(1) Refers to demeanor and character. "Shishuo Xinyu·Dexing": "Li Yuanli's style is elegant." (2) Refers to charm. "Strange Stories from a Chinese Studio: Xin Si Niang": "There are nineteen girls in the canal, all of them are graceful and stylish." (3) Refers to the artistic characteristics displayed by writers and artists in their own creative practices. For example: His painting style is quite classical.

Basic explanation

1. [style] 2. Tolerance; style 3. A popular art form in a certain period. A house with the architectural style of the late 19th century

1. Style; character. Jin Yuan Hong's "Later Han Dynasty·Huan Di Ji I": "Ying's style is elegant and neat, he has a high standard, and he wants to take the world's customs to teach right and wrong as his own responsibility." "Northern History·Zhang Liang's Literary Style

Biography": " However, if you have little style and good fortune, you will not be honest if you are around for a long time. "Qi Ji of the Five Dynasties" "Huan Huang Pingsu Scholars" poem: "If you have a good style, you can inherit the previous sages." Qian Qianyi of the Qing Dynasty "Shaoqing of Taipu Temple". Du Shiquan was granted the title Zhongxian Dafu Zanzhi Yin's wife, Shi Shi, was granted the honorary title "Gong Ren Zhi": "A woman helps her husband, just like guests and friends; a master treats his ministers as if they are close to the household. The style is not beautiful, Is there any hope for peace in the world? "Xu Chi's "Jinggang Mountains": "But he talked about a great mind, a great personality, extremely ordinary deeds, and a noble style." 2. Magnanimity; courage. "Book of Jin·Biography of Heqiao": "Qiao rarely has style. I admire my uncle Xiahou Xuanzhi as a man who is generous and respectful." In the "Supplement to the History of the Tang Dynasty" by Li Zhao of the Tang Dynasty: "Jianxu was a monk with quite a style, and Entering and exiting the inner dojo, showing off one's power, and killing with a stick in Jingzhao Mansion." 3. Brilliance; charm. Tang Zhaolin's "Yin Hua Lu·Shang Shang": "[Wei Shi] is the aunt of the Ministry of War. Although I can't see her in person, I always hear that my elders say that her style and appearance are truly divine." Song Fan Chengda's "Ciyun Wang Zhengzhi" When Ti Xing Da Qing was ill, he saw that Yun Zhengzhi had returned to Siming and sent him a farewell poem: "Senior Qing Xu, his style is like Yushan." Chapter 7 of "Hua Yuehen": "[Man Yun's] style is not as good as Wu's Fairy, with the hair on the temples exposed, beautiful and natural." 4. Refers to the style and characteristics shown in the creative achievements of writers or artists. Liang Liu Xie of the Southern Dynasty wrote in "The Literary Mind and the Carving of Dragons·Yi Dui": "Like Lu Ji Duan Yue, there is also a sharp edge, but the verbs are loose and loose, and the text is full of bones. Each has its own beauty and the style is preserved." Sima Rui of the Song Dynasty " The epitaph of Li Jun, a doctor in the Ministry of Yu, says: "Jun likes to write poetry, which has the style of his predecessors." Volume 5 of "Suiyuan Poetry Talk" by Yuan Mei of the Qing Dynasty: "There are two poets in Jinling: one is Cai Zhishan and the other is Yanshannan. Cai Zhuanzhu The style is ancient, and Yan Zhuan still carves with his mind. "Qin Mu's "Shibei from the Sea of ??Art: Various Flowers and Artistic Styles": "A writer's life path, thoughts, feelings, personality, chosen themes, habits and habits of using literary language. Characteristics, the breadth and depth of life knowledge accumulation...all these combine to form his style." 5. Generally refers to the characteristics of things. Pu Songling's "Strange Stories from a Chinese Studio: Beggar Immortal" of the Qing Dynasty: "[Chen Jiu] has lived for several days, and his appearance has become more lustrous, and his speech has many styles." Lao She's "Yinghai Collection·Sacrifice": "His words always have such a unique style, It’s hard to answer.” Ye Shengtao’s “Fire·Home”: “Those houses are completely different from hive-style shops or factories, with different styles and structures.” ●The literature and art of an era, a school, or a person. The style and style displayed by the work in terms of ideological content and artistic form. Because the works are created by writers or artists, due to their differences in personal origin, life experience, cultural upbringing, and thoughts and feelings. And because of the particularity of the theme formation and the habitual expression methods during creation, different works form different styles. And this style often shows the attributes of the era, nation and class. That's... Phonetic: feng ge

