1. Poems describing proportion
1) Appreciation of Du Fu's "Spring Night Happy Rain" Good rain knows the season, and spring will happen.
Sneak into the night with the wind, moisturizing things silently. The wild paths are all dark with clouds, but the river boats are only bright with fire.
Look at the red and wet places at dawn, and the flowers are heavy on the official city. "Spring Night Rain" expresses the poet's love and praise for the selfless dedication of the spring night drizzle.
One or two sentences with the word "good" are affectionate and praise the spring rain. "Knowing the season" gives the spring rain human life and emotions. In the author's opinion, the spring rain is considerate, knows the season, and comes when people are in urgent need, stimulating vitality.
What a wonderful spring rain! The first couplet not only talks about the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood for the spring rain to come. The couplets are obviously the poet's auditory experience.
The spring rain comes, coming with the wind in the vast night, quietly, nourishing all things, with no intention of seeking "good", but only seeking dedication. Look, how carefully the author observed the scene of listening to the rain. Even the sprinkling of spring rain and the silence were heard by the poet.
It can be seen that the poet was so surprised by the subtle influence of spring rain that he could not sleep all night. The neck couplet tightly holds the chin couplet. The poet only hopes that the spring rain will last all night, but he is afraid that it will stop suddenly. He is both happy and worried. He opens the door and stands looking into the distance. He sees that the usually clear-cut field paths have also melted into the night. It is pitch black, and it can be seen that there is night. How dark and how heavy the rain was.
The red boats and fishermen on the river are dazzling, reflecting the vastness and darkness of the spring night, and also highlighting the dense spring rain from the side. At the end of the poem, the poet witnessed the continuous spring rain and thought with relief that at dawn the next day, Jinguan City will be a colorful spring.
The redness and vitality of the flowers are the result of the subtle, moistening and condensation of the silent drizzle... 2) Appreciation of Bai Juyi's "Spring Journey to Qiantang Lake" North of Gushan Temple and west of Jia Pavilion, the water surface is initially flat The clouds are low. In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud.
The wild flowers are becoming more and more charming, and only Asakusa has no horse hooves. My favorite part of the lake is the east side of the lake, where the green poplar trees shade the white sand embankment.
The first couplet writes from a broad perspective, describing the scenery seen in Gushan Temple. The first sentence is the location, the second sentence is the perspective.
"Chuping" refers to the beginning of spring water, which is slightly level with the embankment. "Cloud feet are low" refers to white clouds hanging low, connected with the lake, and outlines the outline of early spring.
The calm water below and the low clouds in the sky form a tranquil ink painting of the West Lake. The chin couplet writes about Ying Yan, which the poet saw during his travels.
The warblers are the singers of spring, and they all fly to the sunny trees to sing; the swallows are the messengers of spring, and they have begun to build nests with mud in their mouths, and they are full of vitality. Using "Zhao" to describe Huang Ying reflects Bai Juyi's sincere love for these vibrant little lives.
The word "struggle" makes people feel how rare and precious spring is. Using the word "pecking" to describe the busy and excited expression of the swallow seems to bring the little swallow to life.
These two sentences deliberately depict the dynamics of warblers and swallows, making the whole poem filled with the vitality and vitality of spring. The neck couplets write flowers and plants, focusing on expressing the poet's feelings.
The horse walks very briskly on the shallow grass. If you look at the flowers for a long time, your eyes will be filled with colorful flowers, which will make people dizzy and make you feel confused. This couplet and the first couplet are the core part of the poem, and they are also the finishing touch in Bai's poem describing the spring scenery, especially the description of the spring scenery in the West Lake.
This is a description of scenery that is full of emotion and vitality, which fully demonstrates Bai Juyi's meticulous observation of the objects he describes and his ability to accurately grasp their characteristics. The last couplet describes the scene of the white sand embankment, expressing his heart directly and expressing the poet's joyful mood.
"Insufficient action" means not seeing enough, which means that the poet forgets to leave. From the north of Gushan to the present Pinghu Qiuyue and Baidi, the poet has walked all the way to report the news of spring to people: the spring water is new on the lake, the spring orioles are singing on the trees, the spring swallows are carrying mud in the air, the spring flowers are gradually blooming on the embankment, and the spring grass is just green. The poet The sharp and delicate brushstrokes allow people to realize that West Lake is stretching out its spring clothes.
