When I think about it, I feel cold from the top of my head to my heels. If they can eat people, they may not eat me. Look at the woman's words of "bite you a few times", the smiles of the group of green-faced and fanged men, and the words of the tenants the day before yesterday. They are obviously secret codes. I saw that his words were full of poison and his smile was full of knives. Their teeth are all white and sharp, they are cannibals.

1. "Diary of a Madman" is China's first modern vernacular novel. It was first published in the monthly magazine New Youth, Volume 4, Issue 5, on May 15, 1918. It is a short work by Lu Xun, collected In Lu Xun's collection of short stories "The Scream". The content is roughly based on what a "madman" sees and hears, pointing out the decay of Chinese culture. "Diary of a Madman" is a milestone in the literary history of modern China, creating the tradition of revolutionary realism in Chinese new literature.

2. "Diary of a Madman" was written in April 1918. It is the first short vernacular novel written by Lu Xun and the first outstanding work of new literature in modern China. It first appeared in the monthly "New Youth" on May 15, 1918, Volume 4, Issue 5, and was later included in the collection "Scream" and compiled into the first volume of "The Complete Works of Lu Xun".

3. The theme of "Diary of a Madman", according to Lu Xun, is "intended to expose the evils of the family system and ethics." What are the "disadvantages"? It is "eating people". Lu Xun used his long-term profound observation of the semi-feudal and semi-colonial old China to issue a deafening cry: Feudalism eats people!

4. Lu Xun once said that "Diary of a Madman" "shows the achievements of the 'literary revolution'" and that it "attacked the hearts of some young readers with its 'profound expression and unique format'". Indeed, "Diary of a Madman" is a milestone in the literary history of modern China, creating the revolutionary modernist tradition of Chinese new literature.