Art: refers to the art that occupies a certain plane or space and has visibility, which is called art.
It is divided into many categories, generally including painting, sculpture, design and architecture. Some modern scholars also put others into this category, such as calligraphy and photography.
One of the art categories. It is an artistic activity using certain materials, such as paint, paper, canvas, mud, stone, wood, metal, wood and so on. Create a visible plane or three-dimensional visual image to reflect the natural and social life and express the artist's thoughts and feelings. Also known as plastic arts and visual arts. Mainly including painting, sculpture, arts and crafts, architectural art, etc.
Extended data:
/kloc-When the word "art" was used in Europe in the 0/7th century, it generally referred to activities with aesthetic significance. Such as painting, sculpture, architecture, literature, music, dance and so on.
Some people think that the word "art" should formally appear in the middle of18th century. /kloc-after the industrial revolution in the 0/8th century, the scope of fine arts has been expanded, including painting, sculpture, arts and crafts, architectural art, etc. In the East, it also involves calligraphy and seal cutting.
This word began to be widely used in China around the May 4th Movement. In recent decades, European and American countries have not used the word "art" very much, and often use the word "art" to control it.
References:
Baidu encyclopedia-art
2. All the knowledge about art.
Sketch is the basis of painting, and color sense is another very important basis.
The feeling of color needs to be accumulated in practice. What he needs is the continuous improvement of accuracy, and the color he sees at first sight can be very simple and skilled. First of all, we must understand the composition of color.
To put it simply, you must know the three primary colors (you can make a gradient of the three primary colors). Almost all colors can be produced with three primary colors (except coal black and coal white, the black of three primary colors is turbid black), that is to say, you can do anything by preparing five main colors.
If you have time, I suggest buying three primary colors, red, yellow and blue (you can use several different red, yellow and blue), painting still life or copying, which can improve your color matching ability. Regardless of color, printmaking, sculpture and Chinese painting, there is a sketch relationship. If you are a genius with high understanding, you don't have to learn, but you won't ask such questions, so ...
Even an impressionist like Monet can't deny that sketch is undoubtedly not the basis of his works. Sketch: Sketch is a basic science in the plastic arts field. A painting form that depicts an object in a single color. Sketch has its own independent artistic value. She expresses the object through the comprehensive means of modeling factors such as the shape structure, proportional relationship and light and shade change of the object image.
The physical change of everything in the world is actually the combination, deformation and combination of basic shapes. The simple sketch of gypsum geometry is the basis of gypsum half-face sketch, and it is easier to observe and understand the basic laws of its modeling-structure law, perspective law, light and shade law and its expression law.
The representation methods of sketch can be roughly divided into two categories. One is to accurately show the internal structure and perspective changes of an object according to its structure. This method is called structure sketch. The other is based on the change of light and shade of objects under the illumination of light sources, focusing on the three-dimensional sense, spatial sense and texture of objects. This method is called light and dark sketch.
"Ribbon arrangement" is a painting method to deal with and express the physical structure and light-shade relationship of the object to be painted in the practice of coin sketch.
Sketch steps: 1. Determine the position, measure the scale and draw auxiliary lines.
Attention ● Correct posture and accurate measurement.
Second, outline the decent relationship of the painted object.
Note ● Be familiar with the methods of forming shallow lines, long lines, straight lines and double lines.
● Learn to use double lines with different depths and widths to express the sketch relationship of the drawn objects.
● Several methods of drawing and checking shape relationship: 1, aspect ratio method 2, unit length comparison method 3, vertical (horizontal) measurement method 4, diagonal translation method 5, geometric positioning method 6, length reduction to absurdity method 7, half-point drawing method.
Third, apply a wide surface to distinguish between light and shade.
Note ● Draw the big picture in a general way.
Fourth, strengthen the dividing line between light and shade.
Note ● The changes in depth, width and virtual reality of the dividing line between light and dark should be fully demonstrated.
● Draw a gray surface closely related to the structure.