The origin of the word

The representative and unique appearance of the artistic work as a whole. The word comes from the Greek στ. Its original meaning is a fixed literary style whose length is greater than its width and its impact on the development of literature

Linear body. In the writings of the Roman writers Terence and Cicero, the word evolved to mean script or style, indicating a specific way of expressing thoughts in writing. English, French style and German stil all come from this.

The word style in Chinese has already appeared in the works of Jin people (see Ge Hong's "Baopuzi", etc.), which refers to a person's demeanor and character. In Liu Xie's "The Literary Mind and the Carving of Dragons" during the Southern Dynasties, the style and pattern of the article were changed. As late as the Tang Dynasty's painting history works, style has been used as a term for evaluating the art of painting. Since modern times, people have widely used the term in aesthetics, literature, art, literary criticism and other fields. Style is different from general artistic characteristics or creative personality. It is relatively stable, more intrinsic and profound expressed through artworks, and thus more essentially reflects the era, nation or the artist's personal ideas, aesthetic ideals and spiritual temperament. external imprints of internal characteristics. The formation of style is a sign that an era, nation or artist has transcended the infantile stage in art, got rid of the shackles of various stereotypes, and thus tended to or reached maturity. English: Style

The essence of style

The essential meaning of style is that it is not only the result of the artist's unique and distinctive expression of the aesthetic object, but also the result of the art appreciator's evaluation of the artwork. It is the result of correct appreciation, experience and taste, so it reveals in a deeper sense one of the essential characteristics of artistic creation and appreciation - the infinite richness and diversity of the real world and aesthetic objects. Style is formed by the unity of the unique content and form of the artwork, and the unity of the individual characteristics of the artist as the subject of creation and the objective characteristics determined by the subject matter, genre of the work, as well as historical conditions such as society and the times. The formation of style has its subjective and objective reasons. Subjectively, artists will inevitably form various relatively stable characteristics that are different from other artists in their artistic creations, consciously or unconsciously, due to their different life experiences, ideological concepts, artistic qualities, emotional tendencies, personality characteristics, and aesthetic ideals. personality and distinctive features. Artistic style is the natural expression and concrete expression of creative personality. The French writer G.-L.L. de Buffon has a famous saying: "Style is the person." Hegel further developed this: "Style here generally refers to the completeness of individual artists in terms of expression methods and twists and turns of style." We can see some characteristics of his personality. "Liu Xie said: "...he is talented and handsome, his temperament is strong and soft, his knowledge is shallow and profound, his habits are elegant and Zheng, and he is inspired by his emotions and condensed by his pen. "Ouyun is clever, Wenyuanbo is weird." It also talks about the subjective conditions that lead to different artistic styles. Objectively speaking, the formation of an artist's creative personality must be affected by the social and historical conditions of the era, society, nation, class, etc. to which he belongs; and the objective objects specifically represented by the artwork, the chosen subject matter and the genre to which it belongs, Art categories also have inherent constraints on the formation of styles. This is the objective condition for the formation of style. Being divorced from the objective social environment in which one lives and pursuing a certain style subjectively and arbitrarily regardless of the characteristics of the subject matter, genre, etc. will inevitably lead to artificiality, hypocrisy and superficiality. Specifically, style is reflected in the various elements of a work of art. It is manifested not only in the consistency and uniqueness of the artist's choice of subject matter, the exploration of the theme, the depth and uniqueness of understanding, but also in the use of creative techniques, the way of shaping images, and the control of artistic language. of originality. Artworks with a truly original style can produce huge artistic appeal, thereby successfully communicating the artist's unique thoughts, emotions, aesthetic ideals, etc. with the appreciator. Artistic styles are characterized by diversity and identity. The infinite diversity of the real world itself, the different creative personalities of artists, and the diversity of aesthetic needs of art appreciators determine the diversity of artistic styles. Even works by the same artist do not rule out the possibility of diverse styles. It is the diversity of artistic styles that greatly promotes the prosperity and development of art. On the other hand, the diverse styles of the same artist present a dominant style characteristic as a whole due to the constraints of their creative personality; the stylistic differences between different artists cannot help but be affected by certain aspects of their lives. The aesthetic needs of an era, nation and class and the constraints of artistic development show the consistency of style. The diversity and consistency of styles are interconnected and interpenetrated, presenting an intricate phenomenon. The distinction should be paid attention to when making art criticism. In plastic arts, the diversity and identity of styles often have very distinct expressions.