The poet praised the spring scenery of West Lake and pointed out that he loved walking on the white sand embankment most. There is water on both sides of the Baidi, and both sides of the embankment are filled with willows and peach trees.
When you walk on the Baidi in spring, the bleak lake water is at your feet, and you seem to be walking on the water; the willow branches in early spring are like smoke, like mist, like threads, floating in your lap. The face makes infinite tenderness and infinite love surge in your heart, making you feel like you are in a dream or a fairyland. When walking on Baidi in spring, you can better appreciate the feeling and mood of the poet when he wrote this poem.
The title of the whole poem is mainly based on the word "行", which is closely connected with the word "春行" to describe the scenery. However, the area of ??West Lake is too large and the journey is too long, so the poet only cut out one section to write - starting from the north of Gushan Temple and ending at Baisha Embankment.
Reading this poem, we naturally have the feeling of following the poet as he enjoys the scenery of West Lake in early spring. The whole poem has a strict structure, rigorous rhythm, neat dialogues, fluent language, vivid and natural language, and a simple tone, which reflects the characteristics of popular and smooth.
The poet described the flourishing spring on the lake from an overall perspective, and was good at describing the scenery during the journey, selecting typical examples and combining them with classification: in the middle, he wrote four words: orioles, swallows, flowers, and grass. This is the most beautiful scenery in spring, with unique combinations of animals and plants. He is also good at grasping the characteristics of scenery and using the most expressive words to describe and render them.
3) Appreciation of Du Mu's "Jiangnan Spring Quatrains" The orioles are singing thousands of miles away, reflecting the green river, and the wine flags are blowing in the mountains and rivers of water. There are four hundred and eighty temples in the Southern Dynasty, and there are many towers in the mist.
This is a poem describing the scenery of Jiangnan. How charming and desirable Jiangnan is. "When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue." Bai Juyi has painted us a gorgeous picture, but it is only a macroscopic picture, and Du Mu's "Jiangnan Spring" It was relatively specific and seemed to take us to visit several scenic spots, which made our impression even more profound.
In this poem, Du Mu not only depicts the bright spring scenery in the south of the Yangtze River, but also reproduces the misty and rainy terrace scenery in the south of the Yangtze River, making the scenery in the south of the Yangtze River more magical and confusing, and has a special interest. "Thousands of miles away, the orioles are singing, the green is reflected in red, and the water village is in the mountains, and the wine flag is winding." First of all, the poet brings us into the world of red flowers and green willows in the south of the Yangtze River.
Look, there are singing and dancing birds everywhere, green trees and red flowers everywhere; the village in Dishui, the city wall on the mountain, especially the wine flag fluttering in the wind, how fascinating it is! "Thousands of Miles" means that the whole Jiangnan is written, but the whole is expressed through specific images. "There are four hundred and eighty temples in the Southern Dynasties, and there are so many towers in the mist and rain." Here is an important part of the transition to the scenery of the south of the Yangtze River - temples, which add a sense of vicissitudes. Many Buddhist buildings left over from the Southern Dynasties are looming in the spring breeze and rain. , adding to the confusing beauty. 2. Verses describing proportion
1) Appreciation of Du Fu's "Spring Night Happy Rain" Good rain knows the season, and spring will happen.
Sneak into the night with the wind, moisturizing things silently. The wild paths are all dark with clouds, but the river boats are only bright with fire.
Look at the red and wet places at dawn, and the flowers are heavy on the official city. "Spring Night Rain" expresses the poet's love and praise for the selfless dedication of the spring night drizzle.
One or two sentences with the word "good" are affectionate and praise the spring rain. "Knowing the season" gives the spring rain human life and emotions. In the author's opinion, the spring rain is considerate, knows the season, and comes when people are in urgent need, stimulating vitality.
What a wonderful spring rain! The first couplet not only talks about the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood for the spring rain to come. The couplets are obviously the poet's auditory experience.
The spring rain comes, coming with the wind in the vast night, quietly, nourishing all things, with no intention of seeking "good", but only seeking dedication. Look, how carefully the author observed the scene of listening to the rain. Even the sprinkling of spring rain and the silence were heard by the poet.