Fifth, on the basis of maintaining the relationship between light and shade, it is described in depth.
Note ● The approximate order of depth description: 1, enriching the dark side; 2. Distinguish the reflective surface and bottom surface of the dark part; 3. Draw a gray edge; 4. Draw the projection and background of the object to be painted.
● Overall adjustment and unification.
Several key points in sketch practice: 1, rather long than short 2, rather more than less 3, rather garden 4, rather slow than fast 5, rather dirty than clean 6, rather short than excessive 7, rather stable than impetuous 8, Ning Zhuo is not smart.
Color: Taking gouache as an example, gouache is not only an independent painting form, but also a necessary way for teenagers to learn color knowledge and conduct color training. Gouache pigment is a kind of powder painting material with bright colors and strong hiding power. Therefore, gouache painting can not only absorb watercolor painting techniques, but also combine oil painting techniques: wet painting is hazy, dry painting is vigorous, thin painting is bright, thick painting is dignified, and point, hook, swing, rub and swing all show the characteristics and beauty of gouache painting.
Classification of colors
Primary colors are called primary colors, that is, red, yellow and blue. Wink, a primary color, cannot be mixed with other colors, nor can it be decomposed into the basic colors of other colors, so they are bright, pure and strong.
The intermediate colors are called secondary colors, namely orange, green and purple. Intermediate color is a mixture of two primary colors, which has the characteristics of bright, pure and strong.
The composite color is called the third color, which is a mixture of two intermediate colors or three primary colors. Compound color is gray, the color is not bright, but it has a harmonious and elegant aesthetic feeling. In fact, most of the colors we often see in life are compound colors.
Color element:
Hue Hue refers to the appearance characteristics of color.
Brightness Brightness refers to the brightness of a color.
Purity purity refers to the saturation of color protection.
The warmth and coldness of color is called chroma, which is the sensory attribute of color.
There are three factors that affect the color relationship: inherent color, light source color and environmental color.
Four contrasts of color relations: lightness contrast, purity contrast, cold and warm contrast and complementary color contrast.
3. Art knowledge
Sketch is an introductory course of painting, the foundation of all plastic arts and the means to practice basic skills.
The word sketch is relative to color, which generally refers to simple and plain monochrome painting. It mainly uses monochrome lines or light and shade to express the modeling of objects and study the basic laws of modeling. Michelangelo said: "Sketch is the source and essence of oil painting, sculpture, architecture and other paintings.
It is the foundation of all science. People who master this technology can believe that they have a large fortune. "In the national entrance examination of fine arts colleges, sketch is an important subject that must be tested. The strength of a student's sketching ability determines his grades in other subjects.
Without a solid sketch foundation, you can't draw a good sketch or color work. In actual teaching, we often find that some students learn sketch in a stylized way in order to cope with the college entrance examination, so as to be quick, thus consciously or unconsciously developing many bad habits.
Even if these students can be admitted to art colleges, they must spend a lot of time and energy to overcome and solve the previous problems, which is very distressing for teachers and students themselves. Because some defects in sketch concept and consciousness are deeply rooted in students' minds and painting habits, they will often affect their future study and creation.
Therefore, it is extremely important to choose the correct learning method and establish a good artistic feeling. Here is a brief introduction to the essentials that should be paid special attention to in sketch learning.
First, cultivate correct understanding methods and keen observation. Strictly speaking, learning sketch must be a step-by-step learning method of plaster geometry, still life, figure plaster, figure head portrait and so on. But many of us beginners don't have this condition. Some candidates "cram for the Buddha's feet" temporarily, and draw portraits directly without contact with basic training. Such students often can't draw well. Cultivating correct observation methods is based on a deep understanding of objects.
You should know the basic elements of sketch, such as shape, proportion, structure, light and shade, texture, sense of space and so on. These nouns seem not difficult, but the concrete operation is really not easy.