Just like the outstanding creations of Italian Renaissance art, Michelangelo's majesty, Leonardo's profundity, and Raphael's elegance are all different; while Romanesque, Gothic, Renaissance, and Baroque are all different. They are the typical styles of their respective eras; for example, the paintings of the Han, Wei and Six Dynasties are "simple in trace but dull in meaning", and the paintings in the early Tang Dynasty are "powerful and magnificent", all of which reflect the styles of different times. Of course, an era also has its own artistic style, which is formed because people have relatively similar aesthetic trends within a period of time. For example, in the Han Dynasty, most people advocated simple and vigorous artistic styles, and in the 18th century France, the highly decorative Rococo style was popular. In terms of aesthetics, styles can be roughly divided into various types. In the actual development process of art, the same type of style often forms an art school; the development and evolution of various art schools not only constitute the development process of art, but also reflect the changes in social ideological trends and aesthetic ideals of each era. The study of style has also formed the specialized discipline of stylistics.

Style-Influence

The above-mentioned subjective and objective factors that influence the formation of style are mainly focused on the creative content. But style is not just content, but manifested in the unity of content and form. Therefore, not only some formal factors such as genre, language, etc., but also artistic methods, writing skills, etc. will have an impact on the formation of style. "Dian Lun·Wen" said: "The memorials should be elegant, the writings should be rational, the inscriptions should be practical, and the poems should be beautiful." "Wen Xin Diao Long·Ding Shi" said: "The chapters and memorials should be accurate. It is almost elegant; when composing odes and poems, the feathers and rituals are clear and beautiful; when the talisman and calligraphy are moved, the regular style becomes clear and decisive; when prefaces and notes to historical treatises are made, the teacher is at the core; when the admonitions and inscriptions are on stele, the system is grand and profound; when seven consecutive words are spoken, Then engage in Qiaoyan..." This shows that different genres have different requirements for style. Different language characteristics are not only important factors in forming style, but also important external manifestations of style. Language style is an important aspect of creative style. As for the use of different artistic methods, the impact on creative style is more obvious. Romantic writers and realist writers usually show different styles.

Modern style

Modern style is the modernist style. Modernism, also known as functionalism, is a product of industrial society. It originated from the Bauhaus school in 1919. It advocates breaking through tradition, creating innovation, paying attention to function and spatial organization, focusing on the formal beauty of the structure itself, concise modeling, and opposing redundant decoration. , advocating reasonable composition technology; respecting the characteristics of materials, paying attention to the texture and color configuration effects of the materials themselves; emphasizing the connection between design and industrial production. Modern style is generally used to describe architectural and interior works and design works.

Characteristics

1. It is a product after the industrial revolution, emphasizing the combination of industrialized production and design. Industrialization means mechanization and mass production. Therefore, the current construction and interior prefabricated parts, semi-finished products, and finished parts industries are quite developed. Especially in the interior industry, which advocates "light decoration and heavy decoration", the decorative components here refer to industrial products. 2. Emphasis on practicality and functionality, focusing on function and space organization. 3. Respect the characteristics of materials and emphasize the texture and color effects of the materials themselves; make extensive use of metal, glass, and high-purity colors.