It can be seen that the poet was so surprised by the subtle influence of spring rain that he could not sleep all night. The neck couplet tightly holds the chin couplet. The poet only hopes that the spring rain will last all night, but he is afraid that it will stop suddenly. He is both happy and worried. He opens the door and stands looking into the distance. He sees that the usually clear-cut field paths have also melted into the night. It is pitch black, and it can be seen that there is night. How dark and how heavy the rain was.
The red boats and fishermen on the river are dazzling, reflecting the vastness and darkness of the spring night, and also highlighting the dense spring rain from the side. At the end of the poem, the poet witnessed the continuous spring rain and thought with relief that at dawn the next day, Jinguan City will be a colorful spring.
The redness and vitality of the flowers are the result of the subtle, moistening and condensation of the silent drizzle... 2) Appreciation of Bai Juyi's "Spring Journey to Qiantang Lake" North of Gushan Temple and west of Jia Pavilion, the water surface is initially flat The clouds are low. In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud.
The wild flowers are becoming more and more charming, and only Asakusa has no horse hooves. My favorite part of the lake is the east side of the lake, where the green poplar trees shade the white sand embankment.
The first couplet writes from a broad perspective, describing the scenery seen in Gushan Temple. The first sentence is the location, the second sentence is the perspective.
"Chuping" refers to the beginning of spring water, which is slightly level with the embankment. "Cloud feet are low" refers to white clouds hanging low, connected with the lake, and outlines the outline of early spring.
The calm water below and the low clouds in the sky form a tranquil ink painting of the West Lake. The chin couplet writes about Ying Yan, which the poet saw during his travels.
The warblers are the singers of spring, and they all fly to the sunny trees to sing; the swallows are the messengers of spring, and they have begun to build nests with mud in their mouths, and they are full of vitality. Using "Zhao" to describe Huang Ying reflects Bai Juyi's sincere love for these vibrant little lives.
The word "struggle" makes people feel how rare and precious spring is. Using the word "pecking" to describe the busy and excited expression of the swallow seems to bring the little swallow to life.
These two sentences deliberately depict the dynamics of warblers and swallows, making the whole poem filled with the vitality and vitality of spring. The neck couplets write flowers and plants, focusing on expressing the poet's feelings.
The horse walks very briskly on the shallow grass. If you look at the flowers for a long time, your eyes will be filled with colorful flowers, which will make people dizzy and make you feel confused. This couplet and the first couplet are the core part of the poem, and they are also the finishing touch in Bai's poem describing the spring scenery, especially the description of the spring scenery in the West Lake.
This is a description of scenery that is full of emotion and vitality, which fully demonstrates Bai Juyi's meticulous observation of the objects he describes and his ability to accurately grasp their characteristics.
The last couplet describes the scene of the white sand embankment, expressing his heart directly and expressing the poet's joyful mood.
"Insufficient action" means not seeing enough, which means that the poet forgets to leave. From the north of Gushan to the present Pinghu Qiuyue and Baidi, the poet has walked all the way to report the news of spring to people: the spring water is new on the lake, the spring orioles are singing on the trees, the spring swallows are carrying mud in the air, the spring flowers are gradually blooming on the embankment, and the spring grass is just green. The poet The sharp and delicate brushstrokes allow people to realize that West Lake is stretching out its spring clothes.
The poet praised the spring scenery of West Lake and pointed out that he loved walking on the white sand embankment most. There is water on both sides of the Baidi, and both sides of the embankment are filled with willows and peach trees.
When you walk on the Baidi in spring, the bleak lake water is at your feet, and you seem to be walking on the water; the willow branches in early spring are like smoke, like mist, like threads, floating in your lap. The face makes infinite tenderness and infinite love surge in your heart, making you feel like you are in a dream or a fairyland. When walking on Baidi in spring, you can better appreciate the feeling and mood of the poet when he wrote this poem.
The title of the whole poem is mainly based on the word "行", which is closely connected with the word "春行" to describe the scenery. However, the area of ??West Lake is too large and the journey is too long, so the poet only cut out one section to write - starting from the north of Gushan Temple and ending at Baisha Embankment.
Reading this poem, we naturally have the feeling of following the poet as he enjoys the scenery of West Lake in early spring. The whole poem has a strict structure, rigorous rhythm, neat dialogues, fluent language, vivid and natural language, and a simple tone, which reflects the characteristics of popular and smooth.