Here, let's first understand the physical structure and proportion of the head. The shape of the head can be generally summarized as ellipse, cube or wedge. Further analysis shows that the skull is spherical, the frontal bone is oblate, the frontal bone is inverted trapezoid from the bottom of the mandible to the bottom, and the nose of the upper and lower parts is vertical between them.
The proportion of the head is "three stops and five eyes are horizontal". This is a summary of the general rules of the head, but there are still some differences between individuals.
Facing a model, beginners may be able to complete a portrait in a short time, but the picture is simple and empty, while people who have been trained in sketch can show it in depth and richness. Because the visual sensitivity is different, the perceived content will be different. The latter can grasp the essence of the object, express the object concisely, clearly and clearly, grasp the most basic characteristics of the object in a short time, and cultivate keen observation methods.
Second, establish a good sense of overall situation. The establishment of overall consciousness is a very important factor in the field of painting, which has a great influence on the future development of students' painting. No matter what kind of painting you are engaged in, you must involve this problem.
The whole is relative to the part, the part is a part of the whole, the part exists in the whole, and the whole is reflected by the part. For beginners, on the one hand, it is to strengthen the understanding of the overall consciousness, on the other hand, it is to pay attention to the overall relationship in observation and performance and overcome the bad habit of focusing on one point.
For example, when drawing an avatar, you must observe the object as a whole. For example, when drawing eyes, we should consider the relationship with ears or nose, instead of drawing eyes in isolation and falling in a local area. You must compare them with each other and connect them organically. The whole exists in various factors of modeling, from contour to tone, from body expression to spatial expression everywhere.
To cultivate the overall consciousness, we can start with observing things, observing more and comparing more, so as to clarify the relationship between things and better grasp the whole. From the whole to the part, from the part to the whole, through the whole painting process, compare repeatedly, cultivate the ability of the relationship between the part and the whole, and establish a good overall consciousness.
Third, establishing the volume consciousness of the form and mastering the expression skills, grasping the form and expressing the sense of volume and space is another important factor in basic sketch. We should not only make clear the shape, proportion and size of the object, but also overcome the plane description and have the most basic understanding and mastery of modeling. Without the consciousness of volume and space, we can't form the habit of observing volume and space, let alone show good spatial relationship.
The expression of space is the basic ability of painting. For example, the head of the character is in front, and the eyes and ears are in the same direction. Beginners often do not show a sense of space. Without a sense of space, they can't show a sense of volume.
"Fang" and "Fang" are different. A square is a plane and a square is a volume. Therefore, it is necessary to establish the ability of spatial consciousness to express the volume of objects.
Expressiveness is very important in sketch teaching. With keen observation, it is necessary to establish the overall consciousness and sense of volume and space, so it is necessary to have the ability to express.
Sketch is the most basic painting form to express or reproduce objects. As a method and means to learn painting, sketch must master the factors and structure of characters, understand the tone of light and shadow, understand the edge contour line and the dividing line between light and shade, and feel the rhythm.
Sketch is more rational than color, especially the training of basic sketch. Guiding observation with rationality, enriching rationality with observation, and establishing sketch on rational knowledge, thus achieving the integrity of sketch.
Above, some outstanding points in sketch teaching are analyzed and understood. Painting is a skill course, which should leap from practice.
Therefore, hands-on practice is very important. Only with the accumulation of quantity can there be a qualitative leap. Only by laying a solid sketch foundation can we get the ideal effect.
