He is the son of the Northern Song Dynasty. In the Northern Song Dynasty, many fathers and sons wrote poems and lyrics, but not so many fathers and sons. It can be said that only Dayan, Xiao Yan and Yan Dao Ji were born rich, but they lived their whole lives. The ancients once called him "a man of ancient sorrow."

Yan Dian Jiang Chun

Yan has many poems. Let me briefly talk about his song Pink Lips. The sentence of this first word is relatively simple. Basically, you can understand what the lyricist wants to say at a glance. At the beginning of the first half of the year, it was said that spring blossomed and blossomed again. But the lyricist has hatred in his heart. What do you hate? What I hate most is that flowers will bloom again, but people will not. I lost a lot of weight after much ado about nothing. I can only say goodbye to Yang Liuzhi in front of the door bored, recalling the life and people of that year.

Since God has given us such a loving personality, why not let us be together forever? Why do you want us to separate? This is the poet questioning God, and the resentment in his heart broke out. It can be seen how ups and downs the poet's heart is at this time. Then the lyricist said, "Don't let tears and wine occupy your sleeves." It is said that since they separated, they drank alcohol every day to relieve their inner grief and paralyze themselves, so tears and drinks wet their sleeves.

This word is mainly lyrical, gorgeous, natural and lovely, and very infectious. So it has been appreciated by many people. Later generations once said when they appreciated it. The first four sentences say that after leaving, people are thin, tortuous and euphemistic, and beautiful. The second half of Bian Que seems to be a rebuke to heaven, but it is still more painful than before.

Appreciation of Yan's poems

Yan Yisheng's works are rich, including Poems on the Mountain. About 260 words, mainly poetry. It can be said that his ci reached a peak at that time, forming an appreciation form of appealing to both refined and popular tastes, which also played a great role in improving the status of ci.

Yan portrait

The most obvious performance in Yan Shu's poems is a stupid sentence, a few hundred words in a book, which shows his infatuation incisively and vividly. Expressing true feelings in poetry has become the most prominent and remarkable feature of Yan's poems. An affectionate person can write an affectionate article. One of the main manifestations of strict array and fantasy is sadness and sentimentality in his poems. Among them, the strong feelings of recalling the past and feeling love can often touch people's hearts, which is different from the relative desolation of his father. After all, Yan's life experience is much more tortuous than Yan Shu's.

As early as the late Tang Dynasty, there were many lyric poems, many of which were works of "heavy make-up", but it was not until Chae Yeon basically got rid of past feelings, excavated his own personality, and paid more attention to the expression of inner feelings, rather than clinging to romantic things. In addition, Yan's poems are more cautious in using words and have a strong emotional color. In addition, writing dreams is also a major feature of Yan's poems. Nearly a quarter of Yan's poems are written in dreams, and dreams have become frequent visitors to Yan's poems. Whether recalling the past or lamenting life, dreaming about people or expressing good feelings for dreams, it is inseparable from this refuge-like dream world.

Generally speaking, the most obvious characteristics of Yan's poems are rich in emotion, beautiful and touching, and emitting strong charm.

The Original Text and Translation of Yan Fen

Resentment is the epigraph created by poets in the late Tang Dynasty, and many later poets have used it to create excellent works. The famous saying "My heart is in Tianshan Mountain, and my old age is in Cangzhou" comes from "Tell Your Hearts", and here is a poem by Yan, "Tell Your Hearts, Quietly Recall Last Autumn".

Yan told her how she felt.

This word describes Yan's inner loneliness and the consequent suffering of lovesickness. At the beginning, I began to recall the past, thinking of the scene where he and his beloved hugged and said goodbye under the buttonwood tree last autumn. Then, with the allusion of "Red Leaf Poetry", I compared myself to a palace maid in a deep palace, and that loneliness can be imagined. The poems written are mixed with inner regret and resentment, hoping to bring their lovesickness to their lovers, and more to express the poet's sadness.

Since ancient times, running water has been combined with sadness, and so has it here. The poet leans on the tall building alone, looking at the endless running water downstairs with all kinds of amorous feelings, and the sadness in his heart goes with the running water, which can't help but remind readers of a sentence by Li Houzhu: "How much can you worry about?" Like a river flowing eastward. "Although these three short sentences are simple, they are outstanding and give readers a very broad imagination. The last two sentences are "You can't get the book of geese, you can't get the dream of butterflies". Even if it becomes a butterfly, it can't be separated from the surprise of "Who Delivers Brocade". The allusions in front of this episode correspond to each other, which makes the full text more vivid and full. The last sentence "leaning against a tall building" ends with leaning against the building, but the poet's memory of leaning against the building is not over yet. The reader seems to see a lonely hero leaning against the railing of a tall building, thinking of his lover.