The poet described the flourishing spring on the lake from an overall perspective, and was good at describing the scenery during the journey, selecting typical examples and combining them with classification: in the middle, he wrote four words: orioles, swallows, flowers, and grass. This is the most beautiful scenery in spring, with unique combinations of animals and plants. He is also good at grasping the characteristics of scenery and using the most expressive words to describe and render them.
3) Appreciation of Du Mu's "Jiangnan Spring Quatrains" The orioles are singing thousands of miles away, reflecting the green river, and the wine flags are blowing in the mountains and rivers of water. There are four hundred and eighty temples in the Southern Dynasty, and there are many towers in the mist.
This is a poem describing the scenery of Jiangnan. How charming and desirable Jiangnan is. "When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue." Bai Juyi has painted us a gorgeous picture, but it is only a macroscopic picture, and Du Mu's "Jiangnan Spring" It was relatively specific and seemed to take us to visit several scenic spots, which made our impression even more profound.
In this poem, Du Mu not only depicts the bright spring scenery in the south of the Yangtze River, but also reproduces the misty and rainy terrace scenery in the south of the Yangtze River, making the scenery in the south of the Yangtze River more magical and confusing, and has a special interest. "Thousands of miles away, the orioles are singing, the green is reflected in red, and the water village is in the mountains, and the wine flag is winding." First of all, the poet brings us into the world of red flowers and green willows in the south of the Yangtze River.
Look, there are singing and dancing birds everywhere, green trees and red flowers everywhere; the village in Dishui, the city wall on the mountain, especially the wine flag fluttering in the wind, how fascinating it is! "Thousands of Miles" means that the whole Jiangnan is written, but the whole is expressed through specific images. "There are four hundred and eighty temples in the Southern Dynasties, and there are so many towers in the mist and rain." Here is an important part of the transition to the scenery of the south of the Yangtze River - temples, which add a sense of vicissitudes. Many Buddhist buildings left over from the Southern Dynasties are looming in the spring breeze and rain. , adding to the confusing beauty. 3. What are some famous sayings about propriety?
1. You must be propriety in what you say between two enemies, lest you will be embarrassed after they reconcile. (Sadie)
2. Don’t do everything according to your own will. Those who praise chivalry and love to fight against injustice often lose their sense of proportion the more they are proud of themselves. It seems to be to help others, but once you get used to pretending to be a hero, you will inevitably not put the interests of being a hero first. (Zhang Dachun)
3. A sense of proportion is a sign of mature love. It knows how to observe the necessary distance between people. This distance means respect for the other person as an independent personality, including respect for the other person’s ability to be alone. right. (Zhou Guoping)
4. Vanity is indeed a weakness. As for arrogance, since it is just a sense of spiritual superiority, people have always grasped his sense of proportion. (Jane Austen)
5. A yellow and old lamp, time is silent beside it, loneliness has no sense of measure, does not understand the difference between severity, silence supports the leap over strangers, quietly Looking at the early morning and dusk, your figure loses its balance and sinks slowly. (Liu Genghong)
6. I even feel that my uncle’s book has changed. This is the worse, the worst situation. I always thought they were dead. But now every word in it - like the pictures on the wall - comes out and is full of meaning. My thoughts were confused and my speech was stammering. I lost my sense of proportion. (Sarah Waters)
7. Etiquette is a subtle thing. It is indispensable for human communication, and it cannot be overestimated. If you value etiquette above all else, you will lose the sincere trust between people. Therefore, we must be good at finding a sense of proportion in language communication so that it is straightforward but not rude. This is the hardest and the best. (Francis Bacon)