4. Some knowledge about art
Sketching skills are a sign of a painter's maturity. The dynamic sketch of human body not only requires the painter to have high modeling ability and overall awareness, but also requires the painter to have keen sensory ability and skilled experience in using anatomical knowledge. But it can't be said that the study of dynamic sketch should be put after the completion of basic training. On the contrary, while training in basic sketch, we should also practice dynamic sketch. In Europe, figure sketch is regarded as the main modeling training method. At present, some places in China have cultivated the ability of character sketch since childhood, which has also played a very good role. Dynamic sketch is very different from static sketch. You can't capture the object through repeated observation, nor can you express it in a prepared way. Dynamic sketch relies on the dynamic "choice" in the process of object action change and the feeling and memory of the selected action. "Selection" is a unique technology of dynamic sketch. Selection refers to the painter's specific choice of the instantaneous action of a moving object, that is, the sketcher chooses the most meaningful instantaneous dynamic from a series of actions of the object in the face of free-moving objects and characters. The selection of dynamic sketch action should meet two conditions. First, the selected action should be "modeled"; The other is that the dynamic should have aesthetic feeling, and both conditions are indispensable. For example, when we choose a person's running action, we should choose the dynamic that best reflects speed, strength and flexibility, that is, the dynamic with the largest leg span and the largest arm swing. If you choose the dynamics when your hands and feet overlap, the painting effect will be like walking instead of running. It is also important to feel and remember the selected dynamic, which is a one-time process, unlike sketching, which can be repeated many times. This one-time memory must be acceptable. If we lose our receptive memory, the actions we draw may become formulaic and conceptual. Only by relying on the particularity of the feeling of specific movements, supplemented by the knowledge of human anatomy, can we draw works such as running wildly or leisurely, and avoid similarities. In practice, it is unimaginable that we can complete a concrete dynamic sketch only through instantaneous observation. We must rely on the general experience and relevant knowledge of this specific action to remember and supplement it, so as to complete the work completely. To achieve the above requirements in dynamic sketch training, we must learn to "grasp" and express "dynamic lines". Dynamic line is the main line to express action characteristics in human body. The dynamic line is generally manifested in the large volume change relationship of human motion. When the figure is on the side, the dynamic line is often reflected on one side of the outer contour; When the figure is in front, the dynamic lines will highlight the changes of the spine and limbs. For drawing dynamic sketch, it is very important to grasp dynamic lines. How to draw a dynamic line? Pay attention to the following aspects: (1) Dynamic lines are the most obvious part in appearance, and clothes are close to the body. (2) When drawing a moving line, we should grasp the large part, the key dynamic potential and the center of gravity. (3) Dynamic lines are very simple lines, and the number of dynamic lines should be determined according to the complexity of the action. In each action, there is only one main dynamic line, and the others are dynamic auxiliary lines. (4) Grasp the structural relationships of key parts of human body, such as head and shoulder, arm and trunk, pelvis and leg, thigh and calf joint, calf and foot joint, etc. The drawing steps are as follows: (1) Carefully observe dynamic objects, select typical dynamics, concentrate on them, and fully feel the dynamic characteristics. (2) Quickly draw the main dynamic line and the dynamic auxiliary line. (3) Draw the volume relationship through observation or memory. (4) Quickly draw clothing lines showing dynamic trends. (5) Fill in the details with observation and anatomical knowledge. (6) Adjust the form rhythm according to the requirements of the picture structure. (7) Depicting the head is completed. As a beginner, it is difficult to start drawing dynamic sketches. Beginners can choose repetitive dynamic objects to practice when drawing dynamic sketches at first, such as saws and shovels. And then wait until they have accumulated experience in skills before doing dynamic exercises such as dancing and sports. Dynamic sketch is a training course that requires great efforts and professionalism. Only by persistent hard training all the year round can we practice the hard work of dynamic sketch and lay a solid foundation for creating excellent works of art in the future. A mature dynamic sketch technique is a sign that a painter is mature.
If I can help you solve the problem, I hope you can click "adopt" and lift a finger, which will encourage us to continue to answer other QQ users' questions.
5. Art knowledge
Sketch is an introductory course of painting, the foundation of all plastic arts and the means to practice basic skills.
The word sketch is relative to color, which generally refers to simple and plain monochrome painting. It mainly uses monochrome lines or light and shade to express the modeling of objects and study the basic laws of modeling. Michelangelo said: "Sketch is the source and essence of oil painting, sculpture, architecture and other paintings.
It is the foundation of all science. People who master this technology can believe that they have a large fortune. "In the national entrance examination of fine arts colleges, sketch is an important subject that must be tested. The strength of a student's sketching ability determines his grades in other subjects.
