Focus plane's combinatorial theory. Montage is basically a theory developed by Russian directors.
Dofkin extended it according to the editing technique of Griffith, the father of American movies, and Eisenstein later put it forward.
The view of relevance. Platts believes that the juxtaposition of two lenses is more significant than a single lens, even electricity.
Shadow thinks that the juxtaposition art of lens and lens structure. At least I have the prospect and a lot of close-up contacts to come to psychology of creation.
Emotion, and the result of abstract ideas. Influenced by Russian dialectical philosophy, Eisenstein thought that the lens
The juxtaposition and even fierce conflict between them will produce a third new meaning. When we describe a topic, we can
In order to put a series of related or unrelated shots together and produce a metaphorical effect, this is montage.
For example, if we put our mother in the mirror when cooking, washing clothes, taking care of children and even when our father reads the newspaper, we will
Produce the feeling that mom is "busy".
Montage sentence-a logical connection composed of a series of shots in the combination of film and television shots.
A coherent, rhythmic and relatively complete video clip.
Montage sentence patterns-progressive, backward, circular, interspersed and equivalent sentence patterns. Combine shots in the order of panorama, middle shot, close shot and close shot.
Backward sentence patterns. Combine shots in the order of close-up, close-up, middle-view and panorama.
Circle sentence patterns. This sentence pattern is a combination of forward sentence pattern and backward sentence pattern.
Intersperse sentence patterns. The scene change of sentence patterns is not gradual, but alternating far and near.
Equivalent sentence patterns. In a word, the scene remains the same.
The division of montage paragraphs —— According to the natural paragraphs of film and television works.
According to the transformation of time
Segmenting according to the shift of position.
According to the rhythm of the movie.
Therefore, the division of paragraphs is determined by the development of plot and the need of content or the intermittence and transformation of rhythm.
Montage transition-that is, the problem of time-space transformation in lens assembly. Coherent transition is to realize the scene.
Switch directly with scenes, paragraphs and paragraphs, and the structure is clean and compact. Similar transition. profit
At the junction of scenes and paragraphs, use the same or similar shapes and numbers of upper and lower lenses.
Make a change.
Logical transformation. There is a logical relationship between the upper and lower shots at the scene junction and the paragraphs in the plot development.
Transformation should be carried out in relation or causality.
Metaphorical transition. Make use of the strong alignment between the upper and lower pictures to make the transition.
Transition. transition. Use action shots, sounds, text, or empty shots to make the transition.
The transition of segments is to realize the time between scenes and places, paragraphs and paragraphs with the help of certain skills.
Zero conversion.
The narrative method of montage-narrative montage and performance montage-develops and shadows according to the plot.
Cut and combine shots, scenes, paragraphs and tables according to the time flow, logical order and causality of the film content.
The coherence of the current action promotes and guides the audience to understand the content.
Performance montage, on the other hand, is developed from juxtaposition, with connected or overlapping shots, scenes and paragraphs.
The mutual contrast and impact in form or content arouse the association of the audience and create richer meanings.
And express a certain emotion, mood, psychology or thought.
What is a "montage"? Montage means "splicing" in French, but in Russia it has developed into.
Focus plane's combinatorial theory. Montage is basically a theory developed by Russian directors.
Dofkin extended it according to the editing technique of Griffith, the father of American movies, and Eisenstein later put it forward.
The view of relevance. Platts believes that the juxtaposition of two lenses is more significant than a single lens, even electricity.
Shadow thinks that the juxtaposition art of lens and lens structure. At least I have the prospect and a lot of close-up contacts to come to psychology of creation.
Emotion, and the result of abstract ideas. Influenced by Russian dialectical philosophy, Eisenstein thought that the lens
The juxtaposition and even fierce conflict between them will produce a third new meaning. When we describe a topic, we can
In order to put a series of related or unrelated shots together and produce a metaphorical effect, this is montage.
For example, if we put our mother in the mirror when cooking, washing clothes, taking care of children and even when our father reads the newspaper, we will
Produce the feeling that mom is "busy".
Montage sentence-a logical connection composed of a series of shots in the combination of film and television shots.
A coherent, rhythmic and relatively complete video clip.
Montage sentence patterns-progressive, backward, circular, interspersed and equivalent sentence patterns. Combine shots in the order of panorama, middle shot, close shot and close shot.
Backward sentence patterns. Combine shots in the order of close-up, close-up, middle-view and panorama.
Circle sentence patterns. This sentence pattern is a combination of forward sentence pattern and backward sentence pattern.
Intersperse sentence patterns. The scene change of sentence patterns is not gradual, but alternating far and near.
Equivalent sentence patterns. In a word, the scene remains the same.
The division of montage paragraphs —— According to the natural paragraphs of film and television works.
According to the transformation of time
Segmenting according to the shift of position.
According to the rhythm of the movie.
Therefore, the division of paragraphs is determined by the development of plot and the need of content or the intermittence and transformation of rhythm.
Montage transition-that is, the problem of time-space transformation in lens assembly. Coherent transition is to realize the scene.
Switch directly with scenes, paragraphs and paragraphs, and the structure is clean and compact. Similar transition. profit
At the junction of scenes and paragraphs, use the same or similar shapes and numbers of upper and lower lenses.
Make a change.
Logical transformation. There is a logical relationship between the upper and lower shots at the scene junction and the paragraphs in the plot development.
Transformation should be carried out in relation or causality.
Metaphorical transition. Make use of the strong alignment between the upper and lower pictures to make the transition.
Transition. transition. Use action shots, sounds, text, or empty shots to make the transition.
The transition of segments is to realize the time between scenes and places, paragraphs and paragraphs with the help of certain skills.
Zero conversion.
The narrative method of montage-narrative montage and performance montage-develops and shadows according to the plot.
Cut and combine shots, scenes, paragraphs and tables according to the time flow, logical order and causality of the film content.
The coherence of the current action promotes and guides the audience to understand the content.
Performance montage, on the other hand, is developed from juxtaposition, with connected or overlapping shots, scenes and paragraphs.
The mutual contrast and impact in form or content arouse the association of the audience and create richer meanings.
And express a certain emotion, mood, psychology or thought.