8. Don’t tell me that you will pay attention to the rules. I can’t adapt to the rules between you.
(Qingshan Luotuo)
9. Is love a kind of talent or a kind of innocence? I don't think too much, I don't ask too much, let love forget about propriety, let me work hard without caring about myself! (Mayday)
10. Spiritual greatness does not manifest itself in high spirits, but in being temperate and measured. (Montaigne)
11. I even think that my uncle's book has changed. This is the worse, the worst situation. I always thought they were dead. But now every word in it - like the pictures on the wall - comes out and is full of meaning. My thoughts were confused and my speech was stammering. I lost my sense of proportion. (Sarah Waters)
12. Etiquette is a subtle thing. It is both indispensable for human communication and cannot be overestimated. If you value etiquette above all else, you will lose the sincere trust between people. Therefore, we must be good at finding a sense of proportion in language communication so that it is straightforward but not rude. This is the hardest and the best. (Francis Bacon)
13. Your traces are still here with me, like dust without measure, following you like a shadow, and your arrogance stings me. (Lin Yifeng)
14. I have my own rules for falling in love and it will not affect my studies! (Li Gongjun)
15. In language communication, you must be good at finding a sense of proportion, making it straightforward but not rude. This is the hardest and the best. (Francis Bacon) 4. Stories or famous sayings about propriety
Idiom: Don’t talk about propriety
Allusion:
"Warring States Policy·Qi Ce" "Three": "Mr. Mengchang is not a prince, but he serves me as food for four horses and a hundred people. I got this without any measure of merit, but I destroyed it for nothing." "Kong Jun's Epitaph" by Han Yu of the Tang Dynasty: "Everyone in the shogunate , Only public affairs and no private interests. "Ming Fang Xiaoru's "Reply to Zheng Zhong's Bian Shu" 2: "The servant guards an official and has no sense of propriety. It is just a white person."
"Northern History· "The Biography of Gao Yun": "When Yun heard about it, he said that Lang Zongqin, the author of the book, said: 'Min Zhan's camp may be a disaster for the Cui family for eternity, and my disciples are like no other.' It will be difficult to do it in a short time." Li Dazhao's "Youth": "Other elegant and elegant people may go out at night holding candles; they may be diligent and hard-working, or they may value propriety."
The third chapter of the fifth book of Wang Shifu's "The Romance of the West Chamber": "A blind eye cannot recognize good people, and it is a source of trouble." , "I don't know what's right." Chapter 23 of "Heroes of Sons and Daughters": "You and I have always loved each other and treated each other as if they were guests. Even in the boudoir, we should have a certain sense of propriety." Chapter 4 of Cao Ming's "Riding the Wind and Waves": "He seems to be afraid of hurting her heart, so he pays great attention to the propriety of his speech." 5. Verses about scale
Zhu Ziqing (1898-1948), formerly known as Zihua, also known as Qiushi, changed his name to Ziqing, with the courtesy name Pei. Xian; native of Shaoxing, Zhejiang, born in Donghai, Jiangsu; famous modern essayist, poet, scholar, and democratic fighter; his prose is simple and meticulous, clear and meaningful, with refined language, clear writing style, and full of true feelings. Zhu Ziqing is famous for his unique The artistic style of beautiful prose has added magnificent colors to modern Chinese prose, established a new aesthetic feature of modern Chinese prose, and created a prose system and style with Chinese national characteristics; the main works include "Looking for Chao", "Traces", " "Back View", "Miscellaneous Notes on Travels in Europe", "You and Me", "Examples of Intensive Reading Guidance", "Examples of Skimming Reading Guidance", "Chinese Language Teaching", "Poetic Commentary", "New Poetry Miscellanies", "Standards and "Standard", "On Appreciation of Elegance and Popularity".
We have read his "Spring" and "Moonlight over the Lotus Pond" 6. Find some fragrant poems, pay attention to the proportion, and make them colorful but not vulgar
1. "Bodhisattva Man" "Li Yu's poem describes the affair between Li Yu and Xiao Zhouhou
The bright moonlight and the dark mist cover the flowers. It's a good time to go to Langbian tonight. Wearing stockings and walking up the fragrant steps,
Hand-held gold-threaded shoes¤
Seeing him on the south side of the painting hall, he trembled for a while. It's hard to come out, so I teach you how to show mercy.
The girl on the rooftop of Penglai courtyard is closed, and there is no one saying anything while sleeping in the painting hall. Throwing the pillow under the green cloud light,
The embroidered clothes smelled the strange fragrance¤
The bead locks lurked, and I was startled to realize the mandarin duck dream. The smile on his face is full of smiles, and he looks at each other with infinite affection.
The rhyme of the copper spring is crisp and cold, and the sound of the new sound is slow and delicate. The eyes are dark and hooked,
The autumn waves are about to flow¤
The rain clouds are deep in the house, and they are in harmony when they come. After the banquet, it became empty again, and I fell asleep in a dreamy spring.
How can we avoid sorrow and hatred in life, and how can we limit our feelings when we are alone. The dream of the motherland is back,
When I wake up, I shed tears¤
Who can climb the tall building? I will always remember the autumn scenery. The past has become empty, still like a dream.