Without a solid sketch foundation, you can't draw a good sketch or color work. In actual teaching, we often find that some students learn sketch in a stylized way in order to cope with the college entrance examination, so as to be quick, thus consciously or unconsciously developing many bad habits.
Even if these students can be admitted to art colleges, they must spend a lot of time and energy to overcome and solve the previous problems, which is very distressing for teachers and students themselves. Because some defects in sketch concept and consciousness are deeply rooted in students' minds and painting habits, they will often affect their future study and creation.
Therefore, it is extremely important to choose the correct learning method and establish a good artistic feeling. Here is a brief introduction to the essentials that should be paid special attention to in sketch learning.
First, cultivate correct understanding methods and keen observation. Strictly speaking, learning sketch must be a step-by-step learning method of plaster geometry, still life, figure plaster, figure head portrait and so on. But many of us beginners don't have this condition. Some candidates "cram for the Buddha's feet" temporarily, and draw portraits directly without contact with basic training. Such students often can't draw well. Cultivating correct observation methods is based on a deep understanding of objects.
You should know the basic elements of sketch, such as shape, proportion, structure, light and shade, texture, sense of space and so on. These nouns seem not difficult, but the concrete operation is really not easy.
Here, let's first understand the physical structure and proportion of the head. The shape of the head can be generally summarized as ellipse, cube or wedge. Further analysis shows that the skull is spherical, the frontal bone is oblate, the frontal bone is inverted trapezoid from the bottom of the mandible to the bottom, and the nose of the upper and lower parts is vertical between them.
The proportion of the head is "three stops and five eyes are horizontal". This is a summary of the general rules of the head, but there are still some differences between individuals.
Facing a model, beginners may be able to complete a portrait in a short time, but the picture is simple and empty, while people who have been trained in sketch can show it in depth and richness. Because the visual sensitivity is different, the perceived content will be different. The latter can grasp the essence of the object, express the object concisely, clearly and clearly, grasp the most basic characteristics of the object in a short time, and cultivate keen observation methods.
Second, establish a good sense of overall situation. The establishment of overall consciousness is a very important factor in the field of painting, which has a great influence on the future development of students' painting. No matter what kind of painting you are engaged in, you must involve this problem.
The whole is relative to the part, the part is a part of the whole, the part exists in the whole, and the whole is reflected by the part. For beginners, on the one hand, it is to strengthen the understanding of the overall consciousness, on the other hand, it is to pay attention to the overall relationship in observation and performance and overcome the bad habit of focusing on one point.
For example, when drawing an avatar, you must observe the object as a whole. For example, when drawing eyes, we should consider the relationship with ears or nose, instead of drawing eyes in isolation and falling in a local area. You must compare them with each other and connect them organically. The whole exists in various factors of modeling, from contour to tone, from body expression to spatial expression everywhere.
To cultivate the overall consciousness, we can start with observing things, observing more and comparing more, so as to clarify the relationship between things and better grasp the whole. From the whole to the part, from the part to the whole, through the whole painting process, compare repeatedly, cultivate the ability of the relationship between the part and the whole, and establish a good overall consciousness.
Third, establishing the volume consciousness of the form and mastering the expression skills, grasping the form and expressing the sense of volume and space is another important factor in basic sketch. We should not only make clear the shape, proportion and size of the object, but also overcome the plane description and have the most basic understanding and mastery of modeling. Without the consciousness of volume and space, we can't form the habit of observing volume and space, let alone show good spatial relationship.
The expression of space is the basic ability of painting. For example, the head of the character is in front, and the eyes and ears are in the same direction. Beginners often do not show a sense of space. Without a sense of space, they can't show a sense of volume.
"Fang" and "Fang" are different. A square is a plane and a square is a volume. Therefore, it is necessary to establish the ability of spatial consciousness to express the volume of objects.
