The advantage of seeking dragons is that it is less nonsense and more reliable. I mean the plot. "Searching for the Dragon" tells the story of three gold-touched captains stranded in the United States, but they have no choice but to become professional returnees and return to China to rob the tomb. Bo Huang hesitated first, and then was lured back by the summer rain, while Hu Bayi (Chen Kun), who claimed to wash his hands of it, went back to help Bo Huang. Shu Qi returned to China for love and to see Chen Kun. This is the beginning of the story. Of course, there is a prequel ahead, which is Ding Sitian's fake corpse. Ding Sitian, played by Huang Xiaoming's wife Angelababy, often won the Golden Broom Award. Angelababy's acting in this film is not bad, so it is impossible to take the golden broom again. The beautiful bride should be given an encouragement prize.
In the play, Angelababy's number one rival in love is Shu Qi, Shu Qi is the veteran winner, and grandma winner Liu Xiaoqing is more veteran than her. She plays a cult leader, full of evil spirits. In the end, she is a tragedy. This story tells us not to be a bad person. Of course, don't be an overly good person, otherwise, just like Ding Sitian, although Bo Huang is obsessed with her, Chen Kun has betrayed her realistically, and Hu Bayi is really too realistic! The play focuses on the conflict between realism and romanticism. Hu Bayi stands for realism, preaching to let go of what, be kind to the living, and not be obsessed with the beauty of death. Wang Kaixuan, played by Bo Huang, is a romantic, infatuated with the dead Ding Sitian, and narcissism plus brain damage equals self-mutilation! Wang Kaixuan famously said that forgetting the past is tantamount to betrayal. This kind of rhetoric is only because he has no girlfriend in real life, so he is more persistent than Hu Bayi!
The sequence of the story is 1989. The last three gold-groping captains return empty-handed, and flashbacks are memories of the life of educated youth during the Cultural Revolution 1969. The name Ding Sitian sounds beautiful (the name Ding Sitian is reminiscent of Liu Yiku). She represents youth, beauty, kindness, literary temperament, self-sacrifice to save others, the embodiment of all positive energy, and is simply the author's dream lover. And Shu Qi represents capable, agile, professional and infatuated, willing to give everything for Hu Bayi. The two heroines are both very active. Both female supporting roles are villains, a female leader and a female killer (Japanese in the play), which are symbols of evil, cruelty, selfishness and greed and represent negative energy. Princess Ogu, the dead princess of Qidan, has the brain-dead best artifact of the other flower. She decided to live a decent life, and all the villains died. In this way, the story is finished. The only regret is that Ding Sitian passed away. This is not the fault of Princess Ogu, but the fault of the Japanese, because the munitions explosion left by the Japanese devils killed the educated youth, leaving only two survivors, Bo Huang and Chen Kun. In short, this is a very bizarre story, full of absurd atmosphere.
Ding Sitian, representing socialism; Shu Qi stands for capitalism. Both of them are positive images, and Dante Sita is more perfect than Shu Qi. Liu Xiaoqing represents feudalism, and the female killer represents Japanese militarism. The facial expression of the dragon-seeking tactic is the routine of all commercial films.
If I give 97.6 points to the nine-story demon tower, then I give 98.6 points to the dragon-seeking tactic. Recommended to watch! If the stamina is strong enough, the box office of this movie may catch up with Hong.