For example, if you want to write that the environment is quiet and there is no sound, you can only write that you can hear cicadas and frogs, and the sound of tiny animals sets off the sparsely populated area.
① Turning motion into stillness, and writing motion with stillness means writing moving things as static things, imagining and describing the form and manner of dynamic things at rest. For example, Li Bai's "Looking at Lushan Waterfall" and "Looking at the Waterfall Hanging in Qianchuan" wrote the first image of looking at the Waterfall from a distance. The flowing water was regarded as a static cloth, and the Waterfall hung in the mountains like a huge white practice. The word "hanging" turned into static, vivid and vivid.
② Turning static into dynamic, writing static with dynamic means writing static things as moving things, imagining and describing the form and manner of static things when they are moving. For example, in Wang Anshi's "Mr. Yin's Wall in the Book Lake", the word "send" brings the still mountain to life.
③ the combination of static and dynamic is to describe static and dynamic things at the same time, so that static and dynamic scenes complement each other, complement each other and make each other interesting. For example, Du Fu's "Man Cheng Yi", "The heron on the sand head is silent, and the fish at the stern is screaming" is a clever combination of visual silence and auditory movement.
④ It is a kind of contrast technique to contrast the static by describing and rendering the dynamic. For example, the scenery painted in Jia Dao's poem titled Li Ning's Living in a secluded place is very quiet, in which the famous sentence "Monk knocks at the door of the moon", a word "knock" is full of movement, action and sound, with movement as the background and sound as the background. In the quiet moonlight, a "knock" comes, which makes the environment more quiet and depicts poetry more accurately; In Wang Ji's Entering Ruoyexi, "The cicada makes the forest quiet, and Tonamiyama is more quiet", which is a model of setting silence by sound.
⑤ It is a kind of contrast technique to describe and render the static, contrast the dynamic and highlight the dynamic. For example, in the poem "Qin Ge" by Tang Li Qi: "once it has begun to play, there is no other sound:, a spell is on the banquet, while the stars grow thin." This is how you feel about the beauty of music when you write and listen to the piano. It is written from the perspective of hearing, and moves with quietness. The next sentence says that the stars are quietly hidden when listening to the piano, which shows that the listener has long been intoxicated with the beauty of music, and the feeling of the passage of time has been forgotten without a trace.
⑥ moving with moving means lining moving things with moving things (including taking static things as moving things). For example, Su Shi's "Looking at the Mountain on the River": "Seeing the mountain on the boat is like a horse, and it is almost hundreds of groups in the past. The front mountain is suddenly abnormal, and the back ridge is like a rush. Looking up, the path is oblique, and there are pedestrians on the street. Raise your hand in the boat to talk, and sail south like a bird. " It stands to reason that people stand in the boat, the boat is moving and the mountain is static, but the author turns it upside down, giving the mountain movement, making the mountains fly in front of him and watching the mountains rush behind him. The whole poem presents a light and magnificent rhythm.
⑦ Dynamic and static contrast is to describe both moving things and static things, which set each other off. 2. What is the meaning of static and dynamic combination in writing?
Literary technique:
In China's ancient poems, poets paid special attention to dynamic description in order to create the ethereal artistic conception of Taoism, and the combination of static and dynamic is a commonly used technique for scenery writing. In the application of this technique, it is unique, "every word is written", and "the realm is all out". As a combination of static and dynamic scenery, it is often to describe the dynamic and static in a kind of artistic conception, and it is often static-oriented, with dynamic lining static (here, "dynamic" contains dynamic and sound: such as "bamboos whisper of washer-girls bound home, lotus-leaves yield before a fisher-boat", "noisy" is sound, and "dynamic" is dynamic), forming a harmonious unity of artistic conception and image. Therefore, the combination of static and dynamic scenery writing techniques can not be completely separated from foil.
In writing articles about landscapes, it is often not impressive to write dynamic or static in isolation. If we can combine dynamic description with static description, we can create a vivid literary scene by writing static and setting static against dynamic.
Typical example:
There is such an example in Wang Wei's famous an autumn evening in the mountains: "moonlight in its groves of pine, stones of crystal in its brooks." The spotless pine trees on the mountain, the bright moonlight, and the mottled shadows left by the moonlight through the gaps in the leaves all give people a clear and quiet feeling-this is to highlight the tranquility in the mountain through static description. In the second sentence, it is written that the mountain spring is full of water after the rain, and the flow potential increases, and it flows through the stone with a gurgling sound-this is a dynamic description, which reflects the tranquility in the mountains with movement.