Expressiveness is very important in sketch teaching. With keen observation, it is necessary to establish the overall consciousness and sense of volume and space, so it is necessary to have the ability to express.
Sketch is the most basic painting form to express or reproduce objects. As a method and means to learn painting, sketch must master the factors and structure of characters, understand the tone of light and shadow, understand the edge contour line and the dividing line between light and shade, and feel the rhythm.
Sketch is more rational than color, especially the training of basic sketch. Guiding observation with rationality, enriching rationality with observation, and establishing sketch on rational knowledge, thus achieving the integrity of sketch.
Above, some outstanding points in sketch teaching are analyzed and understood. Painting is a skill course, which should leap from practice.
Therefore, hands-on practice is very important. Only with the accumulation of quantity can there be a qualitative leap. Only by laying a solid sketch foundation can we get the ideal effect.
6. About primary school art knowledge
Primary school art textbooks for teachers (1) Review materials of theoretical knowledge.
I. Explanation of Nouns
Perspective phenomenon:
Artistic creation:
Square continuous pattern:
The Girl in the Book
Viewpoint:
Original line:
Boneless:
Light source color:
Brightness of color:
Structural sketch:
Second, choose
1, the author of the oil painting "The Virgin on the Chair" is ()
A, Van Gogh B, Raphael C, Cezanne
2. The author of the Chinese painting "A Thousand Miles of Rivers and Mountains" is ()
A, Zhao Ji B, Zhang Ying C, Wang Ximeng
3. The author of the oil painting "Al's Suspension Bridge" is ()
A, Van Gogh B, David C, Renoir
4. The author of the oil painting Nanchang Uprising is ()
A, Zhan Jianjun B, Rodin C, Li
5. The author of the oil painting "The Portrait of Qi Baishi" is ()
A, Shi Luyi, Wu Zuoren C, Huang
6, Chinese painting "peddler" is () Song Li's painting.
A, Tang Dynasty B, Song Dynasty C, Qing Dynasty
7. The New Year picture "Year of the Fish" is the work of ()
A, Qing Dynasty B, Yuan Dynasty C, Ming Dynasty
8. Michelangelo was a () painter.
A, Britain b, Italy c, France
9. The author of the sculpture "Citizen of Calais" is ().
A, Rodin B, Moore C, David
10, Picasso is a painter ()
A France b Soviet c Spain
Third, short answer
1. What are the basic elements of sketch modeling?
2. What are the elements of three-dimensional composition?
3. What are the general manifestations of logo design?
4. How many learning areas are the new curriculum standards divided into according to art learning activities?
5. What is the specific goal of "comprehensive inquiry" in the first stage of the new curriculum?
6. The value of art courses in the nine-year compulsory education stage is mainly reflected in five aspects?
7. According to the different plate-making and printing methods, what kinds of prints can be divided into?
8. From what aspects do you evaluate the performance of students' art activities?
9. There are many ways to draw rocks in Chinese painting. Please write five methods.
10, RGB color mode In computer graphics and image files, what color does RGB represent? What is the maximum number of tone value measurements?
Fourth, application
1, how to make homology.
2. Write down the drawing steps of pencil light color.
3. The teaching mode of "design and application" in the new art curriculum is generally:
4. Give examples to illustrate what black and white in painting represent and what role they play.
7. Who can tell me something about painting?
The color head is painted by the oil head! The color has not changed. I drew a gouache head before, but later I gave up. There is no good painting with oil painting.
Forget gouache. Just some watercolor paints or something. Tsinghua has a gouache bust.
Take an examination of oil painting, materials, oil painting pigments (only 8 or 9 kinds are good), oil painting pens, colored turpentine oil (generally these two kinds are used), and color-mixed wooden plates (bought and baked with wax). Anyone who wastes Xuan paper by spending newspapers, a pen eraser ~ ~ and a scraper should be soft to pick up, neither too hard nor too soft to break back.
Note: the color head indicates the structure with color. The color limit you are drawing now is that the teacher wants you to have an intermediate process. Only the color has no volume, and the color head will not be very good ~ ~ together, and it can be promoted faster on the sketch head. Of course, the color head must have a certain foundation of sketch head.
