears of those who love to pick them up.

17. Accumulation of things in the world will lead to jealousy, while good things will lead to demons.

18. If you have three thousand weak water, only take one scoop. Drink. There are thousands of beautiful roses, but only one of them is pity! The struggle is long, the indulgence is short.

20. If you hold the thorn in your arms, you will lose your character in three years; if you look sideways, you will have no home in the world.

21. The door. There are white poplars outside, about four or five feet apart, because the trees are on the right side, and the corpses on the left side are getting angry. .

The corpse suddenly rose up, and he stretched out his arms to pounce on it through the tree. The guest is startled. The corpse couldn't be caught, it hugged the tree and froze.

22. Wealth in life must be timely. We are always together, and we are afraid that dogs and horses will fill in the ravines first.

23. I feel tired of living in this world; I still want to see each other in the next life.

24. Buying divination is an idiot.

25. The most important thing in life is a close friend: You can still know me when you are prosperous, how can I forget you because of your decline!

26. Yellow raccoon and black raccoon, the one who gets the rat is the hero!

27. The ghost realm of human relationships is everywhere. The north-south crossing is particularly damaging.

28. Use my three lives of fireworks to exchange your confusion for the rest of your life.

29. The street is long and the fireworks are numerous. You turn on the lamp to look back. The pavilion is short and the world is rolling. I sigh again.

30. If my whole life wants to be like a beautiful firework with others, will I be willing to exchange for a beautiful firework with others? You are still confused.

Extended information:

Pu Songling was born in a scholarly family. In his early years, he also wanted to use the imperial examination to become an official. Unfortunately, he failed in the imperial examination and could only make a living by teaching. He has been interested in folk stories about ghosts and gods since he was a child. It is said that Pu Songling once opened a teahouse in front of his home in order to collect materials. Tea drinkers could tell a story in lieu of tea money.

Using this method, Pu Songling collected a large number of bizarre stories. After sorting and processing, he included them all in "Strange Stories from a Chinese Studio". According to the Qing Dynasty's Notes "Three Jue Lu Bi Tan": Pu Songling would spread a mat on the ground beside the avenue every morning, lay out cigarettes and tea, and sit and wait for passers-by to collect anecdotes. Every time I heard something, I would polish it up when I got home.

In the first year of Kangxi (1662), Pu Songling began writing fox and ghost stories when he was 22 years old. In the spring of the 18th year of Kangxi's reign, 40-year-old Pu Songling compiled the manuscripts into a book for the first time, titled "Strange Stories from a Chinese Studio", with Nan Gaoheng writing the preface. There have been many additions since then. Until around the 239th and 46th years of Kangxi, there were a few additions to the book. The writing of "Strange Stories from a Chinese Studio" took more than forty years, and Pu Songling devoted most of his life.

Baidu Encyclopedia – 100 famous quotes from Strange Tales from a Chinese Studio 3. Strange Stories from a Chinese Studio, famous quotes

1. Do good deeds with intention, but you will not be rewarded even if you do good; you will not be punished if you do evil without intention.

2. Those who are bookworms must be good at writing, and those who are art lovers must have good skills. 3. Spring is always there when there are flowers and wine, and the night is bright without candles or lights.

4. Never forget poverty and lowliness when you are in a prosperous world. This is why it is so wonderful. I'm in the car today, would you rather meet Dai Li again? 5. I will spend my life to protect myself from disasters because of love, and I will not hesitate to cultivate for thousands of years.

6. The birds are happy in the morning and the lanterns are in the evening. 7. The world is like a ghost.

The addiction to scabs is universal. 8. In the beginning, I send my wisdom to my naivety, and in the end I send my love to my heart.

You know that those who are naive are the most intelligent, and those who are foolish are the most emotional. 9. When you first know something thousands of miles away, a fox can regent, but it doesn't dare to stay forever.

10. Sigh for the past life, mourn for the miss in this life, and wait for the love in the next life. 11. Obvious debts must be paid secretly.

12. "Those who are known by others will worry about others, and those who are favored by others will be in trouble. The rich will repay others with wealth, and the poor will repay others with righteousness.

Obtaining heavy bribes for no reason , it is ominous, I am afraid that I will repay my son with death. 13. The sweet grass is soaked in the chest, and the blood is full of blood; the Dongshan Peijue is stained with tears.