Modern style represents a faction

Most of our indoor products or decorations such as lamps, furniture, etc. are industrial products produced in factories. However, it does not mean that those created by machines are Household items are combined together to form a modern style. What can be called a style must be an artistic trend. In fact, modern style can also be divided into several schools.

High-tech group

Focus on the performance of "high industrial technology" and have several obvious characteristics: first, they like to use the latest materials, especially stainless steel, aluminum-plastic panels or alloys Material, as the main material for interior decoration and furniture design; secondly, the exposure of structure or mechanical organization, such as exposing indoor water pipes and air ducts, or using transparent household appliances with exposed mechanical parts; emphasizing the function of modern living rooms It has audio-visual functions or automation facilities, household appliances are the main furnishings, the component nodes are exquisite and delicate, and the indoor artworks are all in abstract art style.

De Stijl

De Stijl - Red Blue Chair and Zigzag Chair A modern art school centered in the Netherlands at the beginning of this century. Strictly speaking, it is a branch of Cubism. , believes that art should eliminate the connection with any natural objects, and only the smallest visual elements such as points, lines, planes and primary colors are truly eternal art themes of universal significance. Its representative figure in interior design is Rietveld, who was born as a carpenter. He fully expressed the ideas of De Stijl in various aspects such as furniture and art furnishings. The emergence of De Stijl brought a turning point to the artistic trend of Bauhaus. The absolutely abstract visual language it created and the design works of its representatives had an extremely important impact on modern art, modern architecture and interior design.

White School

The works of the Meyer-Barcelona Museum of Modern Art are mainly white, with an otherworldly style and obvious unnatural effects, and are known as the most outstanding contemporary architecture in the United States. "Spring and White Snow". Represented by the New York Five of Peter Eisenman, Michael Graves, Charles Graves, John Hedjuk, and Richard Meier. Their design ideas and theoretical principles are deeply influenced by De Stijl and Corbusier. They are very fond of pure architectural space, volume, Cubist composition and light and shadow changes in the sun, so they are also called the founders of early modernist architecture. Revivalism.

Minimalism

Also translated as minimalism or minimalism, it is an art school that emerged in the 1960s after World War II. It can also be called "Minimal Art" , as a reaction to Abstract Expressionism, went to the extreme, using the most original object itself or form to display in front of the viewer, with the intention of dispelling the author's oppression of the viewer's consciousness through the work, and minimizing the work's role as a The sense of violence in the form of text or symbols opens up the image space of the work itself in the artistic concept, allowing the viewer to independently participate in the construction of the work, and ultimately become the author of the work without specific restrictions.

Art Deco

(English: Art Deco) is an art style that emphasizes decoration and also affects the style of architectural design. Its name comes from the 1925 Art Deco in Paris. World's Fair and International Decorative Arts and Modern Crafts Fair (Exposition Internationale des Arts Décoratifs et Industriels Modernes). It was not popular in the United States when it became the dominant art style in Europe in the early 1920s, and did not become popular in the United States until about 1928, just before modernism became popular in the 1930s. Although the term Art Deco was coined at the 1925 Exposition, it was not widely used until its re-evaluation in the 1960s, and its practitioners did not collaborate as a stylistically unified design community. It is considered eclectic, influenced by a wide variety of sources, and has been called many names.