"Birds in the Stream"-Wang Wei's "When people are idle, sweet-scented osmanthus falls, and the night is quiet and the mountains are empty. When the moon comes out, it surprises the mountain birds, and when it sounds in the spring stream. " This poem is mainly about a quiet night in spring. Flowers fall, the moon rises and birds sing, all of which are moving. The author uses the technique of moving to contrast the static, and receives the artistic effect of "Tonamiyama is more secluded". 3. Writing techniques, what is the combination of static and dynamic
The combination of static and dynamic is a very important writing method. In an appropriate way, the moving things are turned into still life, or the static things are vividly written to set off the static, resulting in a wonderful writing effect, which makes the still life show vitality and vitality, and makes the moving things heavy and solemn, thus showing a different kind of expression. If we properly use this method of combining static and dynamic in our writing, we can get rid of the monotonous defect of the article and make it vivid.
When writing, the observation of things should not only focus on the static modality, but also focus on the dynamic modality, and combine the two to highlight the overall sense and vividness of things. For example, when we wrote about Zhouzhuang in the snow in the article "Water Rhyme of Zhouzhuang", "Under the dazzling sunshine, the ancient town can see full of snow everywhere. On the roadside, on the roof, on the treetops and on the stone steps by the river, pools of snow reflect the sunshine, which is dazzling. The ancient masonry and fresh white snow are interlaced, black and white, like a print with strong color contrast. In the sun, the snow is melting, and the sound of dripping water and running water can be heard everywhere. It is dripping under the eaves of small streets, and the railings of stone arch bridges and bridge opening are drowning ... Listen carefully, and the sound of water is overlapping, like crying, like mysterious and distant Jiangnan silk and bamboo, wrapped in all kinds of tenderness, rising from the ground. " In writing the scenery here, the author adopts the method of combining static and dynamic.
in the same way. When writing people, you can also use the combination of static and dynamic to write, that is, the description of people's appearance, expression, posture, etc., and then write from the perspective of movement and language, which fully highlights the characteristics of the characters.
In addition, when writing, we should boldly innovate, skillfully use rhetorical devices such as metaphor and personification, combine dynamic and static, integrate our unique feelings and create unique effects. For example, in the article "Three Gorges in Badong", when the author wrote about mountains, "The peaks there are high, high and short, layer by layer, just like countless horses running." Here, the author uses the rhetorical device of metaphor to compare the quiet mountains to "countless horses running at Mercedes-Benz", which vividly depicts the dynamic situation of the mountains before and after, and vividly describes the momentum of the mountains. When writing a mountain peak, "This peak is very high, and that peak is even higher. There is a row in front, a row behind, and countless rows behind, layer by layer. You surround me, I surround you, you bite me, I bite you." Here, the anthropomorphic technique and the verb "surround" and "bite" are used to outline the modality surrounded by mountains, reflecting the preciseness of the mountains. From the above examples, we can see that rhetoric is an important way to turn static into dynamic. However, when writing, we should pay attention to the internal relationship between things, especially the verve and likeness between them, because what is mixed between them is more of the author's perception and emotion. If it seems stiff and reluctant, the expression effect will lose its color.
Of course, we should choose according to the actual needs of the article, flexibly choose the method of combining static and dynamic, and be innovative, so as to write a personalized article, write my heart and express my feelings with my pen. 4. What is the combination of dynamic and static
In order to create artistic conception, the author pays special attention to dynamic description. The combination of dynamic and static is a commonly used method of landscape description. In the application of this method, it is unique, "each word is written", and "the realm is all out". As a way of landscape description combining dynamic and static, it often describes dynamic and static in an artistic conception, and it is often static-oriented, with dynamic lining static (here Lotus-leaves yield before a fisher-boat's "noise" is the sound, and "movement" is the movement), which forms the harmonious unity of artistic conception and image. Therefore, the technique of writing scenery by combining static and dynamic can not be completely separated from setting off. In writing articles about scenery, writing dynamic or static in isolation often fails to impress people. If we can combine dynamic description with static description, we can create vivid art. 5. How to write a composition
When writing a composition, you should pay attention to methods and angles, and don't make the article look so dry. For example, when writing people, you should pay attention to the description of appearance, movement, language and psychology, and when writing scenery, you should pay attention to the changes of the shape and color of the scenery, and at the same time, you should learn the writing method of moving from scene to scene to combine the dynamic and static scenery.
Pay attention to the combination of situations in writing. "All scenery words are sentimental words" and so on.
Pay attention to writing skills when writing, for example, use some rhetorical devices, for example, try to be novel at the beginning and end, and end with famous sayings; Often quote some poems, which can enhance the cultural connotation of our composition; Start with a clever story to arouse readers' interest in reading; Starting with a parallelism sentence can enhance the momentum of the article; Start with an inscription or end with an postscript, etc.