In ancient times, there were filial sons and loyal ministers who would not forgive their father until death. How can Gongsun Jiuniang bear the burden of the bones and not let go of her resentment? It's unfair that she can't hold things between her spleen and diaphragm to express her feelings. 14. If a demon is sentimental, it is not evil, but if a person is ruthless, how can he be a human being?

15. If you talk nonsense and listen to it, the rain is like silk in the bean shed. Flowers are the ears of those who love to pick them up. 17. Accumulation of things in the world will lead to jealousy, and good things will lead to evil.

18. If you only take one gourdful of beautiful roses, you will be able to drink them. Just pick a pity! All living beings are confused by flowers, and there are thousands of changes. How many people are worried about old friends? 19. There is a certain number of reunions and separations in life. The struggle will be long, and the indulgence will be short. < /p>

20. If you hold a thorn in your arms, you will lose your character in three years; if you look sideways, you will be homeless. 21. There are white poplars outside the door, about four or five feet around, because the tree is used as a barrier.

If he is on the right, he will be on the left, and if he is on the left, he will be on the right. The corpse becomes angry.

But everyone is tired. The corpse suddenly stood up, the guest was sweating and the Qi was reversed, and it was sheltered among the trees.

The corpse suddenly rose up, and he stretched out his arms through the tree to pounce on it. The guest is startled.

The corpse could not be caught, and it froze while hugging a tree. 22. Wealth in life must be timely, and relatives and friends are always old, fearing that dogs and horses will fill in the ravines first.

23. I feel tired of living in this world; I still want to see each other in the next life. 24. Buying divination is an idiot.

25. The most important thing in life is a close friend: You can still know me when you are prosperous, how can I forget you because of your decline! 26. Yellow raccoon and black raccoon, the one who gets the rat is the hero! 27. The ghost realm of human relationships is everywhere. The north-south crossing is particularly damaging.

28. Use my three lives of fireworks to exchange your confusion for the rest of your life. 29. The street is long and the fireworks are numerous. You turn on the light to look back. The pavilion is short and the world is rolling. I sigh again.

30. If my whole life wants to be like a beautiful firework with others, will I be willing to exchange for a beautiful firework with others? You are still confused.

Extended information: Pu Songling was born in a scholarly family. In his early years, he also wanted to take advantage of the imperial examination to become an official. Unfortunately, he failed in many attempts and could only make a living by teaching.

He has been interested in folk stories about ghosts and gods since he was a child. It is said that Pu Songling once opened a teahouse in front of his home in order to collect materials. Tea drinkers could tell a story in lieu of tea money.

Using this method, Pu Songling collected a large number of bizarre stories. After sorting and processing, he included them all in "Strange Stories from a Chinese Studio". According to the Qing Dynasty's Notes "Three Jue Lu Bi Tan": Pu Songling would spread a mat on the ground beside the avenue every morning, lay out cigarettes and tea, and sit and wait for passers-by to collect anecdotes.

Every time I heard something, I would polish it up when I got home. In the first year of Kangxi (1662), Pu Songling began writing fox ghost stories when he was 22 years old.

In the spring of the 18th year of Kangxi's reign, 40-year-old Pu Songling compiled the manuscripts into a book for the first time, titled "Strange Stories from a Chinese Studio", with Nan Gaoheng writing the preface. There have been many additions since then.

Until around the 239th and 46th years of Kangxi, there were a few additions to the book. The writing of "Strange Stories from a Chinese Studio" took more than forty years, and Pu Songling devoted most of his life.

Baidu Encyclopedia – 100 famous quotes from Strange Tales from a Chinese Studio. 4. Appreciation of excerpts from "Liao Zhai"

However, in the face of the dark reality, the plan for reforming society proposed by the author in the book is indeed unrealistic.

In "Promoting Weaving", he asked the emperor to care about the people's lives, in "Xi Fangping" he asked Erlang Shen to uphold justice, in "Red Jade" he asked knights and heroes to rescue the poor and help the weak, and in some public cases stories , I want to rely on honest officials to eliminate violence and bring peace to the people. These also show that he still has illusions about the feudal ruling class.

"Strange Stories from a Chinese Studio" extensively exposed the shortcomings of the imperial examination system and criticized the imperial examination system. Representative works in this area include "The Examination Division", "Ye Sheng", "Wang Zi An" and so on.