Postmodern style

Various theorists have different understandings. Some think it only refers to a certain design style, and some think it is the name of the entire era after modernism. Regarding the use of this name, architectural theory circles around the world have not yet reached a unified standard and understanding. Generally speaking, it can be said that the period from the 1940s to the 1960s was the period of monopoly of modernist architecture and internationalist style, and the period from the 1970s to the present is the period of postmodernism. In the late 1960s, after 30 years of internationalist monopoly on architecture, products and graphic design, the world's architecture became increasingly the same, local characteristics and national characteristics gradually faded, and the architecture and urban appearance became increasingly dull and monotonous, coupled with Le Corbusi's With the brutalism of Jesus, the humane architectural forms of the past were gradually replaced by dehumanized internationalist architecture. A group of young architects appeared in the architectural world trying to change the face of internationalism, triggering a great revolution in the architectural world. American architect Stern proposed that postmodern architecture has three characteristics: using decoration; being symbolic or metaphorical; and integrating with the existing environment.

Postmodernism in particular has a rebellious psychology of modernism's pure rationality. Postmodern style emphasizes that architecture and interior design should have historical continuity, but does not stick to the traditional logical way of thinking, explores innovative modeling techniques, pays attention to human touch, and always Exaggerated, deformed, columnar and broken arches are installed indoors, or the abstract forms of classical components are combined in new ways, that is, non-traditional mixing, superposition, dislocation, fission and other techniques as well as symbols, metaphors and other means are used in order to create An architectural and indoor environment that combines sensibility and rationality, tradition and modernity, and the masses and experts. Postmodern style cannot be evaluated solely by the visual image we see. We need to analyze the image from the perspective of design thinking. Representative figures of postmodern style include P. Johnson, R. Venturi, M. Graves, etc. Representative works of postmodernism style include: Sydney Opera House in Australia, Pompidou Art and Cultural Center in Paris, Moore's Plaza Italia in New Orleans, etc.

Deconstruction

Gehry-Disney Concert Hall is a postmodern architectural trend that began in the late 1980s. Its characteristic is the fragmentation (deconstruction) of the whole. The main idea is to treat the facade, through the design of non-linear or non-Euclidean geometry, to form the deformation and displacement of the relationship between architectural elements, such as floors and walls, or structure and exterior. The various deconstructed "styles" resulting from the tower's completed visual appearance are characterized by stimulating unpredictability and controlled chaos. One of the manifestations of postmodernism.

New Modernism

An architectural style from the late 20th century to the early 21st century that first appeared in 1965. New modern architecture responds to the complex architectural structure and eclecticism of postmodern architecture through new simple and civilian designs. Some commentators pointed out that this spirit of reflection on current architectural styles "is exactly what contemporary Chinese architecture lacks", which "leads architects to replace creation with imitation and mediocrity instead of innovation." The term "new modern architecture" is also used to refer to current architecture in general.

Style-Classification

Due to the interaction of multiple factors, there are huge differences in creative styles. Liu Xie once divided styles into eight categories: elegance, profoundness, conciseness, exaggeration, complexity, magnificence, novelty, and frivolity; Kuangzhao King Kong was divided into six categories; Sikong Tu was divided into twenty-four categories. No matter which classification method is used, They are all inexhaustible. In theory, the differences in styles should be infinite. Clothing styles: The styles of the East and the West are very different. Comparison: 1. Western clothing styles were similar to those of the East in the early years. However, after the Middle Ages, Europe adopted narrow clothing culture, thus forming different clothing styles and aesthetic concepts from the East. This difference is caused by their respective ethnic, cultural, and psychological factors, as well as objective factors such as history, geography, and climate. 2. Clothing materials must also meet the needs of different geographical and climatic conditions. In the East, hygroscopic and breathable fibers such as silk, linen, and cotton are commonly used, while in the West, wool fibers with strong warmth are used. Different regions result in different material choices. 3. In terms of clothing cutting technology, due to the different orientations of functional aesthetics, the East and the West have technically developed different craftsmanship methods such as structure, cutting, and decoration. Since the 13th century AD, Western clothing has tended to be close-fitting and form-fitting, and "dart" technology has been adopted in tailoring, making Western clothing more and more three-dimensional. On the contrary, Oriental clothing has always used flat cutting methods to maintain the looseness and elegance of Oriental clothing. 4. Of course, the differences in national psychology, cultural background and aesthetic concepts between Eastern and Western cultures are important factors that lead to the differences between Eastern and Western costumes. Western culture places more emphasis on the opposition between man and nature. In the form of clothing, it focuses on highlighting people, strengthening gender, highlighting the lines of the human body, and even exaggerating secondary sexual characteristics. Eastern culture pays attention to the harmony between man and nature.