2. Bodhisattva Manniuqiao
The fragrance of the dance skirt warms the golden mud phoenix, and the painted Liang Yuyan is frightened and left in dreams. Willow flowers are flying outside the door, but the jade man has not returned yet.
Red and pink tears are shed evenly in sorrow, and the eyebrows are cut in spring and the mountains are green. Where is Liaoyang, Jinping has long spring days.
Where the willow flowers are flying, the orioles are singing urgently, and the spring scenery is fragrant and the cars are standing on the clear street. The small golden phoenix curtain is opened, and the face is full of waves and hatred.
To pursue your dreams tonight, it’s hard to go to a brothel. Win a battle of sorrow, who will end up together?
The ancient jade hairpin stirs in the wind and the spring flags rush, and the red apricot branches weep in the smoke. Looking at Qingqing upstairs, the window is cold and the rain is clear.
The smoked stove is covered with green quilts, and the mandarin ducks sleep in the embroidered tent.
Where do we know each other? I envy him for his first time painting his eyebrows.
I know that the painting screen overlaps with Wuyang Cui, and the God of Chu still has the intention of moving clouds. I have a deep love for him day and night.
The romance is divided between the present and the past, and I am just a guest in Qutang. The mountain moon shines on the mountain flowers, and the shadows of the lights slant back in my dreams.
On the main wind curtain, swallows dance and orioles crow, and the dressing table is about slim hands with low temples. The hairpin is in a heavy bun with a branch of red peony.
Guests are enjoying themselves in front of the door, and the white horses are neighing in the spring scenery. Therefore, if you fall into a golden whip, you should see it when you look back.
There are golden birds flying on the temples of the green clouds, and the green spring smoke is thin on the frowning brows. The fragrant pavilion covers the hibiscus, and the mountains are painted with several layers of colors.
It’s cold outside the window and the sky is about to dawn, but we still have the same heart. Crying pink and fluttering Luo Yi, I asked him when he would return.
The ancient jade stove is made of ice and mandarin duck brocade, and the powder melts incense and sweats the mountain pillow. There was the sound of a windlass outside the curtain, and he raised his eyebrows and smiled in surprise.
The willow shade is smoky in the desert, and the cicada hairpin falls from the temples. I have to work hard for a lifetime to make you happy today.
3. The eighteenth-year-old bride has pale hair and red makeup. The mandarin ducks sleep in pairs at night, and a pear tree presses the begonia. ——Su Dongpo
This refers to the love between old husbands and young wives
Since ancient people were more euphemistic and there were not many Confucian poems, the above are the answers that can be seen in basically existing poems. 7. Sentences expressing propriety
1. Good rain knows the season, and spring will happen. Sneaking into the night with the wind, moistening things silently.
Author: Du Fu Source: "Spring Night Happy Rain"
Meaning: Spring rain is considerate, knows the season, and comes when people are in urgent need, stimulating vitality. What a wonderful spring rain.
2. To the north of Gushan Temple and to the west of Jiating, the water surface is initially flat and the clouds are low. In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud.
Author: Bai Juyi Source: "Spring Journey to Qiantang Lake"
Meaning: Orioles are the singers of spring, and they all compete to fly to the trees facing the sun to sing; swallows are the messengers of spring, It has begun to hold mud and build nests, and it is full of vitality.
3. The orioles are singing thousands of miles away, reflecting the green river, and the wine flags are blowing in the mountains and rivers of water villages.
Author: Du Mu Source: "Jiangnan Spring Quatrains"
Meaning: Orioles are singing and swallows are dancing everywhere, green trees and red flowers are everywhere; the villages in Dishui, the city walls on the mountain, especially those The wine flags fluttering in the wind are so fascinating!
4. If you don’t accumulate steps, you won’t be able to reach a thousand miles; if you don’t accumulate small streams, you won’t be able to become a river.
Author: Xunzi Source: "Encouraging Learning"
Meaning: Without the accumulation of one and a half steps, there is no way to reach a place thousands of miles away; without the accumulation of small rivers, there is no way to merge into a river and a sea.
5. In all matters, big and small, there are successes and failures, gains and losses.
Author: Laozi Source: "On Human Nature"
Meaning: There is always a root cause for success or failure in the world. There are thousands of things, that is, there are thousands of root causes. The way people conduct themselves in the world has a great bearing on the success or failure of things.