These works deeply expose the darkness of the examination room and the confusion of the examiners, and give a penetrating description of the abnormal psychology of the candidates. "Kaojisi" writes that the person in charge of the examination in the underworld is the ungrateful ghost of the chief of the chief of the underworld. It is a rule that all candidates who meet for the first time must cut off a piece of their spleen and flesh to show respect to the chief, but those who are rich in bribes can be exempted from cutting.

But the couplets he hung in the hall were "filial piety, brotherhood, loyalty and trustworthiness" and "etiquette and integrity". This is a ruthless exposure and bitter satire of the dark examination rooms and shameless examiners in the world.

The author not only writes about the darkness of the imperial examination system, but also exposes the deprivation and mental destruction of the souls of intellectuals by the imperial examination system. Wang Zi'an lost his mind due to his desire for fame and wealth. He thought he had been admitted to the Imperial Academy, and made many tragic jokes by showing off.

Ye Sheng fell ill due to repeated failures in tests. In "Prince Ann", the writer gave an exhaustive description of the psychology and demeanor of the candidates. When they entered the examination, they looked like beggars, prisoners, cold bees in late autumn, and sick birds out of the cage; they looked forward to good news. , restless and crazy, these depictions of the souls of talented scholars are meticulous.

By describing the abnormal psychology of intellectuals, the work tells people how the imperial examination system erodes people's souls.

Therefore, the more profound aspect of "Strange Stories from a Chinese Studio" is that it reveals the devastation of the corrupt system on the national spirit.

Opposing feudal ethics and the feudal marriage system and praising pure love are also important contents of "Strange Stories from a Chinese Studio". Famous works in this area include "A Bao", "Liancheng", "Lianxiang" and so on.

The love novels in "Strange Stories from a Chinese Studio" have distinct characteristics: the writers mostly use people and events in the unrealistic fantasy world to express a strong anti-feudal etiquette and anti-feudal marriage system spirit. to express his ideal of love. In the writer's works, although the girls transformed by flower demons and foxes have different temperaments, most of them are beautiful, intelligent, kind and selfless. They do not seek wealth or power, but choose people based on their talents and virtues, their loyalty in love, their perseverance in love, and they have experienced disasters. And never change.

They come and go freely, leave and leave as they please, and are not bound by feudal precepts; they are not pretentious, not hypocritical, full of vitality, and move forward indomitably. They no longer had the feudal society where love was free, but they gained happy love.

For example: "Ying Ning" Ying Ning is a fox girl who grew up in a tomb. He can get rid of any constraints in the world, is not subject to the norms of feudal ethics, and is not contaminated by vulgar worldly sentiments. Innocent, pure and transparent, he is a new person that does not exist in real life. Wang Zifu is also a man with simple thoughts and sincere feelings. The writer allows the two people to combine freely, showing his dissatisfaction with secular marriage in a tortuous way.

Whether the love story in "Strange Stories from a Chinese Studio" is a comedy or a tragedy, people can find clues to the development of the story and get a glimpse of the sharp social contradictions and profound social conflicts and struggles contained in it. The love novel in "Strange Stories from a Chinese Studio" proposes a new view of love.

"Abao" and "Liancheng" are works that stand out from the perspective of love. "Abao" is about a mediocre grandson Chu, who is infatuated with Abao, the daughter of a wealthy businessman, regardless of his family status.

The female opera said: "If the canal removes its branches and fingers, the rest will return to it." He really used an ax to chop off the branches and fingers, but he did not regret it even though he was "in great pain, with blood pouring out, and he died by the way".

Later, the soul was entrusted by a parrot and flew to the female chamber. With sincerity, gold and stone are opened, and Sun Tzu Chu and Abao finally form a happy marriage.

This story is about infatuation. The whole story is about infatuation, and every word is about love. It encourages readers: What is needed between men and women is sincerity and sincerity, and then they can break through all resistance and realize the ideal of marriage.

This view of love breaks through the barriers of feudalism, has a strong sense of citizenship, and has progressive democratic ideas. "Liancheng" writes about Liancheng, the daughter of Xiaolian, who is courting a mate through poems. Qiao Sheng's poems were appreciated by Qiao Sheng, but his father refused because Qiao Sheng was poor, and his daughter gave him money to help him study. So Qiao regarded her as his confidant and "fell in love with the city." Eating like a hungry person."