Style diagnosis

In the modern image management industry, men and women are divided into eight styles for women and six styles for men. The eight styles of women are: Dramatic type. The facial features of dramatic type people give people a sense of exaggeration, eye-catching and grandeur, and they have a strong sense of presence! The body shape is also relatively tall. Just like the famous singers Wei Wei and Mao Amin give people a strong sense of presence. In fact, Wei Wei is not tall, but because of her strong sense of presence, she looks taller. Typical dramatic characters: Wei Wei, Mao Amin, Anita Mui. Avant-garde type Avant-garde type people have a unique and fashionable face. This is the feeling her facial features give people.

She may have one part of her face that is different from others, such as a particularly straight nose or particularly beautiful eyes, which are all avant-garde. In terms of clothing, you should wear fashionable and popular clothes, wear what is popular, and wear what is popular. You can go to the barber shop to get a popular hairstyle. In general, avant-garde people will always be at the forefront of trends. Typical avant-garde figures: Elva Hsiao and Faye Wong. Teenage type: People with the avant-garde teenage type have facial features that make people feel very handsome, energetic and energetic. The body shape is relatively linear. Everyone is familiar with "Little Swallow" Zhao Wei. Her style for the famous cosmetics RED EARTH is very short hair, which is somewhat androgynous, but don't you think? Wow! Zhao Wei has become more beautiful, why is this? Because she is an avant-garde young girl, and only what suits her best is the best. Typical characters of avant-garde teenagers: Zhao Wei, Yuan Yongyi, and Gigi Leung. Natural type: When you first see a natural type person, you feel so friendly. They have an athlete-like physique, are friendly, natural, clean, simple and energetic, which is the most attractive thing about them. You will feel very easy-going when you first meet. "Casual" is a fashion for them. Give me an example! Everyone should know that young Beijing actor Xu Jinglei! How beautiful! By the way, she is a natural girl! You would think she is more beautiful without makeup than with makeup, right? She is the typical girl next door type! Typical figures of the natural type: Xu Jinglei, Zhou Huajian. Classical type The facial features of a classical type person give people the impression that they are upright, noble, high-grade, with a well-proportioned figure, facial features, soft eyes, and elegant temperament. They are a typical office woman. He always gives people the impression of being law-abiding, conservative, traditional, steady and steady, and he is also the most outstanding person in the workplace. Maybe when you see a classical person for the first time, you will think that she is a teacher or a strong woman. The sense of distance makes people feel that it is difficult to get close to her. This is the characteristic of a classical person! Typical characters of classical style: Yang Lan, Wu Xiaoli, Diana, Song Qingling. Elegant Type If you see an elegant girl, you must have a feeling of wanting to protect her. This is the sense of weakness that the elegant person's facial features bring to people. Xiaojiabiyu is just like Lin Daiyu in Dream of Red Mansions, so charming People, let people pity you! Typical figures of elegance: Jiang Wenli, Xu Fan. Romantic type Romantic type people are very feminine! Sexy eyes make people feel very charming. The petal lips unique to romantic people can best illustrate this point. Their figures are big and curved, with a strong sense of curve. American female star Marilyn Monroe is the most typical romantic type. Typical romantic figures: Wen Bixia, Liu Xiaoqing, Marilyn Monroe. Girly type: The avant-garde girly type has a cute, sweet, childish face. Often you can't guess their actual age because of their cuteness and sweetness. This is a characteristic of the avant-garde girl type. This is the case with Hong Kong show host Alex Shum. Until now, you still think she is very young and cannot tell her actual age. This type of person may have a round face and a curvy body, but they are not as curvy as a romantic person. strong. Typical figures of avant-garde girls: Yang Yuying, Shun Dianxia, ??and Ruby Lin. The six styles for men are: Dramatic style. People with dramatic style are generally grand and eye-catching, giving people an exaggerated feeling. It is more eye-catching in the crowd, and even has a sense of intimidation and momentum. Classical style: This type of man has a straight figure, a well-proportioned and moderate body shape, and delicate facial lines, giving people a mature and rigorous look. Personality is generally more traditional and steady. Natural style: This type of man is characterized by being relaxed, unpretentious, strong and sporty. Overall it's very chic, natural and friendly. Casual and generous, no sense of distance. Romantic style: Romantic men have a plump figure, no tough guy impression, and soft facial features. They often give people a gorgeous, sexy, and personable feeling. They are classified as grand and exaggerated. Avant-garde style: This type of men has very three-dimensional facial features and a very skinny figure. They are very conspicuous in the crowd and give people a unique feeling. Sunshine style: This type of men has a small sense of volume, has youthful characteristics, and is generally lively and humorous.