8. Urgent
The oil painting guernica is a masterpiece of great influence and historical significance created by Picasso in 1930s. At first glance, this painting is very casual in image organization and composition arrangement, and we may even feel a little messy. This seems to be consistent with the chaotic atmosphere in which residents were scattered and frightened during the bombing. However, when we carefully examine this painting, we find that in this long picture space, all the shapes and images have been carefully conceived and scrutinized, with a strict and unified order. Although many images are dynamic, their fabric forms obviously reveal some classical meanings. We see that in the center of the picture, different bright images overlap each other to form an isosceles triangle; The central axis of the triangle just divides the whole strip picture into two squares. And the images at the left and right ends of the screen are so balanced. It can be said that this so-called pyramid composition has some similar characteristics with Leonardo da Vinci's The Last Supper. In addition, the whole painting can be divided into four sections from left to right: the first section highlights the image of the bull; The second paragraph emphasizes the injured and struggling horse, whose dazzling electric lights look like frightened and lonely eyes; In the third paragraph, the most striking thing is that the Statue of Liberty holds a lamp and sticks its head out of the window. In the fourth paragraph, the image of the frightened man with his arms stretched out into the sky immediately attracted our attention, and his desperate gesture was unforgettable. Picasso's carefully organized composition shows a unified and orderly image full of movement and exaggeration, which not only depicts rich and changeable details, but also highlights and emphasizes key points, showing profound artistic skills.
& lt； Tao Ren is the work of Zhang Xuan, a painter in the Tang Dynasty. This painting depicts the situation of urban women in the Tang Dynasty in the process of tamping, winding, ironing and sewing. The movements of the characters in the painting are natural and the details are vivid, which makes people see that they lean back slightly when spinning, showing the author's careful observation. Its lines are meticulous and colorful, and its "plump" figure modeling shows the typical style of ladies painting in Tang Dynasty. This painting depicts a maid-in-waiting being beaten. The picture scroll unfolds from right to left: the first group draws four women holding wooden pestles; The second group draws two women sitting on the carpet doing needlework; In the third group, several women drew the white exercise straight and ironed it with an iron. The three groups of characters echo each other, standing and sitting, high and low, and the composition arrangement is patchy. In particular, painters are very good at capturing the gestures and expressions of different characters, and even vividly show their psychological and personality characteristics through some detailed descriptions. For example, the animal trainer, the blacksmith and the childish little girl are all vividly portrayed, which makes the works full of life interest.
The Picture of Hairpin and Phoenix was painted on silk by Zhou Fang, a painter in the Tang Dynasty, with a simple pen. Charm is quaint. The whole painting is divided into four parts, which describe the situation of women picking flowers, watching flowers, walking and teasing dogs respectively. The lines of the characters are concise, round and powerful, and the colors are rich. This volume is Zhou Fang's original work, which is said to be the work of the late Tang Dynasty and the Five Dynasties. The author painted four concubines and two handmaids teasing dogs, holding fans, holding flowers and making butterflies to highlight the main characters in a growing way, which is a common expression in medieval figure painting. The dog, crane and magnolia in the painting show that the activities of the characters are in the erotic palace.
The composition of the whole picture adopts the way of tiling and painting. The ladies before and after the volume are looking back and looking after their pets, which brings together the activities of the characters in the whole volume. Maid-in-waiting's gauze skirt and flower steamed stuffed bun were the costumes at that time. Big peonies and jasmine flowers are popular in the tall bun, which looks elegant and beautiful against the background of black hair. You Simiao is the main way to describe characters. His brushwork is light and gentle, even and peaceful, especially with the help of color, which successfully shows the texture of gauze and skin. The gauze on the artist's arm is dyed light, which is deeper than bare skin and lighter than gauze. It only reproduces smooth skin and transparent gauze, conveying a soft and quiet aesthetic feeling.