But Shi Xiaolian finally married his daughter to Wang Huacheng, the son of a salt merchant. Not long after, the woman became ill and needed a man's breast meat to mix with the medicine. Wang Huacheng refused to offer the meat, so Qiao Sheng cut the meat with his bare hands to make medicine.

Later, the daughter-in-law died with her hair tied down, and Qiao was born and her soul followed the underground. In the underworld, they were resurrected with the help of others and finally became husband and wife.

"Linked City" gives people a brand new concept, that is, both men and women need to know each other. Qiao Sheng fell in love with Liancheng because it appreciated his poems.

Liancheng loves Qiao Sheng because he can truly understand his situation. In this way, their foundation will be very solid and they can break through any obstacles and eventually get married.

In addition to the above three categories of works, "Strange Stories from a Chinese Studio" also exposes and criticizes contemporary society in many aspects, either satirizing the vulgarity of the situation, depicting the sinister nature of the human heart, or depicting rulers getting something for nothing. Opportunistic psychology, or praising the integrity and bravery of workers. In short, the life picture of the soldiers in "Strange Stories from a Chinese Studio" is very extensive and reflects the rich content of social life.

However, there is also a considerable amount of space in "Strange Stories from a Chinese Studio" that promotes backward and even reactionary ideas. Even those excellent chapters are often mixed with feudal dross. For example: some chapters are hostile to and vilify the peasant uprising, some chapters promote karma and the cycle of life and death, some chapters promote feudal ethics, and some chapters beautify polygamy or envy of fame and wealth.

In addition, there are many obscene language and obscene descriptions.

5. What are the good words and sentences in the vernacular text of "Strange Stories from a Chinese Studio"

It is better to be diligent rather than lazy, to be hasty rather than slow; if you are late for a day, it will be too late! ---"Strange Stories from a Chinese Studio·Wang Cheng" If one's nature is crazy, one's mind will be condensed. Therefore, a bookworm must be good at writing, and an art crazy must be good at skills. Those who are in the world and fail to achieve anything, all call themselves not crazy! ---"Strange Stories from a Chinese Studio·A Bao" The official, Youyou, stood up on his hair, and the knife shook into the wood. Why not move the bed half a foot away? ---"Strange Stories from a Chinese Studio·Hongyu" A smile will tell you, and if you give yourself to it, the world may be surprised by its foolishness. There are five hundred people in that field, how can they be all stupid! ---"Strange Stories from a Chinese Studio·Liancheng" If there is a daughter named Yurang in the family but she doesn't know about it, then she knows that her brother is her husband.

However, the behavior of the three officials, even if they are sluggish and easy to change, they will be ashamed and not flow; how about those who are prosperous and ups and downs in the world! ---"Strange Stories from a Chinese Studio·Shang Sanguan" A few people can make up for the leaks in the sky's net; the world is so vast that I hate Young Master Qilang! ---"Strange Stories from a Chinese Studio·Tian Qilang" The vanilla sinks into the ground, and the blood fills the chest; the dongshan is equipped with a stone, and the tears stain the sand. ---"Strange Stories from a Chinese Studio·Gongsun Jiuniang" With a frivolous attitude, if you give to a gentleman, you will lose your virtue; if you give to a villain, you will kill me.

---"Strange Stories from a Chinese Studio·Xin Sisi Niang" The room is full of noise from those who congratulate, those who sit down, and those who greet each other. If you have ears to hear, you can listen to Siniang; if you have eyes to see, you can see Siniang; if your mouth has the Tao, you can Tao Siniang.

---"Strange Stories from a Chinese Studio·Hu Siniang" A fox behaves unintentionally but still thinks about the reward; and a person who has received the blessing of reincarnation cares about losing his voice and breaking the steamer, how despicable! ---"Strange Stories from a Chinese Studio·Xiao Cui" I lament that the officials in the world are tigers and the officials are wolves, Bibi! --That is to say, the officials are not tigers, but the officials are wolves. Besides, there are those who are more fierce than tigers! ---"Strange Stories from a Chinese Studio·Dream Wolf" I cannot bear to forget my dead friend, I am grateful and think about what I have repaid, who is the only one? ---"Strange Stories from a Chinese Studio·Xiao Mei" When a scholar works, he can only win, but not lose. If he wins, everyone will be greedy for heaven's merit, but if he loses, they will fall apart and not be able to gather together. ---"Strange Stories from a Chinese Studio·Zhang Hongjian".