Style-formation

Unique subjective factors, objective factors, formal factors, etc., can only be unified into a stable style in a series of works through the writer's artistic practice It makes sense in the overall context. With this relatively stable style characteristic, a writer can have his own unique creative outlook, thus distinguishing himself from other writers. The formation of a writer's unique style certainly involves imitation and inheritance, but more importantly, originality. Originality in style means accumulating and developing one's own creative personality and characteristics through diligent exploration on the basis of learning from the strengths of others.

Style-an important category

The stability and variability of style are a pair of important categories for studying style issues. Stability, or relative stability, of style means that once a writer's main style characteristics are formed, they often run through many stages and aspects of the writer's creation. The stability of style is mostly related to the writer's character, talent, temperament, etc. In addition, the constraints of national style, national tradition, especially national character, national form, and national language are often important aspects that form the stability of style. The variability of style mainly refers to the development of style. The maturation of a writer's creative style often involves a development process. Even if a writer has formed his own original style, it is not rigid. Instead, it will vary depending on the reflected object, the specific objective environment and subjective state of mind when writing. The development and changes show phases. The consistency and diversity of style are another important pair of categories for studying style issues. As far as the same writer is concerned, the consistency of style mainly comes from the author's personality, personality, temperament and other factors, and it is often related to the stability of style; the diversity of style mainly comes from the differences in the objects of description, and is also related to It is related to different aspects of the author’s subjective emotions materialized on the object through creative activities. The so-called consistency is the unity in diversity, the similarity in differences; the so-called diversity is the diversity in consistency, and the difference in similarity. For example, Du Fu's basic style is melancholy and melancholy. This style characteristic almost runs through the major creative periods of his life, showing stability and consistency; but judging from the broad scope and different subjective colors involved in the poet's creation, It also shows variability and diversity. Wang Anshi said: "As for Du Fu, he is sad, happy and poor, his hair is suppressed and restrained, he is fast and horizontal, and he can do anything. Therefore, his poems include plain and simple; some are beautiful and precise; some are serious and majestic like the commander-in-chief of three armies; some are fast and galloping. Some are as calm as a horse riding a horse; some are as indifferent and quiet as a hermit in a valley; some are romantic and subtle as a noble prince." This points out the diversity of styles of the same writer. In the history of literature, writers with similar styles are often grouped together as genres (see literary genres). A wider range than genre styles are era styles (or historical styles) and national styles. The style of the times is the unique characteristic displayed by the literary creation of a historical period. This unique characteristic distinguishes the literature of this era from other eras. National style is the unique point in the literature of each nation that distinguishes it from the literature of other nations. From the perspective of a nation, the national style is more of a relatively stable aspect (of course there is development, but it is slower); while the era style shows the stage and historical nature of the development of this national style, which is more Shows the side of variability. However, regardless of national style, era style, or genre style, in the final analysis, it must be reflected by the personal style of the representative writer of this nation, era or genre. Therefore, the study of personal style is the core of style theory.