Generally speaking, Quentin's films are mostly B-rated films and cult films.
If we analyze his films with a very serious attitude, we will often be led astray by his narrative or characters.
If we try to find a serious truth or philosophy in the director's films to tell us, we will often fail, and we will be confused by this idea and come to the opposite conclusion.
Because his films are mocking the serious life, it is impossible to get any serious philosophy and sum up any laws from the films.
Liberated Jiang Ge is a standard anti-genre film.
Black slaves became cowboys and heroes, and came to a brand-new environment, which had a great impact on this environment.
This is impossible in westerns. Should it be understood as the positive energy of "where there is oppression, there is resistance"? I can't.
Pulp Fiction adopted a circular narrative, all the "good guys" did not have a happy ending, and all the "bad guys" became winners.
The rules of the game were broken and the rules of life were forced to change again.
In Inglourious Basterds, Hitler was assassinated, which is not in line with history.
What if it doesn't conform to history? As long as the heroine completes her revenge and the Nazis are burned to death in hell, that's enough.
Life is boring, and there is no time to think about so many philosophies and laws.
Quentin used his anti-genre movies to tell the audience that movies are not just like standard Hollywood movies, but talents and beautiful women overcome evil. After watching the movie, your life will not change, so use these two hours to feel the thrill of adrenaline surge and satisfy your evil little desires.
At the same time, this is also the reason why Quentin's films are fascinating.