I only drink Changsha water and eat Wuchang fish. Across the Yangtze River, you can see the endless sky. No matter how stormy it is, it's better to walk around leisurely. You should have a rest today. Zi Zaichuan said: The deceased is like a husband! As soon as the wind blows, the tortoise and snake calm down, and the grand plan has been set. A bridge flies north and south, and the natural barrier becomes a thoroughfare. Set up the stone wall of Xijiang River, cut off the Yu Yun of Wushan, and let Gaoxia go out of Pinghu. The goddess should be safe and sound, and will surprise the world. As we all know, Mao Zedong loved swimming all his life. In "Qinyuanchun Changsha" written by 1925, "the middle stream hits the water, and the waves will stop flying" is an artistic portrayal of the poet's enterprising spirit and breaking the waves in his youth. Mao Zedong also has a special affection for the Yangtze River, and it is difficult for his busy work to dispel its charm. He compared the vast Yangtze River to the best swimming pool in nature and swam the Yangtze River many times. This is an exciting work of Mao Zedong when he visited the Yangtze River on 1956. From the sentence "only drink Changsha water and eat Wuchang fish", turn out the old song and form a flowing pair. Write down the whereabouts and mood of the patrol first. Here, the two adverbs "Cai" and "You" are coherent, which is not only the coherence of time and the transformation of space, but also conveys an excited and brisk mood of traveling around the world. "Drinking" and "eating" are two details of life, which set each other off and make them interesting. "Water" and "fish", the two characteristic landscapes of Xianghu Lake, are written affectionately. The folk song "Drink Jianye water instead of Wuchang fish" in the Three Kingdoms period reflects a feudal local concept and conservative consciousness. Mao Zedong made a little change, which was contrary to his original intention. It is both natural and interesting to read. The ten words not only vividly explain the poet's journey from Changsha to Wuhan, but also express his lofty sentiments in busy days and express his infinite affection for the socialist motherland. Then, he began to write about swimming with a powerful gesture. "Crossing the river and looking up to the sky" is not only a description of the specific environment, unprecedented feat and heroic will of swimming, but also a presentation of the soul. Two words, Wan Tian, set off from top to bottom, cross vertically and blend scenes. The more he writes about the size of the Yangtze River, the more he shows the poet's contempt for the magnanimity of the moat. Repeatedly express your strong feelings when swimming: "No matter how stormy it is, it's better than walking around. Take a rest today." Here, a picture of a big river is added, which leads to a novel metaphor. In the strong contrast between the dynamic and static environment, the three-layer progressive exposition is used to express the lofty sentiments and ambitions of hitting the water in the middle. The first two sentences are about the calmness when swimming, and the last sentence is about the joy after "freedom". This is the carefree from bondage, the long-awaited satisfaction, the ease of pitching and the joy of riding the storm. Chen Yi's "Ode to the Yangtze River on a Winter Night" says: "Someone swam across the Yangtze River, and the clouds were full and the universe was boundless." Is to make a footnote for this word. "Today is not worth the loss" is the emotional tone of the last film and a summary of swimming. It is on this basis that the conclusion of the last film is drawn: "My son said in Sichuan: The deceased is like a husband!" Mao Zedong has a profound knowledge of classical literature, so he can skillfully master and use various expressions of classical poetry to write. He can not only compose ancient poems or other rhymes into poems, but also compose sentences in prose. The last two sentences are what Confucius said when he saw the disappearance of the Yangtze River while swimming in Mao Zedong. They are not easy to stop sentences in The Analects of Confucius, which gives a brand-new meaning and directly links the fighting storm in the middle reaches with the universal law of social development. There are both sighs for the passage of time and nostalgia for the eventful years; Both tracing history and exploring natural laws; There are both feelings about life and thoughts about the world life; There is not only emotional longing here, but also a clarion call to seize the day and make people forge ahead. In a word, the clever use of these two sentences by Confucius is so natural and without trace, which not only deepens the artistic conception of the words, but also has a deeper meaning, which is very rare in ancient poetry. The following words returned to the real scene in front of us, and naturally launched the "grand plan" of building the Yangtze River. "The wind is moving, the tortoise and snake are not moving, and they are determined to win." The first three sentences begin with the word "wind", followed by the meaning of the last movie, paying attention to the scenery on both sides of the strait: the wind will blow to Qian Fan and Qi Fei, and the two sides will quietly face each other, and then the people of China will begin to implement the grand plan of comprehensively transforming the Yangtze River on the stormy river. A "dynamic" and a "static" set each other off. The first "Rise" stood tall and created new ideas, which fully demonstrated the heroic spirit of the people of China today in building the motherland and changing the mountains and rivers. The following scene has aroused the prospect of the future scene: "A bridge flies north and south, and the natural moat becomes a thoroughfare. It also stands on the stone wall of Xijiang River, cutting off the Yu Yun of Wushan and leaving Pinghu in Gaoxia. " The first two sentences, starting from the most prominent bridge construction in front of us, write some grand plans that are being put into practice. "Flying" and "changing" are realism and expectation. A few strokes, not only wrote the rapid construction of the bridge, and the majestic image of the bridge, but also wrote the historical significance of a bridge connecting the north and south of the great river. The words "stand more" are far away, and a magnificent and magical ideal picture is displayed between the lines.

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